The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    Fantastic psychic visions, specters looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these tales. The Last Séance gathers twenty stories, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.

    But the evil Count Karlstein has struck a terrible bargain with Zamiel, and so the lives of his two young nieces, Lucy and Charlotte, are in danger. Their only hope lies with Hildi, a castle maidservant, and her fearless brother Peter. Can they save the girls from their dreadful fate? Only one thing is certain—the Demon Huntsman will not return to his dark wood unsatisfied!

    He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits.His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Carol, the full range of his gothic talents can be seen.Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…

    We move from the mysteries of Egypt and the strange powers granted by The Ring of Thoth to the isolated ghost-lands of the Arctic in The Captain of the Polestar, we encounter a monstrous creature in The Terror of Blue John Cap and the beings that live above our heads in The Brazilian Cat and The Leather Funnel; and we shudder at the thing in the next room in Lot 249.Sit down in your uneasy chair and enjoy this collection of chillers.

    Not only are the stories spine-tingling, but it once belonged to Primrose Penberthy, who vanished mysteriously, never to be seen again. Intrigued, Aveline decides to investigate Primrose's disappearance.Now someone... or something, is stirring. And it is looking for Aveline.Turn on your torches, and join Aveline Jones in her first charmingly spooky mystery, from debut author Phil Hickes.

    Hopgood will stop at nothing to make his daughter, Helen, happy—even if it means buying her an ancient Scottish castle and shipping it back to Texas. Assembling the castle isn’t a problem for the oil tycoon . . . it’s the ghosts that worry him. Hopgood has made up his mind: the ghouls have got to go. But these spirits don’t spook so easily. Instead, they make their way to America, where they meet up with a magical severed hand and three fiendish, cross-dressing kidnappers for a Texassized adventure with a ghostly Scottish flair.

    Craig Russell and illustrated by an extraordinary team of renowned artists.Inventive, chilling, and filled with wonder, Neil Gaiman's The Graveyard Book reaches new heights in this stunning adaptation. Artists Kevin Nowlan, P. Craig Russell, Tony Harris, Scott Hampton, Galen Showman, Jill Thompson, and Stephen B. Scott lend their own signature styles to create an imaginatively diverse and yet cohesive interpretation of Neil Gaiman's luminous novel.Volume One contains Chapter One through the Interlude, while Volume Two will include Chapter Six to the end.

    But here's a warning--the scream you hear may be your own!

    LovecraftActor, journalist, devotee of Celtic Christianity and the Holy Grail legend, Welshman Arthur Machen is considered one of the fathers of weird fiction, a master of mayhem whose work has drawn comparisons to H. P. Lovecraft and Edgar Allan Poe. Readers will find the perfect introduction to his style in this new collection. With the title story, an exercise in the bizarre that leaves the reader disoriented virtually from the first page, Machen turns even fundamental truths upside down. "There have been those who have sounded the very depths of sin," explains the character Ambrose, "who all their lives have never done an 'ill deed.'"

    Shelby and Brian Tate have heard heated voices crying out in the night. They've noticed the unsettling way things move around on their own. But the most chilling thing about their new home is the cemetery someone's built out back. The graves are tiny, only big enough for dolls. AND THE DOLLS WON'T STAY BURIED.Soon Shelby's learning all about them. Betsy Anne's angelic appearance hides a raging fire behind her eyes, while Baby Daisy changes faces as quickly as she changes moods. And Miss Amelia's cracked porcelain skin and twisted lips only hint at the pain she once endured at the hands of a very angry girl. If Shelby can help the dolls find peace, she and her family might actually be happy at Cinder Creek. But if she can't--the dolls will have their revenge....

    Some will make you scream, some will make you shiver, but all will haunt you gently long after you've put the book down.

    It’s a strange, shadowy mansion full of crooked corridors and mysterious riddles—and it just might be home to a magical object known as the All-Seeing Eye. Can Warren decipher the clues and find the treasure before his sinister Aunt Annaconda (and a slew of greedy hotel guests) beats him to it?This middle-grade adventure features gorgeous two-color illustrations on every page and a lavish two-column Victorian design that will pull young readers into a spooky and delightful mystery.