Featuring 31 favorite tiny stories and illustrations by 45 writers and artists from the 2,312 contributions to wirrow's endlessly popular Tiny Stories collaboration; plus a special introductory interview by RegularJOE & wirrow. Designed for hitRECord by Marke, wirrow, & 45 hitRECorders.

    The tone has deepened over the years, and he may now be seen as a true maestro in his field. Behind the irresistible air of immediacy and spontaneity lies much erudition and an antic imagination intent on subverting "the dominant paradigm." From his earliest books, including his landmark Coney Island of the Mind, Ferlinghetti has written poetry "in ways that those who see poetry as the province of the few and educated had never imagined. That strength has turned out to be lasting" (Joel Oppenheimer, N. Y. Times Books Review).

    In these nine stories and essays, he considers holidaymakers and stone monuments, tales of war and blackbirds, and the great pathos of a tiny death: a fly's impossible fight against the grip of flypaper.

    Friedman's uncompromising look at the radicals of youth culture in the extreme worlds of skateboarding, punk and rap. From day one behind his camera, Friedman has had an unerring ability to be in the right place ahead of everybody else. He was a teenaged photographer for 'Thrasher' and 'Skateboarder' magazines, he created the seminal one-hit punk fanzine 'My Rules', worked with Black Flag and Suicidal Tendencies in their early days, wrote for Maximum Rock & Roll, did street promotion for Def Jam's west coast office and shot sleeve photos for everyone from Minor Threat to Public Enemy. This book presents the photographic distillation of Glen's ethic: it's about the perfect shots of the people who live by the touchstones of intensity and integrity.

    Now in a gorgeous new hardcover format with a four-color map of Middle-earth, this is the completely revised guide to every creature, place, and event from the great fantasy epic.

    The Collected Poems of Octavio Paz is a landmark bilingual gathering of all the poetry he has published in book form since 1952, the year of his premier long poem, Sunstone (Piedra de Sol)―here translated anew by Eliot Weinberger―made its appearance. This is followed by the complete texts of Days and Occasions (Días Hábiles), Homage and Desecrations (Homenaje y Profanaciones), Salamander (Salamandra), Solo for Two Voices (Solo a Dos Voces), East Slope (Ladera Este), Toward the Beginning (Hacza el Comienzo), Blanco, Topoems (Topoemas), Return (Vuelta), A Draft of Shadows (Pasado en Claro), Airborn (Hijos del Aire), and Paz's most recent collection, A Tree Within (Árbol Adentro).With additional translations by Elizabeth Bishop, Paul Blackburn, Lysander Kemp, Denise Levertov, John Frederick Nims, and Charles Tomlinson.

    Expressing the author’s political, civic, and sentimental concerns, these poems captivate with their immediacy and intimacy. Each work reveals the inner recesses of a passionate, restless, and surprisingly modern mind.

    Tackles a wide array of subjects including: The Passion of the Antichrist; The Celtic Roots of Quantum Theory; Paranoia; Black Magic and Curses; LSD, Dogs and Me; Left and Right: A Non-Euclidean Perspective; Sexual Alchemy; Cheerful Reflections on Death and Dying; and, The Relativity of Reality.

    The Outsiders: Growing up in a rough city surrounded by violence, Ponyboy and his friends learn what it means to defend your turf and to stand up for each other. That Was Then, This Is Now: Mark and Bryon are practically brothers-they have no family to speak of-but they eventually come to a point in their lives where they have difficult choices to make; choices that might separate them forever.

    When Solomon Kane meets the Devil's Reaper, he postpones his fate by renouncing violence - a vow that is soon tested by the forces of evil. Compelled to once again strap on his weapons, he embarks on an epic journey of redemption.

    

    Bly's thesis is that great works of art contain leaps within themselves: 'A poet who is leaping makes a jump from an object soaked in unconscious substance to an object or idea soaked in conscious psychic substance.' The greatest works of art carry the richest associations between the conscious and unconscious, and Bly notes with pleasure the resurgence of abundant leaping in modern poetry.

    In addition to his distinguished career in photojournalism, Halsman was one of the great pioneers of experimental photography, motivated by a profound desire to push this youngest of art forms toward new frontiers by using innovative and unorthodox photographic techniques. One of Halsman's favorite subjects was Salvador Dali, the glittering and controversial painter and theorist with whom the photographer shared a unique friendship and extraordinary professional collaboration that spanned over thirty years. Whenever Dali imagined a photograph so strange that its production seemed impossible, Halsman tried to find the solution, and invariably succeeded. As Halsman explains in his postface, Dali's Mustache is the fruit of this marriage of the minds. The jointly conceived and seemingly nonsensical questions and answers reveal the gleeful humor and assumed cynicism for which Dali is famous, while the marvelous and inspired images of Dali's mustache brilliantly display Halsman's consumate skill and extraordinary inventiveness as a photographer. This combination of wit, absurdity, and the off-handedly profound is irresistible and has contributed to the enduring fascination inspired by this unique photographic interview, which has become a cult classic and valuable collector's item since its original publication in 1954. The present volume faithfully reproduces the first edition and will introduce a new generation to the irreverent humor and imaginative genius of two great artists.

    For over three decades, on both sides of the Atlantic, Tynan was at the hot center of the theater and film worlds. He knew everybody, and everybody wanted to know him. His diaries-so resplendent with griefs and gossip-bear superb witness to the fame he courted and the price he paid for it.

    The crews of no other vessels experienced so high a degree of personal engagement with the enemy.” — Robert Bulkley Robert Bulkley’s definitive history of patrol torpedo boats in World War Two is exceptionally detailed, meticulously researched, and is a must-read for any naval enthusiast. Bulkley joined the PT division of the Navy in 1941, and immediately fell in love with the small and deadly weaponized boat. After V-J Day, 1945, the Navy continued Bulkley’s commission and asked him to write the official history of PT boats in WWII — At Close Quarters: PT Boats in the United States Navy is the groundbreaking result. In At Close Quarters, Bulkley uses the fastidious records kept by the US Navy to compile a book which serves as not just a record of the role of the PT boat's role in WWII but also as a lesson to future military and naval scholars. Best-known as the boat that future president John F. Kennedy commanded in the Pacific Theater in WWII, popular interest in PT boats has grown substantially since they first emerged as brilliant boats in naval engagements throughout the war. Bulkley provides a detailed account of the origins and history of PT boats, from the part they played in WWI to the improvements and developments made to their design prior to WWII. He analyses the role of PT boats in some of the major sea battles in the Pacific, opening with Pearl Harbor, through to their involvement in the Mediterranean, the D-Day operations in the English Channel as well as the Solomons campaign and the conquest of New Guinea. “The thorough and competent account herein of over-all PT boat operations in World War II, compiled by Captain Robert Bulkley, a distinguished PT boat commander, should therefore prove of wide interest. The widest use of the sea, integrated fully into our national strength, is as important to America in the age of nuclear power and space travel as in those stirring days of the birth of the Republic.” — President John F Kennedy “An invaluable history of WWII PT-Boat operations worldwide.” — Pacific Wrecks “This thorough and objective account of the operations of PT boats in the U.S. Navy in World War II was prepared in the year after V-J Day by an officer who served in them through most of the war in the far reaches of the Pacific. He knew and loved these small, fast craft with hornet sting. They played their part with zest in the far reaching, powerful Navy team. He gave to the research into the records, into the memories of other participants, and to the writing itself the same zest. As a result he produced a shipshape manuscript.” — Rear Admiral Ernest McNeill Eller Robert J. Bulkley, a retired USNR captain now deceased, commanded PT boats in the southwest Pacific, mostly in New Guinea and the Philippines, from June 1942 to the war's end. This work was first published in 1962, three years before Captain Bulkley passed away