He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England.First produced in 1956, Look Back in Anger launched a revolution in the English theater. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life."

    Through a psychiatrist's analysis of the events, Shaffer creates a chilling portrait of how materialism and convenience have killed our capacity for worship and passion and, consequently, our capacity for pain. Rarely has a playwrite created an atmosphere and situation that so harshly pinpoint the spiritual and mental decay of modern man.

    His professor, the renowned E. C. Mabie, remarked as he got up and dismissed the seminar, "Well, we all have to paint our nudes!" Tom's earlier comment in his journal that the play "is well-constructed, no social propaganda, and is suitable for the commercial stage" seems accurate enough in 1999, but woefully naive deep in the Depression when the play's sexual explicitness—particularly its matter-of-fact acceptance of a woman's right to her own sexuality—would have been seen as not only shocking but also politically radical. Spring Storm would later be disavowed by the author as "simply a study of Sex—a blind animal urge or force (like the regenerative force of April) gripping four lives and leading them into a tangle of cruel and ugly relations."But the solid and deft characterizations of the four young people whose lives intertwine—the sexually alive Heavenly Critchfield, her earthy lover Dick Miles, Heavenly's wealthy but tongue-tied admirer Arthur Shannon, and the repressed librarian Hertha Nielson who loves Arthur—are archetypes of characters we will meet again and again in the Williams canon. Epic in scope, a bit melodramatic in execution, tragic in outcome, Spring Storm created a wave of excitement among theatre insiders when it was given a staged reading at The Ensemble Studio Theatre's Octoberfest '96. This edition has been prepared, with an illuminating introduction, by Dan Isaac, who initiated the Octoberfest production.

    Manners and morality are also victims of Wilde's sharp wit in Lady Windermere's Fan, A Woman of No Importance and An Ideal Husband, in which snobbery and hypocrisy are laid bare. In Salomé and A Florentine Tragedy, Wilde makes powerful use of historical settings to explore the complex relationship between sex and power. The range of these plays displays Wilde's delight in artifice, masks and disguises, and reveals the pretentions of the social world in which he himself played such a dazzling and precarious part.Richard Allen Cave's introduction and notes discuss the themes of the plays and Wilde's innovative methods of staging. This edition includes the excised 'Gribsby' scene from The Importance of Being Earnest.

    This Pulitzer Prize-winning drama of life in the small village of Grover's Corners, an allegorical representation of all life, has become a classic. It is Thornton Wilder's most renowned and most frequently performed play.

    Ashleigh's current fancy is also Julie's own passion, Pride and Prejudice, and the heroine's quest for True Love. And so Julie finds herself swept along with Ashleigh, dressed in vintage frocks and sneaking into a dance at the local all-boys' prep school. There they discover several likely candidates for True Love, including the handsome and sensitive Parr. And Julie begins to wonder if maybe this obsession of Ashleigh's isn't so bad after all...

    Fueled by jealousy and resentment, the girls embark on a night of debauchery that goes from playfully wasted to devastatingly destructive. Their old fears, unfulfilled desires and deep bonds with each other transform a prenuptial bender into a night they'll never forget. A wicked black comedy about female friendship and growing up in an age of excess.

    Colonel Fitzwilliam and Georgiana join Darcy at Netherfield and everything changes. Darcy does not insult Elizabeth and their acquaintance turns onto a different path from the classic Jane Austen story. Majority of characters canon in beginning. Rated T for minor violence and sexual situations.

    So when her aunt and uncle suggest they take a tour of Pemberley, Mr Darcy's ancestral home, only the reassurance that he is away convinces her to agree. Needing some time alone, she takes advantage of her aunt and uncle's absence to explore the countryside around Lampton, when a storm obliges her to take shelter in the woods near Pemberley. As the storm worsens, Elizabeth is injured and is trapped in the woods with no way of returning to the inn where her aunt and uncle are staying. Mr Darcy thought to take advantage of the fine weather to return to Pemberley a day early, to attend to some business with his steward. But the sudden outbreak of a storm obliges him to take a shortcut through the woods. There, he encounters the unconscious form of the lady he thought never to see again. Being too far from Pemberley, he is obliged to take her to a nearby cabin, where he must tend to her injuries. There, they spend the night alone together. The pair agree that they should pretend Elizabeth was alone in the cabin, and Mr Darcy stayed elsewhere, to save Elizabeth's reputation and prevent her being forced into a marriage with a man she does not love. But once at Pemberley, Miss Caroline Bingley grows suspicious that Elizabeth was not so alone after all. Determined to smear her rival's reputation, she returns to the cabin and discovers proof that Elizabeth spent the night with a man. To her horror, Mr Darcy is forced to reveal himself as the man in question, and vows to marry Miss Bennet to save her reputation. Can Mr Darcy prove that he has changed and is now worthy of Elizabeth's love? And can Elizabeth overcome her prejudice and see the man he is now? The arrival of Elizabeth's sister Jane offers Mr Darcy the chance to put right one of his most regretful mistakes. And Elizabeth is forced to consider that there is nothing standing between her and happiness with the man she has grown to love than her own pride.

    Fitzwilliam Darcy and mistress of Pemberley, finds herself in a very different league of wealth and privilege. Writing to her beloved sister Jane, she confides her uncertainty and anxieties, and describes the everyday of her new life. Her first year at Pemberley is sometimes bewildering but Lizzie's spirited sense of humor and satirical eye never deserts her.Incorporating Jane Austen's own words and characters from her other works (who appear here with different names, either associated with Austen's life, borrowed from another of her novels or are a wordplay on their original name), Jane Dawkins pieces together a literary patchwork quilt to tell the story of Lizzy's first eventful year as Mrs. Darcy.

    Darcy Speaks from the Heart:Pride and Prejudice from his Point of ViewThough tired of Society's manipulations, Darcy never thought to be enchanted by a country maiden. Yet on a visit to rural Hertfordshire, Elizabeth Bennet captivates him. Lovely and vivacious, she is everything he is not, and everything he longs to have.Unfortunately, her connections put her decidedly beneath him, and the improprieties he observes in her family do not win his favor. Putting her firmly out of his mind, Darcy returns to London, but Elizabeth is not so easily forgotten.When chance throws them together, Darcy can no longer deny his love, but Elizabeth, put off by his manners, refuses him. To change her mind, he must set aside his proud ways and learn how to please a woman worthy of being pleased. It takes a serious incident for his true character to shine, and for Elizabeth to learn just how valuable is...His Good OpinionIncludes an excerpt of Caroline Bingley by Jennifer Becton

    Enchantment and reality collide at a 1932 meeting between Alice Liddell Hargreaves, the original Alice in Wonderland, and Peter Llewelyn Davies, the original Peter Pan. Peter and Alice, which opened on London's West End in March 2013, stars Judi Dench and Ben Whishaw.

    Closer is hailed as one of the best plays of the nineties, and as the London Observer noted, it "has wired itself into the cultural vocabulary in a way that few plays have ever done."

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death of his father, Felix returns to his middle England home and his difficult and demanding mother, where he soon realises that his search for unity must include his own chaotic home life.Humble Boy premiered at the Royal National Theatre, London, in August 2001, and transferred to the Gielgud Theatre, London, in 2002. The play was the winner of the Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002.