Boris Bibikov - Owen Matthews's grandfather - kissed his wife and two young daughters good-bye and disappeared inside the car. His family never saw him again. His wife would soon vanish as well, leaving Lyudmila and Lenina alone to drift across the vast Russian landscape during World War II . Separated as the Germans advanced in 1941, they were miraculously reunited against all odds at the war's end. Some twenty-five years later, in the early 1960s, Mervyn Matthews - Owen's father - followed a lifelong passion for Russia and moved to Moscow to work for the British embassy. He fell in and out with the KGB, and despite having fallen in love with Lyudmila, he was summarily deported. For the next six years, Mervyn worked day and night to get Lyudmila out of Russia, and when he finally succeeded, they married. Decades on from these events, Owen Matthews - then a young journalist himself in Russia - came upon his grandfather's KGB file recording his "progress from life to death at the hands of Stalin's secret police." Excited by its revelations, he has pieced together the tangled and dramatic threads of his family's past and present, making sense of the magnetic pull that has drawn him back to his mother's homeland. Stalin's Children is an indelible portrait of Russia over seven decades and an unforgettable memoir about how we struggle to define ourselves in opposition to our ancestry only to find ourselves aligning with it.

    Anya von Bremzen has vobla-rock-hard, salt-cured dried Caspian roach fish. Lovers of vobla risk breaking a tooth or puncturing a gum on the once-popular snack, but for Anya it's transporting. Like kotleti (Soviet burgers) or the festive Salat Olivier, it summons up the complex, bittersweet flavors of life in that vanished Atlantis called the USSR. There, born in 1963 in a Kafkaesque communal apartment where eighteen families shared one kitchen, Anya grew up singing odes to Lenin, black-marketeering Juicy Fruit gum at her school, and, like most Soviet citizens, longing for a taste of the mythical West. It was a life by turns absurd, drab, naively joyous, melancholy-and, finally, intolerable to her anti-Soviet mother. When she was ten, the two of them fled the political repression of Brezhnev-era Russia, arriving in Philadelphia with no winter coats and no right of return.These days Anya lives in two parallel food universes: one in which she writes about four-star restaurants, the other in which a simple banana-a once a year treat back in the USSR-still holds an almost talismanic sway over her psyche. To make sense of that past, she and her mother decided to eat and cook their way through seven decades of the Soviet experience. Through the meals she and her mother re-create, Anya tells the story of three generations-her grandparents', her mother's, and her own. Her family's stories are embedded in a larger historical epic: of Lenin's bloody grain requisitioning, World War II hunger and survival, Stalin's table manners, Khrushchev's kitchen debates, Gorbachev's anti-alcohol policies, and the ultimate collapse of the USSR. And all of it is bound together by Anya's sardonic wit, passionate nostalgia, and piercing observations.This is that rare book that stirs our souls and our senses.

    But in the wake of that one deceptively calm moment, conflict and violence soon followed. Some of the emergent new countries began to shed totalitarianism while other sought to revive their own dead empires or were led by ex-Soviet leaders who built equally or even more repressive political machines. Since the late 1980s, Sheets lived and reported from the former USSR and saw firsthand the reverberations of the empire’s collapse. Eight Pieces of Empire draws readers into the people, politics and day-to-day life, painting a vivid portrait of a tumultuous time.Sheets’ stories about people living through these tectonic shifts of fortune—a trio of female saboteurs in Chechnya, the chaos of newly independent Georgia in the early 1990s, young hustlers eager to strike it rich in the post-Soviet economic vacuum—reveal the underreported and surprising ways in which the ghosts of empire still haunt these lands and the world.

     The political theories of Lenin have long outlived him, and have even gone on to outlive the Marxist state he help to found; the Soviet Union. The name Lenin still reverberates around the world, and yet “Lenin” is not even his real name. He was born Vladimir Ilyich Ulyanov, the name Lenin was just the word he used to attach to his ideology, Lenin was just the brand that he developed as he attempted to make good on his promise to export Leninism all over the world. Inside you will read about... ✓ The Birth of Revolution ✓ Lenin’s Honeymoon in Exile ✓ Lenin’s Blank Check ✓ Dealing with Monarchist Filth ✓ Saving Face ✓ Voice of a Nation ✓ Russia Holds its Breath And much more! The man that came to be known as Vladimir Lenin almost single-handedly sparked communist revolution in Russia and he very nearly brought his brand of Marxism to the rest of the world. What drove him to do this? Where did he derive such an immense desire for societal change? This book serves to examine the landscape that brought such a pivotal figure to such prominence, examining all of the catalysts, from personal, to national, that led the man known simply as “Lenin” down his inexorable path of revolution.

     'One of the great biographies of 2015.' The Times Fully updated edition including recently released information. A Guardian Book of the Year. The Times Best Biography of the Year. Mail on Sunday Biography of the Year. Daily Mail Biography of Year. Spectator Book of the Year. BBC History Book of the Year. 'A remarkable and definitive portrait ' Frederick Forsyth 'Andrew Lownie's biography of Guy Burgess, Stalin's Englishman ... shrewd, thorough, revelatory.' William Boyd 'In the sad and funny Stalin's Englishman, [Lownie] manages to convey the charm as well as the turpitude.' Craig Brown Guy Burgess was the most important, complex and fascinating of 'The Cambridge Spies' - Maclean, Philby, Blunt - all brilliant young men recruited in the 1930s to betray their country to the Soviet Union. An engaging and charming companion to many, an unappealing, utterly ruthless manipulator to others, Burgess rose through academia, the BBC, the Foreign Office, MI5 and MI6, gaining access to thousands of highly sensitive secret documents which he passed to his Russian handlers.In this first full biography, Andrew Lownie shows us how even Burgess's chaotic personal life of drunken philandering did nothing to stop his penetration and betrayal of the British Intelligence Service. Even when he was under suspicion, the fabled charm which had enabled many close personal relationships with influential Establishment figures (including Winston Churchill) prevented his exposure as a spy for many years.Through interviews with more than a hundred people who knew Burgess personally, many of whom have never spoken about him before, and the discovery of hitherto secret files, Stalin's Englishman brilliantly unravels the many lives of Guy Burgess in all their intriguing, chilling, colourful, tragi-comic wonder.

    As if rising from an uneasy grave, Palchinsky's ghost leads us through the miasma of Soviet technology and industry, pointing out the mistakes he condemned in his time, the corruption and collapse he predicted, the ultimate price paid for silencing those who were not afraid to speak out. The story of this visionary engineer's life and work, as Loren Graham relates it, is also the story of the Soviet Union's industrial promise and failure.We meet Palchinsky in pre-Revolutionary Russia, immersed in protests against the miserable lot of laborers in the tsarist state, protests destined to echo ironically during the Soviet worker's paradise. Exiled from the country, pardoned and welcomed back at the outbreak of World War I, the engineer joined the ranks of the Revolutionary government, only to find it no more open to criticism than the previous regime. His turbulent career offers us a window on debates over industrialization. Graham highlights the harsh irrationalities built into the Soviet system--the world's most inefficient steel mill in Magnitogorsk, the gigantic and ill-conceived hydroelectric plant on the Dnieper River, the infamously cruel and mislocated construction of the White Sea Canal. Time and again, we see the effects of policies that ignore not only the workers' and consumers' needs but also sound management and engineering precepts. And we see Palchinsky's criticism and advice, persistently given, consistently ignored, continue to haunt the Soviet Union right up to its dissolution in 1991.The story of a man whose gifts and character set him in the path of history, The Ghost of the Executed Engineer is also a cautionary tale about the fate of an engineering that disregards social and human issues.

    Far too many people, however, separate Marx the man from the evils wrought by the oppressive ideology and theory that bears his name. That is a grave mistake. Not only did the horrific results of Marxism follow directly from Marx’s twisted ideas, but the man himself penned some downright devilish things. Well before Karl Marx was writing about the hell of communism, he was writing about hell.   “Thus Heaven I’ve forfeited, I know it full well,” he wrote in a poem in 1837, a decade before his Manifesto. “My soul, once true to God, is chosen for Hell.” That certainly seemed to be the perverse destiny for Marx’s ideology, which consigned to death over 100 million souls in the twentieth century alone.   No other theory in all of history has led to the deaths of so many innocents. How could the Father of Lies not be involved?   At long last, here, in this book by Professor Paul Kengor, is a close, careful look at the diabolical side of Karl Marx, a side of a man whose fascination with the devil and his domain would echo into the twentieth century and continue to wreak havoc today. It is a tragic portrait of a man and an ideology, a chilling retrospective on an evil that should have never been let out of its pit.

    One critic, writing upon the publication of the final volume, casually tagged the series as the ultimate work on Dostoevsky "in any language, and quite possibly forever."Frank himself had not originally intended to undertake such a massive work. The endeavor began in the early 1960s as an exploration of Dostoevsky's fiction, but it later became apparent to Frank that a deeper appreciation of the fiction would require a more ambitious engagement with the writer's life, directly caught up as Dostoevsky was with the cultural and political movements of mid- and late-nineteenth-century Russia. Already in his forties, Frank undertook to learn Russian and embarked on what would become a five-volume work comprising more than 2,500 pages. The result is an intellectual history of nineteenth-century Russia, with Dostoevsky's mind as a refracting prism.The volumes have won numerous prizes, among them the National Book Critics Circle Award for Biography, the Christian Gauss Award of Phi Beta Kappa, the Los Angeles Times Book Prize, and the James Russell Lowell Prize of the Modern Language Association.

    Drawing on sources in Cuba, Latin America, the United States, Europe, and Russia, and on material not available to previous biographers, Simon Reid-Henry has crafted a compelling portrait of a revolutionary era and the two men whose names and deeds personify it: Fidel Castro and Che Guevara. What began as an association of convenience would fundamentally shape their political visions, propelling them further than either had dared imagine. Ironically, though, their jointly conceived vision of revolution would ultimately force them to choose between friendship and their beliefs. At a momentous turning point in Cuban history, Simon Reid-Henry offers a fascinating and original chronicle of two of the most powerful personalities in recent memory.

    It covers the period from the Russian elections of December 2003 to the tragic aftermath of the Beslan school siege in late 2005. The book is an unflinching record of the plight of millions of Russians and a pitiless report on the cynicism and corruption of Vladimir Putin’s presidency.

    Over 35,000 volunteers from fifty-two countries around the world came to defend democracy against the troops of Franco, Hitler, and Mussolini. Ill-equipped and disorderly, yet fueled by a shared sense of purpose and potential glory, disparate groups of idealistic young men and women banded together to form a volunteer army of a size and kind unseen since the Crusades, known as the International Brigades. These passionate liberal fighters-from across Europe, China, Africa and the Americas-would join the Republican cause, fighting for over two years on the bloody battlegrounds of Madrid, Jarama and Ebro. Were they heroes or fools? Saints or bloodthirsty adventurers? And what exactly did they achieve? In this magisterial history, award-winning historian Giles Tremlett tells-for the first time-the story of the Spanish Civil War through all the human drama of an historic mission to halt fascist expansion in Europe. The International Brigades shows just how far ordinary people will go to save democracy against overwhelming odds.

    Notorious for pioneering a policy of unrestrained terror—and for killing his own son—he has been credited with establishing autocracy in Russia. This is the first attempt to write a biography of Ivan from birth to death, to study his policies, his marriages, his atrocities, and his disordered personality, and to link them as a coherent whole.Isabel de Madariaga situates Ivan within the background of Russian political developments in the sixteenth century. And, with revealing comparisons with English, Spanish, and other European courts, she sets him within the international context of his time. The biography includes a new account of the role of astrology and magic at Ivan's court and provides fresh insights into his foreign policy. Facing up to problems of authenticity (much of Ivan's archive was destroyed by fire in 1626) and controversies which have paralyzed western scholarship, de Madariaga seeks to present Russia as viewed from the Kremlin rather than from abroad and to comprehend the full tragedy of Ivan’s reign.

    After his father was brutally murdered, Frederick left the South and worked as a waiter in Chicago and Brooklyn. Seeking greater freedom, he traveled to London, then crisscrossed Europe, andin a highly unusual choice for a black American at the time went to Russia. Because he found no color line there, Frederick settled in Moscow, becoming a rich and famous owner of variety theaters and restaurants. When the Bolshevik Revolution ruined him, he barely escaped to Constantinople, where he made another fortune by opening celebrated nightclubs as the "Sultan of Jazz." However, the long arm of American racism, the xenophobia of the new Turkish Republic, and Frederick s own extravagance landed him in debtor s prison. He died in Constantinople in 1928."

    It addresses itself to the central lacuna of 20th-century thought: the indulgence of Communism by the intellectuals of the West. In between the personal beginnings and the personal ending, Amis gives us perhaps the best one-hundred pages ever written about Stalin: Koba the Dread, Iosif the Terrible.The author’s father, Kingsley Amis, though later reactionary in tendency, was a “Comintern dogsbody” (as he would come to put it) from 1941 to 1956. His second-closest, and then his closest friend (after the death of the poet Philip Larkin), was Robert Conquest, our leading Sovietologist whose book of 1968, The Great Terror, was second only to Solzhenitsyn’s The Gulag Archipelago in undermining the USSR. The present memoir explores these connections.Stalin said that the death of one person was tragic, the death of a million a mere “statistic.” Koba the Dread, during whose course the author absorbs a particular, a familial death, is a rebuttal of Stalin’s aphorism.From the Hardcover edition.

    Oligarchs and oil barons may still dominate international news coverage, but their prosperity masks a deep-rooted demographic tragedy. Faced with staggering population decline—and near-certain economic collapse—driven by toxic levels of alcohol abuse, Russia is also battling a deeper sickness: a spiritual one, born out of the country’s long totalitarian experiment. In The Last Man in Russia, award-winning journalist Oliver Bullough uses the tale of a lone priest to give life to this national crisis. Father Dmitry Dudko, a dissident Orthodox Christian, was thrown into a Stalinist labor camp for writing poetry. Undaunted, on his release in the mid-1950s he began to preach to congregations across Russia with little concern for his own safety. At a time when the Soviet government denied its subjects the prospect of advancement, and turned friend against friend and brother against brother, Dudko urged his followers to cling to hope. He maintained a circle of sacred trust at the heart of one of history’s most deceitful systems. But as Bullough reveals, this courageous group of believers was eventually shattered by a terrible act of betrayal—one that exposes the full extent of the Communist tragedy. Still, Dudko’s dream endures. Although most Russians have forgotten the man himself, the embers of hope that survived the darkness are once more beginning to burn. Leading readers from a churchyard in Moscow to the snow-blanketed ghost towns of rural Russia, and from the forgotten graves of Stalin’s victims to a rock festival in an old gulag camp, The Last Man in Russia is at once a travelogue, a sociological study, a biography, and a cri de coeur for a dying nation—one that, Bullough shows, might yet be saved.