Burroughs wrote Junky, his first novel. It is a candid eye-witness account of times and places that are now long gone, an unvarnished field report from the American post-war underground. Unafraid to portray himself in 1953 as a confirmed member of two socially-despised under classes (a narcotics addict and a homosexual), Burroughs was writing as a trained anthropologist when he unapologetically described a way of life - in New York, New Orleans, and Mexico City - that by the 1940's was already demonized by the artificial anti-drug hysteria of an opportunistic bureaucracy and a cynical, prostrate media. For this fiftieth-anniversary edition, eminent Burroughs scholar Oliver Harris has painstakingly recreated the author's original text, word by word, from archival typescripts and places the book's contents against a lively historical background in a comprehensive introduction. Here as well, for the first time, are Burroughs' own unpublished introduction and an entire omitted chapter, along with many "lost" passages, as well as auxiliary texts by Allen Ginsberg and others.

    Reprinted here for the first time is Franzen's controversial l996 investigation of the fate of the American novel in what became known as "the Harper's essay," as well as his award-winning narrative of his father's struggle with Alzheimer's disease, and a rueful account of his brief tenure as an Oprah Winfrey author.

    Which may help explain why he is also one of the most brilliant, innovative, and eloquent writers on earth. Slippage simply presents recent, typical Ellison. In a word, masterful. The 21 stories in this 1997 collection, which is encased in black boxes, show Ellison at the height of his powers, with several of the stories (no surprise here) major award-winners. Highlights include a black mind reader who pays a visit to a white serial killer, a husband who falls prey to a vampiric personal computer, and a love affair between a young man and a woman who may be more undead than alive. Perhaps even more fascinating are the painfully candid snapshots of autobiography running throughout the volume. Even if Ellison's unsettling fictions are not enough to dazzle you, his often bizarre life experiences as an author will still keep you compulsively turning the page like a polite voyeur. --Stanley WiaterContents:The Man Who Rowed Christopher Columbus Ashore (1992)Anywhere but Here, with Anybody but You (1996)Crazy as a Soup Sandwich (1989)Darkness upon the Face of the Deep (1991)The Pale Silver Dollar of the Moon Pays Its Way and Makes Change: Version 1 (1997)The Pale Silver Dollar of the Moon Pays Its Way and Makes Change: Version 2 (1994)The Lingering Scent of Woodsmoke (1996)The Museum on Cyclops Avenue (1995)Go toward the Light (1996)Mefisto in Onyx (1993)Where I Shall Dwell in the Next World (1992)Chatting with Anubis (1995)The Few, the Proud (1989)The Deadly "Nackles" Affair (1987) essayNackles (1964)Nackles (1987)Sensible City (1994)The Dragon on the Bookshelf (1995) with Robert SilverbergKeyboard (1995)Jane Doe #112 (1990)The Dreams a Nightmare Dreams (1997)Pulling Hard Time (1995)Scartaris, June 28th (1990)She's a Young Thing and Cannot Leave Her Mother (1988)Midnight in the Sunken Cathedral (1995)

    This rich treasury includes Tolkien's most beloved short fiction plus his essay on fantasy. Publisher's Note Tolkien's Magic Ring, by Peter S. Beagle The Homecoming of Beorhtnoth Beorhthelm's Son Tree and Leaf On Fairy-Stories Leaf by Niggle Farmer Giles of Ham The Adventures of Tom Bombadil The Adventures of Tom Bombadil Bombadil Goes Boating Errantry Princess Mee The Man in the Moon Stayed Up Too Late The Man in the Moon Came Down Too Soon The Stone Troll Perry-the-Winkle The Mewlips Oliphaunt Fastitocalon Cat Shadow-bride The Hoard The Sea-Bell The Last Ship

    His range is virtuosic, encompassing Mark Twain and Richard Wright, Mahalia Jackson and Charlie Parker, The Birth of a Nation and the Dante-esque landscape of Harlem—“the scene and symbol of the Negro’s perpetual alienation in the land of his birth.” Throughout, he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.On every page, Ellison reveals his idiosyncratic and often contrarian brilliance, his insistence on refuting both black and white stereotypes of what an African American writer should say or be. The result is a book that continues to instruct, delight, and occasionally outrage readers.

    He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.

    Doxey, Jerome Klinkowitz, Richard Giannone, John L. Simons, James Lundquist, and other scholars.- After the bomb, Dad came up with ice / Terry Southern- Vonnegut's Cat's cradle / William S. Doxey- The private person as public figure / Jerome Klinkowitz- Cat's cradle / Richard Giannone- Tangled up in you : a playful reading of Cat's cradle / John L. Simons- From formula toward experiment : Cat's cradle and God bless you, Mr. Rosewater / Jerome Klinkowitz- Playful genesis and dark revelation in Cat's cradle / Leonard Mustazza- Bokononism as a structure of ironies / Zoltan Ab di-Nagy- Mother night, Cat's cradle, and The crimes of our time / Jerome Klinkowitz- Vonnegut's invented religions as sense-making systems / Peter Freese- Icy solitude : magic and violence in Macondo and San Lorenzo / Wendy B. Faris- Vonnegut's cosmos / David H. Goldsmith- Cosmic irony / James Lundquist- Cat's cradle : Jonah and the whale / Lawrence R. Broer- Hurting 'til it laughs : the painful-comic science fiction stories of Kurt Vonnegut / Peter J. Reed- The paradox of "awareness" and language in Vonnegut's fiction / Loree Rackstraw.

    At first their new life is full of promise: The wheat is high, the dugout is warm and cozy, and a new baby is born to share in their happiness. Then disaster strikes, and David must go east for the winter to find work. Molly is left alone with the baby -- with nothing but her own courage to face the dangers of the harsh prairie winter.

    At first sight, he described it as "a most picturesque and beautiful city, situated in one of the loveliest landscapes that I have ever seen." Irving was preparing a book called A Chronicle of the Conquest of Granada, a history of the years 1478–1492, and was continuing his research on the topic. He immediately asked the then-governor of the historic Alhambra Palace as well as the archbishop of Granada for access to the palace, which was granted because of Irving's celebrity status. Aided by a 17-year old guide named Mateo Ximenes, Irving was inspired by his experience to write Tales of the Alhambra. Throughout his trip, he filled his notebooks and journals with descriptions and observations though he did not believe his writing would ever do it justice. He wrote, "How unworthy is my scribbling of the place." Irving continued to travel through Spain until he was appointed as secretary of legation at the United States Embassy in London, serving under the incoming minister Louis McLane. He arrived in London by late September 1829.

    Our publisher readily agreed, and so you’ll see that this year’s edition is far more eclectic in form than previous editions. Along the way to making the book, we also came across a variety of things that didn’t fit neatly anywhere, but which we felt should be included, so we conceived the front section, which is a loose Best American roundup of notable words and sentences from 2005. It is, like this book in general, obviously and completely incomplete, but might be interesting nevertheless.

    Instead of revising the Articles of Confederation, the framers had created a fundamentally new national plan that placed over the states a supreme government with broad powers. They proposed to submit it to conventions in each state, elected “by the People thereof,” for ratification.Immediately, a fierce storm of argument broke. Federalist supporters, Antifederalist opponents, and seekers of a middle ground strove to balance public order and personal liberty as they praised, condemned, challenged, and analyzed the new Constitution.Assembled here in chronological order are hundreds of newspaper articles, pamphlets, speeches, and private letters written or delivered in the aftermath of the Constitutional Convention. Along with familiar figures like Franklin, Madison, Patrick Henry, Jefferson, and Washington, scores of less famous citizens are represented, all speaking clearly and passionately about government. The most famous writings of the ratification struggle—the Federalist essays of Hamilton and Madison—are placed in their original context, alongside the arguments of able antagonists, such as “Brutus” and the “Federal Farmer.”Part One includes press polemics and private commentaries from September 1787 to January 1788. That autumn, powerful arguments were made against the new charter by Virginian George Mason and the still-unidentified “Federal Farmer,” while in New York newspapers, the Federalist essays initiated a brilliant defense. Dozens of speeches from the state ratifying conventions show how the “draft of a plan, nothing but a dead letter,” in Madison’s words, had “life and validity…breathed into it by the voice of the people.” Included are the conventions in Pennsylvania, where James Wilson confronted the democratic skepticism of those representing the western frontier, and in Massachusetts, where John Hancock and Samuel Adams forged a crucial compromise that saved the country from years of political convulsion.Informative notes, biographical profiles of all writers, speakers, and recipients, and a detailed chronology of relevant events from 1774 to 1804 provide fascinating background. A general index allows readers to follow specific topics, and an appendix includes the Declaration of Independence, the Articles of Confederation, and the Constitution (with all amendments).

    There are thirteen two-color wood engravings.Norman Maclean (1902-90), woodsman, scholar, teacher, and storyteller, grew up in the Western Rocky Mountains of Montana and worked for many years in logging camps and for the United States Forestry Service before beginning his academic career. He retired from the University of Chicago in 1973.

    Trapped in 1877, a historian writes an account of an alternative history of America in which the South won the Civil War. Living in this alternative timeline, he was determined to change events at Gettysburg.When he's offered the chance to return to that fateful turning point his actions change history as he knows it, leaving him in an all too familiar past.

    Within its covers are unforgettable episodes from the remarkable series of memoirs that began with All Creatures Great and Small-"the ones my family and I have laughed at over the years and the ones my readers have said they most enjoyed," as Herriot, himself, put it. Yet the book is far more than a simple anthology: Its gorgeous pages also include hundreds of line drawings and color photographs, capturing Herriot's Yorkshire in a worthy complement to the writer's words.The 1991 publication of Every Living Thing, rendered the original edition of this book incomplete. This fall will mark the publication of the complete, definitive edition with the addition of five of his best, more recent stories, as well as new art. Once again The Best of James Herriot becomes the quintessential Herriot volume-one of those invaluable books that will be loved as much in decades to come as it is today.

    Laced throughout with intimate recollections of moments of crises and joy from the middle years of their relationship, the novel charts the ebb and flow of marriage, illuminating the mysteries and magic of marital love.Neither sentimental nor cynical, and written with an intense devotion to character and emotional suspense, A Happy Marriage reveals a partnership that brings maturity and great pleasure to the lives of two people. Bold, elegiac, and stunningly vivid, A Happy Marriage will break every reader’s heart—and perhaps infuse some marriages with greater love.