Everyone in Folly Cove knows Virginia Lee as “Jinnee.” With her magical wands she can draw whatever she imagines, but for her sons Aris and Michael, she draws the most wonderful characters of all: BIG MACHINES with friendly names like Mary Anne, Maybelle, and Katy. Her marvelous magical wands can make anything move—even a cheerful Little House.

    But a courageous and visionary young woman-Katharine Kuh-defied the odds and opened a gallery in Chicago, where she exhibited such relatively unknown artists as Fernand L ger, Paul Klee, Joan Mir, Ansel Adams, Marc Chagall, and Alexander Calder, to name but a few. Not only did Kuh survive these rocky early years but most of the artists became increasingly famous. In 1954, the Art Institute of Chicago named her its first curator of modern painting and sculpture. Kuh's prestigious position at the museum led to friendships with Marcel Duchamp, Mark Rothko, Mies van der Rohe, and Edward Hopper. In writing her memoir, she hoped to offer intimate portraits of these luminaries and contribute to a fuller understanding of their achievements. Her book also reveals how and why America became a major force in the world of contemporary art.After Katharine Kuh's death, Avis Berman-noted art historian and Kuh's close friend and literary executor-selected, edited, and completed her writings for this book.

    This richly illustrated and expert study follows the artist from the early gloom-laden paintings in which he captured the misery of peasants and workers in his homeland, through his bright and colorful Parisian period, to the work of his final years, spent under a southern sun in Arles.

    One day she'd wear baseball gear to the symphony, the next, she'd be seen strolling down the street with zoo lions. It was no surprised that she was very particular about how she arranged her exhibits. They were not organized historically, stylistically, or by artist. Instead, they were arranged based on the connections Isabella felt toward the art, a connection she hoped to encourage in her visitors.For years, her museum delighted generations of Bostonians and visitors with the collections arranged exactly as she wanted. But in 1990, a spectacular burglary occurred when two thieves disguised as police officers stole thirteen paintings, valued at $500 million, including a Rembrandt and a Vermeer. They have yet to be recovered, though a $10 million reward is still being offered for their safe return.Author Candace Fleming perfectly captures Isabella's inimitable personality and drive, accompanied by exuberant illustrations by Matthew Cordell.A Junior Library Guild Gold Standard Selection

    When you're driving a car, you're not taking part, you're a spectator. You're in a can; if it's cold you turn up the heating, if you're hungry you have a wine gum. You might be looking at what's going on, but you're definitely not a part of it. A BIKER'S LIFE is the dramatic, humorous and candid memoir of one of the most recognisable names in motorcycling. Henry Cole's passion for motorbikes began when, at the age of eight, he was first introduced to a 'man cave'. His great-uncle Redbeard's corrugated iron shed was 'stuffed to the gills with old motorbikes' which Henry helped rebuild and ride. Since then, Henry's life can be charted through the bikes and journeys he has been on - from a stifling public-school education, via many years battling addiction, to the big-sky iconic routes Henry has ridden for over twenty series as presenter of numerous TV shows. This book reminds millions of motorcyclists why their bike gives them the freedom to be exactly who they want to be: to say 'I'm doing my thing.' When you ride a motorbike you become part of a worldwide community of kindred spirits - those of us who will not be pacified by driving a car, but instead live for adventure, escape and the sheer thrill of the throttle.

    After failing at academics, Dan was working the family farm when he idly carved a turnip into a frog and discovered what he was meant to do. Sweeney’s swift prose and Fields’s evocative illustrations capture the single-minded determination with which Dan taught himself to sculpt and launched his career with the famous Minuteman Statue in his hometown of Concord, Massachusetts.  This is also the story of the Lincoln Memorial, French’s culminating masterpiece. Thanks to this lovingly created tribute to the towering leader of Dan’s youth, Abraham Lincoln lives on as the man of marble, his craggy face and careworn gaze reminding millions of seekers what America can be. Dan’s statue is no lifeless figure, but a powerful, vital touchstone of a nation’s ideals. Now Dan French has his tribute too, in this exquisite biography that brings history to life for young readers.

    So when Ben and the rest of his family make their way to America, Ben brings both his sharp artistic eye and his desire to fight for what’s right. As he grows, he speaks for justice through his art—by disarming classmates who bully him because he’s Jewish, by defying his teachers’ insistence that he paint beautiful landscapes rather than true stories, by urging the US government to pass Depression-era laws to help people find food and jobs.

    From his mother's apartment, where he is surrounded by brightly colored walls with intricate patterns; to the streets full of familiar and not-so-familiar faces, sounds, rhythms, and smells; to the art studio where he goes each day after school to transform his everyday world on an epic scale, Jake takes readers on an enchanting journey through the bustling sights and sounds of his neighborhood.Includes a reproduction of an actual Migration series panel.

    She was deaf, and never learned to speak. She was also a talented artist. Judith was institutionalized until her sister Joyce reunited with her and enrolled her in an art class. Judith went on to become an artist of renown with her work displayed in museums and galleries around the world.Poignantly told by Joyce Scott in collaboration with Brie Spangler and Melissa Sweet and beautifully illustrated by Caldecott Honor artist, Melissa Sweet, Unbound is inspiring and warm, showing us that we can soar beyond our perceived limitations and accomplish something extraordinary.

    There she met the legendary couple Frida Kahlo and Diego Rivera. Welcomed into their home, she immersed herself in their private lives and the cultural and artistic diversity of the country, taking hundreds of photographs. These powerful photographs, among the last taken before Kahlo’s death, bear poignant witness to Frida’s beauty and talent. Showcasing more than 100 of these rare images, many of which have never been published before, the book also includes previously unpublished commentary by Gisèle Freund about Frida Kahlo, texts by Kahlo’s biographer Gérard de Cortanze and art historian Lorraine Audric, as well as a link to a previously unreleased color film, shot by Freund, showing Diego Rivera at work.

    Unapologetically holding true to herself and her beliefs, Corita spread a powerful message of love, hope, and justice with her work, as it evolved from figurative and religious art, to serigraphs incorporating the sacred and the ordinary, to a sparser, more introspective style. This timely story will draw readers into the life of a singular woman whose work and commitment invite us all to seek joy in the everyday, to observe the world with open eyes, and to question and see beyond the existing frameworks of society. Thoughtfully written by Matthew Burgess and vibrantly illustrated by Kara Kramer, this beautiful biography, made in close collaboration with the Corita Art Center, includes reproductions of Corita's works, a chronology, and author and illustrator notes.

    Born to the artist Orazio Gentileschi at the beginning of the 1600s, when artists were the celebrities of the day, Artemisia was apprenticed to her father at an early age, showing such remarkable talent that he viewed her as the most precious thing in his life. But at the age of seventeen Artemisia was raped by her father's best friend and partner. The Gentileschi name was dragged through scandal, for Artemisia refused, even when tortured, to deny it happened. Indeed, she went further: she dared to plead her case in court. All of Rome was riveted by the trial. Artemisia won the case, but lost the love of her father and of all of Rome. Artemisia sought revenge through her art, portraying women liberating their fellow citizens from tyrants. Her stunning works took Rome by storm, overturning the prejudices of her time and winning the admiration of patrons, courtesans, and monarchs. Lapierre brings the historical Artemisia Gentileschi to vivid life, capturing the sights, sounds, and smells of Baroque Italy as well as the life of this remarkable woman.

    Even when he played as a boy with his friends he drew with a stick in the mud. And he never left home without a sketchbook. He would draw the junk man, families walking home from church, or the old man on the sofa. He drew what he saw.But in the segregated south, Ernie didn’t know how to make a living as an artist. Ernie grew tall and athletic and became a football star. Soon enough the colleges came calling. Still, in his heart Ernie longed to paint. Would that day ever come?Ernie Barnes was one of the most important artists of his time known for his style of elongation and movement. His work has influenced a generation of painters and illustrators and can be found in museums and collections, such as the African American Museum in Philadelphia and the California African American Museum.Between the Lines is a story of inspiration, spirit, and of an American original who pursued his dream. This enchanting picture book includes pieces of artwork created by this little known artist who captured the truth and beauty of the world he saw around him.

    Illustrated in full colour.

    When slavery ended, Bill's family stayed on the farm as sharecroppers. There Bill grew to manhood, raised his own family, and cared for the land and his animals.By 1935 Bill was eighty-one and all alone on his farm. So he packed his bag and moved to Montgomery, the capital of Alabama. Lonely and poor, he wandered the busy downtown streets. But deep within himself Bill had a reservoir of memories of working and living on the land, and soon those memories blossomed into pictures. Bill began to draw people, places, and animals from his earlier life, as well as scenes of the city around him.Today Bill Traylor is considered to be one of the most important self-taught American folk artists. Winner of Lee & Low s New Voices Award Honor, It Jes Happened is a lively tribute to this man who has enriched the world with more than twelve hundred warm, energetic, and often humorous pictures."