Now Wavie's back in the Holler--and in the clutches of her Aunt Samantha Rose. Life with the devilish Samantha Rose and her revolting cousin Hoyt is no picnic, but there's real pleasure in sleeping in her own mother's old bed, and making friends with the funny, easygoing kids her aunt calls the "neighborhood-no-accounts." With their help, Wavie just might be able to prevent her aunt from becoming her legal guardian, and find her courage and place in the world.

    It's been there for an age. I keep on saying that I'll write a journal. So I'll start right here, right now. I open the book and write the very first words: My name is Mina and I love the night. Then what shall I write? I can't just write that this happened then this happened then this happened to boring infinitum. I'll let my journal grow just like the mind does, just like a tree or a beast does, just like life does. Why should a book tell a tale in a dull straight line?And so Mina writes and writes in her journal, and through her stories and poems there grows an opus of her life - her lessons, her loves, her beliefs, her mum, her dad, her thoughts and her dreams.In this stunningly designed book, David Almond revisits Mina before she has met Michael, before she has met Skellig, in what is a thought-provoking and extraordinary prequel to his best-selling debut novel, Skellig. From the winner of the Whitbread Children's Book Award the Carnegie Medal and the 2010 Hans Christian Andersen Award comes the extraordinary prequel to the award-winning Skellig.

    Baking disasters. Puffed sleeves. Explore the violet vales and glorious green of Avonlea in this spirited adaptation.The magic of L.M. Montgomery’s treasured classic is reimagined in a whimsically-illustrated graphic novel adaptation perfect for newcomers and kindred spirits alike. When Matthew and Marilla Cuthbert decide to adopt an orphan who can help manage their family farm, they have no idea what delightful trouble awaits them. With flame-red hair and an unstoppable imagination, 11-year-old Anne Shirley takes Green Gables by storm.Anne’s misadventures bring a little romance to the lives of everyone she meets: her bosom friend, Diana Barry; the town gossip, Mrs. Lynde; and that infuriating tease, Gilbert Blythe. From triumphs and thrills to the depths of despair, Anne turns each everyday moment into something extraordinary.The spirit of Anne is alive and well in Mariah Marsden's crisp adaptation, and it's a thrill to watch as the beloved orphan rushes headlong through Brenna Thummler's heavenly landscapes. Together Marsden and Thummler conjure all the magic and beauty of Green Gables. Like Anne herself, you won't want to leave. — Brian Selznick, author/illustrator of “The Invention of Hugo Cabret” and “The Marvels”

    But she knows she's not a boy. She knows she's a girl.George thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. George really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part . . . because she's a boy. With the help of her best friend, Kelly, George comes up with a plan. Not just so she can be Charlotte -- but so everyone can know who she is, once and for all.

    Unlike Tess, Frankie is neurodivergent, with diagnoses of ADHD and autism spectrum and attention processing disorders. Frankie can't stand to be touched, loud noises bother her, she's easily distracted, she hates changes in her routine, and she has to go see a therapist while other kids get to hang out at the beach. It also means Frankie has trouble making friends. She did have one--Colette--but they're not friends anymore. It's complicated.Then, just weeks before the end of seventh grade, Colette unexpectedly shows up at Frankie's door. The next morning, Colette vanishes. Now, after losing Colette yet again, Frankie's convinced that her former best friend left clues behind that only she can decipher, so she persuades her reluctant sister to help her unravel the mystery of Colette's disappearance before it's too late.

    Perfect for fans of GIRLS WHO CODE series and THE CROSSOVER.

    A street-smart tale about a displaced teen who learns to defend what's right-the Cowboy Way.Twelve-year-old Cole's behavior causes his mother to drive him from Detroit to Philadelphia to live with a father he has never known, but who soon has Cole involved with a group of African-American "cowboys" who rescue horses and use them to steer youths away from drugs and gangs.

    A girl at the very top of the popularity tower. One of the Populazzi. Now, junior year could change everything. Cara’s moving to a new school, and her best friend urges her to seize the moment—with the help of the Ladder. Its rungs are relationships, and if Cara transforms into the perfect girlfriend for guys ever-higher on the tower, she’ll reach the ultimate goal: Supreme Populazzi. The Ladder seems like a lighthearted social experiment, a straight climb up, but it quickly becomes gnarled and twisted. And when everything goes wrong, only the most audacious act Cara can think of has a chance of setting things even a little bit right.

    He hasn't been to school in weeks. His hands are cracked and bleeding from cleaning. He refuses to leave his bedroom. To pass the time, he observes his neighbors from his bedroom window, making mundane notes about their habits as they bustle about the cul-de-sac. When a toddler staying next door goes missing, it becomes apparent that Matthew was the last person to see him alive. Suddenly, Matthew finds himself at the center of a high-stakes mystery, and every one of his neighbors is a suspect. Matthew is the key to figuring out what happened and potentially saving a child's life... but is he able to do so if it means exposing his own secrets, and stepping out from the safety of his home?