She would then put it in a drawer; “for the future,” she would say. The future is now. Across town from St. Jarlath’s Crescent, featured in Minding Frankie, is Chestnut Street, where neighbors come and go. Behind their closed doors we encounter very different people with different life circumstances, occupations, and sensibilities. Some of the unforgettable characters lovingly brought to life by Binchy are Bucket Maguire, the window cleaner, who must do more than he bargained for to protect his son; Nessa Byrne, whose aunt visits from  America every summer and turns the house—and Nessa’s world—upside down; Lilian, the generous girl with the big heart and a fiancé whom no one approves of; Melly, whose gossip about the neighbors helps Madame Magic, a self-styled fortune-teller, get everyone on the right track; Dolly, who discovers more about her perfect mother than she ever wanted to know; and Molly, who learns the cure for sleeplessness from her pen pal from Chicago . . . Chestnut Street is written with the humor and understanding that are earmarks of Maeve Binchy’s extraordinary work and, once again, she warms our hearts with her storytelling.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind. The Best American Short Stories 2011 includes Chimamanda Ngozi Adichie, Megan Mayhew Bergman, Jennifer Egan, Nathan Englander, Allegra Goodman, Ehud Havazelet, Rebecca Makkai, Steven Millhauser, George Saunders, Mark Slouka, and others

    Scott Wolven is such a talent, and his raw, blistering tales of hard-bitten convicts, dodgy informers, and men running from the law make for "the most exciting, authentic collection of short stories I have read in years," says George Pelecanos. Brooding, edgy, and sometimes violent, Controlled Burn's loosely linked stories are each in some way a distillation of hard time -- spent either in prison, the backwoods of Vermont, or the badlands of the American West. Peopled by boxers, drunks, truck drivers, murderers, bounty hunters, drifters traveling under assumed names, and men whose luck ran out a thousand miles ago, these stories feel hard-won from life, and if they are moody and stark, so too are they filled with human longing. Controlled Burn is divided into two sections: "The Northeast Kingdom" and "The Fugitive West." In each, Scott Wolven reveals a broken world where there is no bottom left to hit. In the haunting "Outside Work Detail," convicts stoically dig graves for their fellow prisoners yet reserve their deepest grief for the senseless death of a deer. "Crank" introduces Red Green, a maniacally brilliant addict who brews his own crystal meth in a backwoods lab, and whose high-energy antics inspire both cautious admiration and mortal fear in his business associates. In "Ball Lightning Reported," Red Green's ultimate fate is revealed. In "Atomic Supernova," a revenge-obsessed sheriff deputizes a known cop-killer to help him hunt down a counterfeiter and drug lord. The unexpectedly tender and heartbreaking "The Copper Kings" concerns a father facing the dark truth behind his son's disappearance. And in "Vigilance," a hunted man struggles to escape his past, always yearning for an honorable yet perhaps unreachable future. Powered by a spare, ruminative prose style that recalls the best of Denis Johnson and Thom Jones, Controlled Burn is an unforgettable debut.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    Instead, she feels uneasy. Her children, eight-year-old Reid and six-year-old Ally, have met their paternal grandparents only a handful of times. But Liz’s husband, Paul, has decided that, despite a strained relationship with his mother and father, they should visit the farm in western New York where he spent his childhood.   On their way to the farm, the family stops at a hotel for the night. In the morning, when Liz goes to check on her sleeping children, all her anxiety comes roaring back: Ally and Reed are nowhere to be found. Blind panic slides into ice-cold terror as the hours tick by without anyone finding a trace of the kids. Soon, Paul and Liz are being interviewed by police, an Amber Alert is issued, and detectives are called in.   Frantic worry and helplessness threaten to overtake Liz’s mind—but in a sudden, gut-wrenching instant she realizes that it was no stranger who slipped into the hotel room that night. Someone she trusted completely has betrayed her. Though she knows that Ally and Reid are safe, Liz will stop at nothing to find them and get them back. From her guarded in-laws’ unwelcoming farmhouse to the deep woods of her own hometown, Liz follows the threads of a terrible secret to uncover a hidden world created from dreams and haunted by nightmares.

    The regal old woman came from wealthy and bluest-blood New England stock, but that didn’t protect her from life’s cruelest blows: the disappearance of Genevieve’s young son, followed by the premature death of her husband. But Genevieve rose from those ashes of grief and built a fashion empire that was respected the world over, even when it meant neglecting her other son.When Emma’s own mother died, her father abandoned her on his mother’s doorstep. Genevieve took Emma in and reluctantly raised her–until Emma got pregnant her senior year of high school. Genevieve kicked her out with nothing but the clothes on her back…but Emma took with her the most important London possession: the strength not just to survive but to thrive. And indeed, Emma has built a wonderful life for herself and her teenage daughter, Riley. So what is Emma to do when Genevieve does the one thing Emma never expected of her and, after not speaking to her for nearly two decades, calls and asks for help?SEE LESS

    She has a handsome boyfriend, is portraying her idol in a major motion picture, and gets to live in beautiful Rome for the next two months. Once there, she befriends a young woman named Sophie with whom she begins to explore the city. Together, they discover all the amazing riches that Rome has to offer. But when Amelia’s boyfriend breaks up with her over her acting career, her perfect world begins to crumble. While moping in her hotel suite, Amelia discovers a stack of letters written by Audrey Hepburn that start to put her own life into perspective. Then, she meets Philip, a handsome journalist who is under the impression that she is a hotel maid, and it appears as if things are finally looking up. The problem is she can never find the right time to tell Philip her true identity. Not to mention that Philip has a few secrets of his own. Can Amelia finally have both the career and love that she’s always wanted, or will she be forced to choose again?With her sensory descriptions of the beautiful sites, decadent food, and high fashion of Rome, Hughes draws readers into this fast-paced and superbly written novel. Rome in Love will capture the hearts of readers everywhere.

    The Marine Corps fighter pilot was often brutal, cruel, and violent; as Pat says, "I hated my father long before I knew there was an English word for 'hate.'" As the oldest of seven children who were dragged from military base to military base across the South, Pat bore witness to the toll his father's behavior took on his siblings, and especially on his mother, Peg. She was Pat's lifeline to a better world-that of books and culture. But eventually, despite repeated confrontations with his father, Pat managed to claw his way toward a life he could have only imagined as a child.Pat's great success as a writer has always been intimately linked with the exploration of his family history. While the publication of The Great Santini brought Pat much acclaim, the rift it caused with his father brought even more attention. Their long-simmering conflict burst into the open, fracturing an already battered family. But as Pat tenderly chronicles here, even the oldest of wounds can heal. In the final years of Don Conroy's life, he and his son reached a rapprochement of sorts. Quite unexpectedly, the Santini who had freely doled out physical abuse to his wife and children refocused his ire on those who had turned on Pat over the years. He defended his son's honor.The Death of Santini is at once a heart-wrenching account of personal and family struggle and a poignant lesson in how the ties of blood can both strangle and offer succor. It is an act of reckoning, an exorcism of demons, but one whose ultimate conclusion is that love can soften even the meanest of men, lending significance to one of the most-often quoted lines from Pat's bestselling novel The Prince of Tides: "In families there are no crimes beyond forgiveness."

    Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    By the river. On her own.After finishing her six-year long affair with her boss, Rosa is desperate to avoid him in the workplace and determined to forge a new life for herself.Harry Kennedy has sailed away from a messy Sydney divorce and is resolute in kick-starting a new life on Queensland’s Sunshine Coast.Thrown together at work, Rosa and Harry discover a secret. One that their employer is desperate to keep hidden. To reveal it they must work together, but first they must learn to trust not only each other but their own rising attraction.Are these two damaged people willing to risk their hard won independence for the promise of love again?

    Known for her hilariously acerbic observations on her blog, People I Want to Punch in the Throat, Mann now brings her sharp wit to bear on suburban life, marriage, and motherhood in this laugh-out-loud collection of essays. From the politics of joining a play group, to the thrill of mothers’ night out at the gun range, to the rewards of your most meaningful relationship (the one you have with your cleaning lady), nothing is sacred or off-limits. So the next time you find yourself wearing fuzzy bunny pajamas in the school carpool line or accidentally stuck at a co-worker’s swingers party, just think, What would Jen Mann do? Or better yet, buy her book.

    Dawkins reveals the idiosyncrasies, tedium, and desperation of long-term incarceration—he describes men who struggle to keep their souls alive despite the challenges they face. In “A Human Number,” a man spends his days collect-calling strangers just to hear the sounds of the outside world. In “573543,” an inmate recalls his descent into addiction as his prison softball team gears up for an annual tournament against another unit. In “Leche Quemada,” an inmate is released and finds freedom more complex and baffling then he expected. Dawkins’s stories are funny and sad, filled with unforgettable detail—the barter system based on calligraphy-ink tattoos, handmade cards, and cigarettes; a single dandelion smuggled in from the rec yard; candy made from powdered milk, water, sugar, and hot sauce. His characters are nuanced and sympathetic, despite their obvious flaws. The Graybar Hotel tells moving, human stories about men enduring impossible circumstances. Dawkins takes readers beyond the cells into characters’ pasts and memories and desires, into the unusual bonds that form during incarceration and the strained relationships with family members on the outside. He’s an extraordinary writer with a knack for metaphor, and this is a powerful compilation of stories that gives voice to the experience of perhaps the most overlooked members of our society.