This volume brings together three of his novels contrasting the lives of servants and masters (Loving); workers and owners, set in a Birmingham iron foundry (Living); and the different lives of the wealthy and the ordinary, (Party Going).

    Mary Turner is a self-confident, independent young woman who becomes the depressed, frustrated wife of an ineffectual, unsuccessful farmer. Little by little the ennui of years on the farm work their slow poison, and Mary's despair progresses until the fateful arrival of an enigmatic and virile black servant, Moses. Locked in anguish, Mary and Moses -- master and slave -- are trapped in a web of mounting attraction and repulsion. Their psychic tension explodes in an electrifying scene that ends this disturbing tale of racial strife in colonial South Africa.The Grass Is Singing blends Lessing's imaginative vision with her own vividly remembered early childhood to recreate the quiet horror of a woman's struggle against a ruthless fate.

    Who like to read. Who take satisfaction in their work. Who are resolutely kind. Leonard and Hungry Paul is the story of two friends trying to find their place in the world. It is about the uncelebrated people of this world. And it asks a surprisingly enthralling question: Can kind people change the world?

    She gives herself to him fully and without remorse, despite knowing that their passion cannot last and that the affair can have only one outcome. In chronicling the course of this doomed romance, Kawabata has created a story for the ages, a stunning novel dense in implication and exalting in its sadness.

    Yet World War I and the changes that follow seem to mock the emotions and experiences of her youth.

    When they are thrown together in a Dublin brothel in a horrific twist of fate, a peculiar and important bond is formed . . .This is a novel about a flourishing but hidden world, thinly concealed beneath a veneer of normality. It’s about the failings of polite society, the cruelty that can exist in apparently homely surroundings, the bluster of youth and the often appalling weakness of adults.Harvesting is heartbreaking and funny, gritty, raw and breathtakingly beautiful, where redemption is found in friendship and unexpected acts of kindness.Harvesting was inspired by Harding’s involvement with a campaign against sex trafficking run by the Children’s Rights Alliance. Although it is a fictionalised account, the text has been read and approved of by representatives for NGOs in both Moldova and Dublin.

    The exuberant, uninhibited, disparate world she found in the tired old streets and under the railway arches is recaptured in these closely linked sketches; and the result is pure alchemy. In the space of 120 perfect pages, we witness clip-joint hustles, petty thieving, candid sexual encounters, casual birth and casual death. She has a superb gift for capturing colloquial speech and the characters observed in these pages convey that caustic, ironic, and compassionate feeling for life, in which a turn of phrase frequently contains startling flashes of poetry. Battersea, that teeming wasteland of brick south of the Thames, has found its poet in Nell Dunn and Up the Junction is her touchingly truthful and timeless testimonial to it.

    Manners and morality are also victims of Wilde's sharp wit in Lady Windermere's Fan, A Woman of No Importance and An Ideal Husband, in which snobbery and hypocrisy are laid bare. In Salomé and A Florentine Tragedy, Wilde makes powerful use of historical settings to explore the complex relationship between sex and power. The range of these plays displays Wilde's delight in artifice, masks and disguises, and reveals the pretentions of the social world in which he himself played such a dazzling and precarious part.Richard Allen Cave's introduction and notes discuss the themes of the plays and Wilde's innovative methods of staging. This edition includes the excised 'Gribsby' scene from The Importance of Being Earnest.

    At a party, the narrator, a screenwriter, rescues a young woman who staggers with drunken determination into the Pacific. He is living far from his wife in New York and long ago shed any illusions about the value of his work. He just wants to be left alone. And yet without really meaning to, he gets involved with the young woman, who has, it seems, no illusions about love, especially with married men. She’s a survivor, even if her beauty is a little battered from years of not quite making it in the pictures. She’s just like him, he thinks, and as their casual relationship takes on an increasingly troubled and destructive intensity, it seems that might just be true, only not in the way he supposes.

    Misako's father believes their relationship has been damaged by the influence of a new and alien culture, and so attempts to heal the breach by educating his son-in-law in the time-honoured Japanese traditions of aesthetic and sensual pleasure. The result is an absorbing, chilling conflict between ancient and modern, young and old.

    Was it an accident, a murder, a suicide? The circumstances of her death were never resolved, but O’Hara seized upon the tragedy to imagine the woman’s down-and-out life in New York City in the early 1930s. “O’Hara understood better than any other American writer how class can both reveal and shape character,” Fran Lebowitz writes in her Introduction. With brash honesty and a flair for the unconventional, BUtterfield 8 lays bare the unspoken and often shocking truths that lurked beneath the surface of a society still reeling from the effects of the Great Depression. The result is a masterpiece of American fiction.

    This book, which won raves at its first publication, shows all the hallmarks of the writer who became the award-winning film director so well known today.

    This novel of an enclosed world invaded by public events also embodies in its characters the shifts in England's class structures at the beginning of the twentieth century.

    In 1914 both enlisted in the British Army - Alec goaded by his beautiful, cold mother to fight for King and Country, Jerry to learn his trade for the Irish Nationalist cause.

    Written by Childers—who served in the Royal Navy during World War I—as a wake-up call to the British government to attend to its North Sea defenses, The Riddle of the Sands accomplished that task and has been considered a classic of espionage literature ever since, praised as much for its nautical action as for its suspenseful spycraft.