As a young girl, she delighted in making her family laugh with tales that poked fun at the popular novels of her time, stories that featured fragile ladies and ridiculous plots. Before long, Jane was writing her own stories-uproariously funny ones, using all the details of her life in a country village as inspiration.In times of joy, Jane's words burst from her pen. But after facing sorrow and loss, she wondered if she'd ever write again. Jane realized her writing would not be truly her own until she found her unique voice. She didn't know it then, but that voice would go on to capture readers' hearts and minds for generations to come.

    After surviving a shipwreck, he finds work in a London theatre. There, his family flourishes for generations as brilliant actors until 1900, when young Leontes Marvel is banished from the stage.Nearly a century later, runaway Joseph Jervis seeks refuge with an uncle in London. Albert Nightingale's strange, beautiful house, with its mysterious portraits and ghostly presences, captivates Joseph and leads him on a search for clues about the house, his family, and the past.

     Follow one African-American boy through the course of his day as the harsh reality of segregation and racial prejudice comes into vivid focus. But the boy dreams of a different life--one full of freedom, hope, and wild possibility, where he can fling his arms wide in the face of the sun.

    This is the true story about how she helped save the English countryside!Growing up in London, Beatrix Potter felt the restraints of Victorian times. Girls didn't go to school and weren't expected to work. But she longed to do something important, something that truly mattered. As Beatrix spent her summers in the country and found inspiration in nature, it was through this passion that her creativity flourished. There, she crafted The Tale of Peter Rabbit. She would eventually move to the countryside full-time, but developers sought to change the land. To save it, Beatrix used the money from the success of her books and bought acres and acres of land and farms to prevent the development of the countryside that both she and Peter Rabbit so cherished. Because of her efforts, it's been preserved just as she left it.

    They had no idea that the skinny, underfed horse had one of the biggest and bravest hearts they’d ever known. And one of the biggest appetites!Soon Reckless showed herself more than willing to carry ammunition too heavy for the soldiers to haul. As cannons thundered and shells flew through the air, she marched into battle—again and again—becoming the only animal ever to officially hold military rank—becoming Sgt. Reckless—and receive two Purple Hearts.This is the first picture book from award-winning novelist Patricia McCormick, sumptuously illustrated by acclaimed artist Iacopo Bruno.

    Its coils took a walk…and so did Richard’s imagination. He knew right away that he had stumbled onto something marvelous. With the help of his wife, Betty, Richard took this ordinary spring and turned it into a plaything. But it wasn’t just any old trinket—it was a Slinky, and it would become one of the most popular toys in American history.

    So when Ben and the rest of his family make their way to America, Ben brings both his sharp artistic eye and his desire to fight for what’s right. As he grows, he speaks for justice through his art—by disarming classmates who bully him because he’s Jewish, by defying his teachers’ insistence that he paint beautiful landscapes rather than true stories, by urging the US government to pass Depression-era laws to help people find food and jobs.

    One was the U.S. vice president, Aaron Burr, and the other was Alexander Hamilton, the secretary of the treasury. They were ready to fight to the death for honor.These Founding Fathers, once friends and colleagues, had become the bitterest of enemies. After years of escalating tension, Burr had finally challenged Hamilton to a duel. In the end, only one man survived, but their infamous rivalry lives on.

    The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of world's largest newspaper the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in 40 countries.Moomin Book One is the first volume of Drawn & Quarterly publishing plan to reprint the entire strip drawn by Jansson before she handed over the reigns to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century.The Moomins are a tight-knit family — hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

    Louisa drew on her experiences in writing the novel, but there's a lot more to her rags-to-riches story. Louisa came from a family that was poor but freethinking, and she started teaching when she was only seventeen years old. But writing was her passion. This informative biography captures the life of a compassionate woman who left an indelible mark on literature for all ages.

    Follow them as they climb to the top of Notre Dame — formidable! — sample tasty treats at bistros and pâtisseries — délicieux! — and take in a stunning view of the Eiffel Tower — magnifique! Young Francophiles and armchair travelers will be charmed by Salvatore Rubbino’s lively, sophisticated llustrations and fascinating trivia about this beloved city.

    But Addie was anything but ordinary. She longed for thrills and excitement! At a time when a young lady appearing onstage was considered most unusual, Addie defied convention and became a dancer. And when she married the world-famous magician Herrmann the Great, she knew she had to be part of his show. Addie wanted to shock and dazzle! She would do anything to draw the crowds, even agree to be shot out of a cannon. But when Herrmann the Great died, Addie couldn’t disappoint her loyal fans — the show had to go on. What could she do? She would perform the show all by herself! From the creators of Mesmerized, this rollicking romp tells the true story of one fearless magician’s rise to glory, featuring exquisitely lavish illustrations by Iacopo Bruno. Extensive back matter, including instructions for performing one of Addie’s original tricks, makes this a dazzling celebration of one of the first female conjurers in show business.

    . . A solid introduction to a brilliant writer”—Kirkus.Acclaimed writer Alice Faye Duncan tells the story of poet Gwendolyn Brooks, the first Black author to win the Pulitzer Prize.SING a song for Gwendolyn Brooks. Sing it loud—a Chicago blues .   With a voice both wise and witty, Gwendolyn Brooks crafted poems that captured the urban Black experience and the role of women in society. She grew up on the South Side of Chicago, reading and writing constantly from a young age, her talent lovingly nurtured by her parents. Brooks ultimately published 20 books of poetry, two autobiographies, and one novel. Alice Faye Duncan has created her own song to celebrate Gwendolyn’s life and work, illuminating the tireless struggle of revision and the sweet reward of success. Included on the Chicago Public Libraries list of Best Informational Books for Young Readers.

    It was a sound that filled the world with magic and love and feeling and healing—a sound that made angels real. Carlos wanted to make angels real, too. So he started playing music.Carlos tried el clarinete and el violín, but there were no angels. Then he picked up la guitarra. He took the soul of the Blues, the brains of Jazz, and the energy of Rock and Roll, and added the slow heat of Afro-Cuban drums and the cilantro-scented sway of the music he’d grown up with in Mexico. There were a lot of bands in San Francisco but none of them sounded like this. Had Carlos finally found the music that would make his angels real?

    Now brought together for the first time in a single volume, these works show the many forms—fiction, poetry, philosophical and historical speculation, autobiography—in which Adams gave expression to his vision of the meaning of the unsettling changes in American life and values.Each of the two novels, Democracy and Esther, chooses a woman on whom to center the effects of social change. In Democracy, Madeleine Lee, an emancipated and idealistic young widow, moves to Washington to learn the nature of political power and is disillusioned upon discovering the intrigues of rampant corruption. The free-thinking heroine in Esther, caught in the warfare between science and religion, finds that she cannot surrender her moral independence, even to marry a clergyman.Adams, though a man of the modern world, remained in temperament a child of the eighteenth century, his political ideals shaped by his presidential ancestors, great-grandfather John Adams and grandfather John Quincy Adams. The failure of those ideals to withstand the challenges of an industrialized America drove him to seek refuge in the study of the medieval age of faith in France. Out of it came his skeptic’s “Prayer to the Virgin of Chartres.” Her presence dominates the book that followed—Mont Saint Michel and Chartres. In evocative and sensitive prose Adams moves from the architecture, sculpture, and stained glass of Chartres to the religion, literature, politics, social order, and crusades of the eleventh, twelfth, and thirteenth centuries. Adams translates the poetry of courtly love and recounts the drama of Eleanor of Aquitaine’s life and the timeless love of Abelard and Heloise. The narrative rises at the end to the brilliantly re-enacted drama of St. Thomas Aquinas’ victory over the rival philosophers.If Mont Saint Michel portrayed a world unified by a common faith, The Education of Henry Adams portrayed a world irresistibly moving toward chaos. The world once unified by the Virgin was now ruled by the impersonal Dynamo and was already confronted by the “metaphysical bomb” of radium and the prospect of infinite energy for man’s use. Adams balances, with extraordinary urbanity and wit, the rival claims he found as much in himself as in modern civilization. Together, these two works still pose an urgent question: can the human mind ultimately control the monstrous aggregates of power which it has wrung from nature?