In many places there was no trail at all, and I encountered difficulties, but in the end without much loss of time I entered the narrow rugged entrance of the canyon I had named Surprise Valley. Sight of the great dark cave thrilled me as I thought it might have thrilled Bess and Venters, who had lived for me their imagined lives of loneliness here in this wild spot. With the sight of those lofty walls and the scent of the dry sweet sage there rushed over me a strange feeling that 'Riders of the Purple Sage' was true. My dream people of romance had really lived there once upon a time. I climbed high upon the huge stones, and along the smooth red walls where Pay Larkin once had glided with swift sure steps, and I entered the musty cliff-dwellings, and called out to hear the weird and sonorous echoes, and I wandered through the thickets and upon the grassy spruce-shaded benches, never for a moment free of the story I had conceived there. . . .

    It consists of 143 paintings of small size, rarely larger than 20 x 30 inches, many of them now considered icons of 20th century art, most of them seIf-portraits. The reasons for this ostensible narcissism were closely bound up with Kahlo's biography, with the country and epoch in which she grew up, and with her decidedly eccentric character. It was no coincidence that the major enigmatic minds of the 16th century, namely Hieronymous Bosch and Pieter Bruegel the Elder, were among her favorite painters. For Frida Kahlo never displayed her wounds directly--be it the physical wounds caused by accidents and illness, or the psychological inner wounds. Hers is a subtly enciphered symbolic language, rich in metaphors drawn from almost all the world's cultures. Aztec myths of creation. Far Eastern and Classical Greek mythology, and popular Catholic beliefs all mingle in Kahlo's pictures with Mexican folklore and the stuff of quotidian life, with Marx and Freud. Andre Breton, one of her many admirers among the European avant-garde, once described Kahlo's art as a "colored ribbon round a bomb." Exotic and explosive, sensuous and fascinatingly vital in terms of artistic statement. Kahlo's paintings shed a complex and often frightening light on her soul, her "inner reality." as she called it. If the incessant commercial marketing of Kahlo's paintings over the past decade had obscured a clear view of her extraordinary oeuvre, this present monograph attempts to make amends "Frida Kahlo: The Painter and Her Work returns to the heart, to 42 select masterpieces, reproduced in full and in detail. The painterly quality, the beauty, and theimmense wealth of details in Kahlo's paintings is laid out before the reader's eyes, as is the abyss in which the artist found herself.

    Through careful use of modern examples and engaging activities, this text provides an accessible, readable, student-centred guide to Descartes' Meditations, which is a set text for AQA AS Philosophy.

    Paul Gallagher, the elder brother of Noel and Liam, discusses their childhood, their father, their musical beginnings and their rise to fame, as well as considering their future.

    In lavish, pitch-perfect, and supple, readable prose, Burgess matches his splendid Shakespeare novel, Nothing Like the Sun. The whole world of Elizabethan England—from the intrigues of the courtroom, through the violent streets of London, to the glory of the theater—comes alive in this joyous celebration of the life of Christopher Marlowe, murdered in suspicious circumstances in a tavern brawl in Deptford more than four hundred years ago.

    Tarka the otter pursues an active life, sometimes playful and sometimes dangerous, in the Devonshire countryside.Tarka the Otter relates the adventures of a wild otter, his narrow escapes from Deadlock, the hound, and their final confrontation in the Torridge River

    When she was 18 her family moved to Broome, and it was the first time she'd ever used a telephone or seen a television.A year later, only hours after being railroaded into marriage by a fast-talking Yank, Sheryl locked eyes with Bob McCorry, a drover and buffalo shooter. When her marriage ended after only a few months, they began a love affair that would last a lifetime and take them to the Kimberley's harshest frontiers.Sheryl became the only woman in a team of stockmen. She soon learned how to run rogue bulls and to outsmart the neighbours in the toughest game of all – mustering cattle. The playing field was a million acres of unfenced, unmarked boundaries.Sheryl went on to become the first woman in the Kimberley to run two million-acre cattle stations, but her life was not without its share of tragedy. Her story is an epic saga of life in one of the toughest and most beautiful terrains in Australia – a story of hardship, drought, joy and triumph.

    From the unforgettable moment when a wild chimpanzee gently grasps her hand to the terror of a hostage-taking and the sorrow of her husband's death. Here, thoughtfully exploring the challenges of both science and the soul, she offers an inspiring, optimistic message as profound as the knowledge she brought back from the forests, and that gives us all...reason for hope.

    Niv, according to his friends, was much the same off-screen. Both men and women were enchanted by his charisma, humour and joie-de-vivre. In addition to winning an Oscar for Separate Tables (1958), Niven was a polished writer, and published two volumes of lighthearted autobiography: THE MOON'S A BALLOON (1972) and BRING ON THE EMPTY HORSES (1975). Yet behind those twinkling eyes, Niv's life was punctuated by tragedy and he was often deeply unhappy. From the death of his father when Niven was five, to his mother's neglect and the stepfather he loathed, through to the death of his beloved first wife and his volatile and disturbing marriage to his second wife, Hjordis, tragedy and hardship were never far away. Graham Lord, using new material from Niven's private papers, manuscripts, unpublished stories and correspondence, has written a fresh, revealing, funny and poignant portrait of a brave and brilliant man. Fully authorised by Niven's family and drawing from dozens of interviews with stars, from Lauren Bacall to Roger Moore and Sir John Mills, NIV: the Authorised Biography of David Niven is a fitting tribute to one of Hollywood's greatest heroes.

    He has stood in the path of oncoming icebreakers to protect seal nurseries, and overturned the law that shielded hunters of baby seals from protest and active intervention to stop slaughter. He is the environmentalist who scathingly referred to Greenpeace, an organization he helped found, as "the Avon ladies of the environmental movement." Now he owns a submarine.Why? Paul Watson's unswerving mission is to publicize -- and stop -- the atrocities committed against the creatures who inhabit the world's oceans.His life story is one of a man with more than the courage of his convictions -- time and time again he has risked his life for his beliefs. He rammed the Sierra, a whaling vessel whose masters illegally slaughtered 25,000 whales; he sailed up to a whale processing plant in the former Soviet Union and calmly snapped photographs when confronted with armed guards; he drove a Cuban fishing boat off the Grand Banks to protect the depleted cod population and he founded the radical and confrontationalist Sea Shepherd Conservation Society, after he became disillusioned with Greenpeace tactics.Ocean Warrior is the story of Paul Watson's conservation career -- an amazing chronicle of bravery, horrifying slaughter and international intrigue. A story of passion and principles, it will not easily be forgotten by anyone who cares about the fate of our oceans -- or our planet.

    But despite his lack of recognition, Mr. Hennen...has simply gone about his calling with humility and gratitude in a culture whose primary crop has become fame. He just watches, waits and then strikes, delivering heart-buckling lines.” —Dana Jennings, The New York Times"As with Ted Kooser, Tom Hennen is a genius of the common touch. . . . They are amazingly modest men who early accepted poetry as a calling in ancient terms and never let up despite being ignored early on. They return to the readers a thousandfold for their attentions."—Jim Harrison, from the introduction"Many readers will appreciate this evocation of a life not as commonly portrayed in contemporary verse."—Library Journal"There is something of the ancient Chinese poets in Hennen, of Clare and Thoreau, although he is very much a contemporary poet."—Willow Springs"One of the most charming things about Tom Hennen's poems is his strange ability to bring immense amounts of space, often uninhabited space, into his mind and so into the whole poem."—Robert Bly"America is a country that loves its advertising. That loves its boxes we can put people and places into. We love 'Heartland' as opposed to 'Dustbowl.' We also love to be surprised. Rural Minnesota, as written by Tom Hennen in Darkness Sticks to Everything, is a world of realistic loneliness and lessons. It’s a collection of sincere poems about man and the land."—The Rumpus"Hennen is a master of the prose poem [who] can take little details, tiny details and make them universal."—River Falls Journal"What separates Hennen from many of his contemporaries is his willingness to identify with the natural world in a way that feels neither possessive nor self-serving, but simply (once again) sincere."—Basalt Magazine"There is something strong in all Tom Hennen's poems, an awareness and a clear, sure voice... I don't usually want to end by saying 'Buy this book,' but I'm going to say it this time: 'You should buy this book.'"—Fleda Brown, Interlochen Public Radio, "Michigan Writers on the Air"Tom Hennen gives voice to the prairie and to rural communities, celebrating—with sadness, praise, and astute observations—the land, weather, and inhabitants. In short lyrics and prose poems, he reveals the detailed strangeness of ordinary things. Gathered from six chapbooks that were regionally distributed, this volume is Hennen's long-overdue introduction to a national audience. Includes an introduction by Jim Harrison and an afterword by Thomas R. Smith."In Falling Snow at a Farm Auction"Straight pine chairComfortableIn anyone's company,Older than grandmotherIt enters the presentIts arms wide openWanting to hold another young wife.Tom Hennen, author of six books of poetry, was born and raised in rural Minnesota. After abandoning college, he married and began work as a letterpress and offset printer. He helped found the Minnesota Writer's Publishing House, then worked for the Department of Natural Resources wildlife section, and later at the Sand Lake National Wildlife Refuge in South Dakota. Now retired, he lives in Minnesota.

    One Christmas Eve an emaciated deer stumbled across the yard of Helen Hoover’s remote cabin in northern Minnesota. Barely surviving the brutal winter, gaunt from starvation, blind in one eye from a hunting wound, he became the central character in Hoover’s best-selling book, The Gift of the Deer.Hoover and her husband Adrian named this deer Peter and nursed him back to health, setting out cedar branches, corn, and carrots. From that Christmas on, the Hoovers observed Peter and his growing clan for four years. Hoover relates the story of these deer, including the birth of new fawns, the danger of predators, even the amusing way a mother deer teaches “manners” to her young.The Gift of the Deer, first published in 1966, sold over 50,000 copies and is Hoover’s best-selling book. It is now available in an inexpensive paperback edition that is beautifully illustrated by Adrian Hoover. Readers young and old will delight in this touching story of two north woods families.

    

    Narayan has few rivals when it comes to bringing alive people and places. Most of his timeless novels are set in the fictional town of Malgudi, located somewhere in South India, a town as real to his readers as any they will find on the map. This volume contains three quintessential Malgudi novels — Swami and Friends, The Bachelor of Arts and The Vendor of Sweets. Swami and Friends, published in 1935, was the first novel Narayan wrote. Described by Graham Greene as a novel in ten thousand, it recounts the adventures of ten-year-old Swaminathan and his friends Rajam and Mani. The Bachelor of Arts, the second novel in the collection, is a brilliantly realized account of the workings of a young man’s mind. It is the story of Chandran, in his final year at college, who falls hopelessly in love and is forced to exile himself from the familiar surroundings of Malgudi until he is able to arrive at a satisfactory resolution to his problems. The Vendor of Sweets showcases a classic cross-generational battle, between Jagan, a widower of firm Ghandian principles, and his ‘modern’ son Mali, who returns to Malgudi with a half-American wife and a grand plan for selling story-writing machines.The third in the series of Penguin India’s collectors’ editions of the Malgudi novels, The Magic of Malgudi, with an introduction by S. Krishnan, will delight first-time readers as well as devoted Narayan fans.

    Out of the Box brings together the very best of Harsha’s writings, in a book that will be a veritable delight for any cricket fan.Knowledgeable, frank and witty, and with a sense of drama comparable to that of cricket itself, Harsha brings the nation’s cricketing ethos inimitably to life. And he is at his best when paying tribute to some cricketing greats—Lara, Inzamam, Jayasuriya, Ganguly, Sehwag, and the incomparable Tendulkar.As he follows India’s fortunes on the cricket field at home and overseas, Harsha asks the question: can India really be no.1 in all three forms of the game? The answer lies in our history, and in the pages of Out of the Box.