A harrowing incident years before left her a virtual prisoner in her own home, forever wary of the heartbreak and limitation of a girl’s life.Eleven years after they began fostering, the Moscatellis are raising three children as their own and Dahlia and Louie consider their family complete, but when the social worker begs them to take a young girl who has been horrifically abused and neglected, they can’t say no.Six-year-old Agnes Juniper arrives with no knowledge of her Native American heritage or herself beyond a box of trinkets given to her by her mother and dreamlike memories of her sister. Before long, this stranger in their midst has strengthened the bond in this unusual family, showing them how to contend with outside forces that want to tear them apart. Heartfelt and enthralling, All the Children Are Home is a moving testament to how love can survive in the face of devastating losses.

    What a difference a week makes in a heartfelt, laugh-out-loud novel by the Washington Post bestselling author of The Overdue Life of Amy Byler.Celeste Mason is the Pinterest stay-at-home supermom of other mothers’ nightmares. Despite her all-organic, SunButter-loving, free-range kids, her immaculate home, and her volunteering awards, she still has time to relax with a nice glass of pinot at the end of the day. The only thing that ruins it all is her workaholic, career-obsessed neighbor, who makes no secret of what she thinks of Celeste’s life choices every chance she gets.Wendy Charles is a celebrated productivity consultant, columnist, and speaker. On a minute-by-minute schedule, she makes the working-mom hustle look easy. She even spends at least one waking hour a day with her kids. She’s not apologizing for a thing. Especially to Celeste, who plays her superior parenting against Wendy whenever she can.Who do Celeste and Wendy think they are? They’re about to find out thanks to one freaky week. After a neighborhood potluck and too much sangria, they wake up—um, what?—in each other’s bodies. Everything Celeste and Wendy thought they knew about the “other kind of mom” is flipped upside down—along with their messy, complicated, maybe not so different lives.

    Teddy, a master conman, heads up a clan who possess gifts he only fakes: there's Maureen, who can astral project; Irene, the human lie detector; Frankie, gifted with telekinesis; and Buddy, the clairvoyant. But when, one night, the magic fails to materialize, the family withdraws to Chicago where they live in shame for years. Until: As they find themselves facing a troika of threats (CIA, mafia, unrelenting skeptic), Matty, grandson of the family patriarch, discovers a bit of the old Telemachus magic in himself. Now, they must put past obstacles behind them and unite like never before. But will it be enough to bring The Amazing Telemachus Family back to its amazing life?

    Forget summer. Forget warmth. Forget anything that doesn’t help you survive.Lynn McBride has learned much since society collapsed in the face of nuclear war and the relentless spread of disease. As memories of her old life haunt her, she has been forced to forge ahead in the snow-covered Canadian Yukon, learning how to hunt and trap to survive.But her fragile existence is about to be shattered. Shadows of the world before have found her tiny community—most prominently in the enigmatic figure of Jax, who sets in motion a chain of events that will force Lynn to fulfill a destiny she never imagined.

    Haunted by memories and grief, Jess packs what’s left and heads for the small mountain town of Pine Lake, where she takes a position as caregiver to an eccentric old woman.A rumored clairvoyant, Lucy is strange but welcoming and immediately intuits Jess as a “loose end” in need of closure. But Jess isn’t the only guest in Lucy’s large Victorian home. There’s also Star, a teenage runaway with a secret too painful to share. And the little boy with heart-shaped stones, who comes with a hope for reconciliation—and a warning.Soon Jess learns that she’s not the only lost soul running from the ghosts of the past. She and Star have been brought together for a reason: to be saved by the very thing that destroyed them.

    Ahern takes the familiar aspects of women's lives—the routines, the embarrassments, the desires—and elevates these moments to the outlandish and hilarious with her astute blend of magical realism and social insight.One woman is tortured by sinister bite marks that appear on her skin; another is swallowed up by the floor during a mortifying presentation; yet another resolves to return and exchange her boring husband at the store where she originally acquired him. The women at the center of this curious universe learn that their reality is shaped not only by how others perceive them, but also how they perceive the power within themselves.By turns sly, whimsical, and affecting, these thirty short stories are a dynamic examination of what it means to be a woman in this very moment. Like women themselves, each story can stand alone; yet together, they have a combined power to shift consciousness, inspire others, and create a multi-voiced Roar that will not be ignored.

    Henry-prize winner Swamy's debut collection of stories, dreams collide with reality, modernity collides with antiquity, myth with true identity, and women grapple with desire, with ego, with motherhood and mortality. In "Earthly Pleasures," Radika, a young painter living alone in San Francisco, begins a secret romance with one of India's biggest celebrities. In "A Simple Composition," a husband's moment of crisis leads to his wife's discovery of a dark, ecstatic joy and the sense of a new beginning. In the title story, an exhausted mother watches, distracted and paralyzed, as a California wildfire approaches her home. With a knife blade's edge and precision, the stories of A House Is a Body travel from India to America and back again to reveal the small moments of beauty, pain, and power that contain the world.

    He’s become a single father to eleven-year-old Will—who hasn’t spoken since the death of his mother in a car crash a year earlier—and Danny has just been fired from his construction job. To make matters worse, he’s behind on the rent and his nasty landlord is threatening to break his legs if he doesn’t pay soon. Danny needs money, and fast. After observing local street performers in a nearby park, Danny spends his last few dollars on a tattered panda costume, impulsively deciding to become a dancing bear. While performing one day, Danny spots his son in the park, and chases off the older boys who are taunting him. Will opens up for the first time since his mother’s death, unaware that the man in the panda costume is his father. Afraid of disclosing his true identity, Danny comforts his son. But will Danny lose Will’s trust once he reveals who he is? And will he be able to dance his way out of debt, or be beaten up before he has a chance? Filled with a colorful cast of characters, Bear Necessity is a refreshingly unpretentious and ultimately uplifting story of a father and son reconnecting in the most unlikely of circumstances.

    But a confrontation with an abusive troll has taken a horrifying turn, and now she’s at rock bottom: canceled and doxxed online, fired from her waitress job and fortressed in her apartment while men’s rights protestors rage outside. All that once glittered now condemns. Sasha confides in her oldest childhood friend, Dyson—a failed actor with a history of body issues—who hatches a plan for Sasha to restore her reputation by becoming the face of his new business venture, The Atmosphere: a rehabilitation community for men. Based in an abandoned summer camp and billed as a workshop for job training, it is actually a rigorous program designed to rid men of their toxic masculinity and heal them physically, emotionally, and socially. Sasha has little choice but to accept. But what horrors await her as the resident female leader of a crew of washed up, desperate men? And what exactly does Dyson want?

    Something she’s only prepared to reveal after her death. Now Luna and her sister have a chance to go back to their mother’s birthplace and settle her affairs. But in Brooklyn they find more questions than answers, until something impossible – magical – happens to Luna, and she meets her mother as a young woman back in the summer of 1977. At first Luna’s thinks she’s going crazy, but if she can truly travel back in time, she can change things. But in doing anything – everything – to save her mother’s life, will she have to sacrifice her own?

    She is tall and beautiful and in love with a rich man’s son.Educated and privileged, Julie is a modern woman. Living on her own, she is happy to collect the gold jewellery lovestruck Eugene brings her, but has no intention of becoming his second wife.When a kidnapping forces Nwabulu and Julie into a dank room years later, the two women relate the stories of their lives as they await their fate.Pulsing with vitality and intense human drama, Cheluchi Onyemelukwe-Onuobia’s debut is set against four decades of vibrant Nigeria, celebrating the resilience of women as they navigate and transform what remains a man’s world.

    Chava is unmoored and adrift as the ship arrives in New York harbor in 1899. Ahmad is a jinni, a being of fire born in the ancient Syrian desert, trapped in an old copper flask, and released in New York City, though still not entirely free. Ahmad and Chava become unlikely friends and soul mates with a mystical connection. Marvelous and compulsively readable, Helene Wecker's debut novel The Golem and the Jinni weaves strands of Yiddish and Middle Eastern literature, historical fiction and magical fable, into a wondrously inventive and unforgettable tale.

    The place: AutoAmerica. The land: half under water. The Internet—the new face of government—is "Aunt Nettie": a mix of artificial intelligence, surveillance technology, and pesky maxims. The people have been divided, and no one is happy. The angel-fair "Netted" still have jobs and literally occupy the high ground, while the mostly coppertoned "Surplus" live on swampland if they're lucky, on the water if they're not.      The story: To a Surplus couple—he was a professor, she's still a lawyer—is born a Blasian girl with a golden arm. At two, Gwen is hurling her stuffed animals from the crib; by ten she can hit whatever target she likes with a baseball; her teens find her playing happily in an underground Surplus league. When AutoAmerica re-enters the Olympics—with a special eye on beating ChinRussia—Gwen attracts interest. Soon she's at Net U, falling in love with her coach and considering "crossing over," even as her mother is challenging the AutoAmerican Way with lawsuits that will prove very dangerous.     An astonishing story of an America that seems only too possible, and of a family struggling to maintain its humanity in circumstances that threaten their every value—even their very existence.

    Don't they teach you anything at school?So says 104-year-old Ona to the 11-year-old boy who's been sent to help her out every Saturday morning. As he refills the bird feeders and tidies the garden shed, Ona tells him about her long life, from first love to second chances. Soon she's confessing secrets she has kept hidden for decades.One Saturday, the boy doesn't show up. Ona starts to think he's not so special after all, but then his father arrives on her doorstep, determined to finish his son's good deed. The boy's mother is not so far behind. Ona is set to discover that the world can surprise us at any age, and that sometimes sharing a loss is the only way to find ourselves again.

    . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in .