But instead of sending him to the art school of his dreams, his parents enroll him in a prestigious private school known for its academics, where Jordan is one of the few kids of color in his entire grade.As he makes the daily trip from his Washington Heights apartment to the upscale Riverdale Academy Day School, Jordan soon finds himself torn between two worlds—and not really fitting into either one. Can Jordan learn to navigate his new school culture while keeping his neighborhood friends and staying true to himself?

    But a sudden tragedy forces Esperanza and Mama to flee to California during the Great Depression, and to settle in a camp for Mexican farm workers. Esperanza isn't ready for the hard labor, financial struggles, or lack of acceptance she now faces. When their new life is threatened, Esperanza must find a way to rise above her difficult circumstances--Mama's life, and her own, depend on it.

    But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a feisty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his Utopian town. As one obituary leads to another, Jack is launched on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.

    As it moves from one labor camp to the next, the little family of four grows into ten. Impermanence and poverty define their lives. But with faith, hope, and back-breaking work, the family endures.

    Barred from attending school, shopping at the market, or even playing in the streets of Kabul, the heroine of Deborah Ellis's engrossing children's novel The Breadwinner is trapped inside her family's one-room home. That is, until the Taliban hauls away her father and Parvana realizes that it's up to her to become the "breadwinner" and disguise herself as a boy to support her mother, two sisters, and baby brother. Set in the early years of the Taliban regime, this topical novel for middle readers explores the harsh realities of life for girls and women in modern-day Afghanistan. A political activist whose first book for children, Looking for X, dealt with poverty in Toronto, Ellis based The Breadwinner on the true-life stories of women in Afghan refugee camps. In the wily Parvana, Ellis creates a character to whom North American children will have no difficulty relating. The daughter of university-educated parents, Parvana is thoroughly westernized in her outlook and responses. A pint-sized version of Offred from Margaret Atwood's The Handmaid's Tale, Parvana conceals her critique of the repressive Muslim state behind the veil of her chador. Although the dialogue is occasionally stilted and the ending disappointingly sketchy, The Breadwinner is essential reading for any child curious about ordinary Afghans. Like so many books and movies on the subject, it is also eerily prophetic. "Maybe someone should drop a big bomb on the country and start again," says a friend of Parvana's. "'They've tried that,' Parvana said, 'It only made things worse.'" (Ages 9 to 12) --Lisa Alward

    Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . . . but it would also mean leaving his brother, the only family member he has left, every day.Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It's an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story.

    While her father is away fighting in World War II, Molly finds her life full of change as she eats terrible vegetables from the victory garden and plans revenge on her brother for ruining her Halloween.

    However, the days are long, and the little girl is lonely. Then she meets Bronze, who, unable to speak, is ostracized by the other village boys. Soon the pair are inseparable, and when Bronze's family agree to take Sunflower in, it seems that fate has brought him the sister he has always longed for. But life in Damaidi is hard, and Bronze's family can barely afford to feed themselves. Can the little city girl stay here, in this place where she has finally found happiness?A classic, heartwarming tale set to the backdrop of the Chinese cultural revolution.

    War has always been a game to him, and he’s eager to glimpse it firsthand–until the freighter he and his mother are traveling to the United States on is torpedoed.   When Phillip comes to, he is on a small raft in the middle of the sea. Besides Stew Cat, his only companion is an old West Indian, Timothy. Phillip remembers his mother’s warning about black people: “They are different, and they live differently.”    But by the time the castaways arrive on a small island, Phillip’s head injury has made him blind and dependent on Timothy.

    "She can have all the collards she wants. She's earned it." And so begins the tale of a simple mule in Gee's Bend, Alabama, who played a singular part in the civil rights movement of the 1960s. When African-Americans in a poor community-- inspired by a visit from Dr. Martin Luther King, Jr.-- defied local authorities who were trying to stop them from registering to vote, many got around a long detour on mule-drawn wagons. Later, after Dr. King's assassination, two mules from Gee's Bend pulled the farm wagon bearing his casket through the streets of Atlanta. As Alex looks into the eyes of gentle Belle, he begins to understand a powerful time in history in a very personal way.

    Historian Scott Nelson brings John Henry alive for young readers in his personal quest for the true story of the man behind the myth. Nelson presents the famous folk song as a mystery to be unraveled, identifying the embedded clues within the lyrics, which he examines to uncover many surprising truths. He investigates the legend and reveals the real John Henry in this beautifully illustrated book. Nelson’s narrative is multilayered, interweaving the story of the building of the railroads, the period of Reconstruction, folk tales, American mythology, and an exploration of the tradition of work songs and their evolution into blues and rock and roll. This is also the story of the author’s search for the flesh-and-blood man who became an American folk hero; Nelson gives a first-person account of how the historian works, showing history as a process of discovery. Readers rediscover an African-American folk hero. We meet John Henry, the man who worked for the railroad, driving steel spikes. When the railroad threatens to replace workers with a steam-powered hammer, John Henry bets that he can drive the beams into the ground faster than the machine. He wins the contest, but dies in the effort. Nelson’s vibrant text, combined with archival images, brings a new perspective and focus to the life and times of this American legend.

    But soon after he arrives, he crosses paths with Emmett Till, a black teenager from Chicago who is also visiting for the summer, and Hiram sees firsthand how the local whites mistreat blacks who refuse to "know their place." When Emmett's tortured dead body is found floating in a river, Hiram is determined to find out who could do such a thing. But what will it cost him to know? Mississippi Trial, 1955 is a gripping read, based on true events that helped spark the Civil Rights Movement.

    As equality spreads across the country and the Civil Rights Movement gathers momentum, Billie can't help but feel stuck--and helpless--in a stubborn town too set in its ways to realize that the world is passing it by. So when Billie learns that the Freedom Riders, a group of peace activists riding interstate buses to protest segregation, will be traveling through Anniston on their way to Montgomery, she thinks that maybe change is finally coming and her quiet little town will shed itself of its antiquated views. But what starts as a series of angry grumbles soon turns to brutality as Anniston residents show just how deep their racism runs. The Freedom Riders will resume their ride to Montgomery, and Billie is now faced with a choice: stand idly by in silence or take a stand for what she believes in. Through her own decisions and actions and a few unlikely friendships, Billie is about to come to grips with the deep-seated prejudice of those she once thought she knew, and with her own inherent racism that she didn't even know she had.

    Her runaway imagination leads her to bleach a horse, hold a very scary sleepover, and feed the hogs an unusual treat. But can she use her lively mind to help bring a library to Pitchfork?Adventure is pretty scarce in Pitchfork, Oregon. So why shouldn't Emily bleach Dad's old plow horse or try some of her other ideas? "Written with Cleary's customary warmth and humor...The time of the story, about 1920, is delightfully brought to life." -Booklist

    The lack of a name is appropriate, because he and his mother are but poor peasants in 14th century medieval England. But this thirteen-year-old boy who thought he had little to lose soon finds himself with even less - no home, no family, or possessions. Accused of a crime he did not commit, he may be killed on sight, by anyone. If he wishes to remain alive, he must flee his tiny village. All the boy takes with him is a newly revealed name - Crispin - and his mother's cross of lead.