Braithwaite, self-appointed queen of her English village, finds herself dethroned, despised, and dismissed following her husband’s selfish divorce petition. Never deterred, the threat of a family secret being revealed sets her hot-foot to London to find the only person she has left—her clever daughter Betty, who took work there at the first rumbles of war.   But when she arrives, Betty’s landlord, the timid Mr. Norris, informs her that Betty hasn’t been home in days--with the chaos of the bombs, there’s no telling what might have befallen her. Aghast, Mrs. Braithwaite sets her bullish determination to the task of finding her only daughter.   Storming into the London Blitz, Mrs. Braithwaite drags the reluctant Mr. Norris along as an unwitting sidekick as they piece together Betty’s unexpectedly chaotic life. As she is thrown into the midst of danger and death, Mrs. Braithwaite is forced to rethink her old-fashioned notions of status, class, and reputation, and to reconsider the question that’s been puzzling her since her world overturned: How do you measure the success of your life?

    But when she walks into Rachel’s familiar house, what she finds is entirely different: her sister has been the victim of a brutal murder. Stunned and adrift, Nora finds she can’t return to her former life. An unsolved assault in the past has shaken her faith in the police, and she can’t trust them to find her sister’s killer. Haunted by the murder and the secrets that surround it, Nora is under the harrow: distressed and in danger. As Nora’s fear turns to obsession, she becomes as unrecognizable as the sister her investigation uncovers. A riveting psychological thriller and a haunting exploration of the fierce love between two sisters, the distortions of grief, and the terrifying power of the past, Under the Harrow marks the debut of an extraordinary new writer.

    To dare, to strive, to conquer. For generations, privileged young men have attended St. Oswald's Grammar School for Boys, groomed for success by the likes of Roy Straitley, the eccentric Classics teacher who has been a fixture there for more than thirty years. But this year the wind of unwelcome change is blowing. Suits, paperwork, and information technology are beginning to overshadow St. Oswald's tradition, and Straitley is finally, and reluctantly, contemplating retirement. He is joined this term by five new faculty members, including one who -- unbeknownst to Straitley and everyone else -- holds intimate and dangerous knowledge of St. Oswald's ways and secrets. Harboring dark ties to the school's past, this young teacher has arrived with one terrible goal: to destroy St. Oswald's.As the new term gets under way, a number of incidents befall students and faculty alike. Beginning as small annoyances -- a lost pen, a misplaced coffee mug -- they are initially overlooked. But as the incidents escalate in both number and consequence, it soon becomes apparent that a darker undercurrent is stirring within the school. With St. Oswald's unraveling, only Straitley stands in the way of its ruin. The veteran teacher faces a formidable opponent, however -- a master player with a bitter grudge and a strategy that has been meticulously planned to the final move, a secret game with very real, very deadly consequences.A harrowing tale of cat and mouse, this riveting, hypnotically atmospheric novel showcases New York Times bestselling author Joanne Harris's astonishing storytelling talent as never before.

    It’s the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death. It turns out the body belonged to a young woman named Christine Falls. And as Quirke reluctantly presses on toward the true facts behind her death, he comes up against some insidious—and very well-guarded—secrets of Dublin’s high Catholic society, among them members of his own family. Set in Dublin and Boston in the 1950s, the first novel in the Quirke series brings all the vividness and psychological insight of Booker Prize winner John Banville’s fiction to a thrilling, atmospheric crime story. Quirke is a fascinating and subtly drawn hero, Christine Falls is a classic tale of suspense, and Benjamin Black’s debut marks him as a true master of the form.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent.It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. Two decades later, the wives who were left behind are visited by a writer who is determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe.In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.

    . .On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, knowing that her life is about to change forever. Having struggled to find her place in the city since she arrived from Trinidad five years ago, she has been offered a job as a typist under the tutelage of the glamorous and enigmatic Marjorie Quick. But though Quick takes Odelle into her confidence, and unlocks a potential she didn't know she had, she remains a mystery - no more so than when a lost masterpiece with a secret history is delivered to the gallery.The truth about the painting lies in 1936 and a large house in rural Spain, where Olive Schloss, the daughter of a renowned art dealer, is harbouring ambitions of her own. Into this fragile paradise come artist and revolutionary Isaac Robles and his half-sister Teresa, who immediately insinuate themselves into the Schloss family, with explosive and devastating consequences . . .

    Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.When Dorothea's charitable work leads her to Oakgate Prison, she is delighted with the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets teenage seamstress Ruth, she is faced with another theory: that it is possible to kill with a needle and thread. For Ruth attributes her crimes to a supernatural power inherent in her stitches.The story Ruth has to tell of her deadly creations – of bitterness and betrayal, of death and dresses – will shake Dorothea's belief in rationality and the power of redemption.Can Ruth be trusted? Is she mad, or a murderer?

    Black Death ravages London. A killer stalks the streets in a plague doctor’s hood and mask...When a girl is gruesomely murdered, thief taker Charlie Tuesday reluctantly agrees to take on the case. But the horrific remains tell him this is no isolated death. The killer’s mad appetites are part of a master plan that could destroy London – and reveal the dark secrets of Charlie’s own past.Now the thief taker must find this murderous mastermind before the plague obliterates the evidence street by street. This terrifying pursuit will take Charlie deep into the black underbelly of old London, where alchemy, witchcraft and blood-spells collide.In a city drowned in darkness, death could be the most powerful magic of all.

    Despatched to a monastery at the age of seven, sent back at seventeen when his father and two older brothers are killed by the Plague, Oswald has no experience of running an estate. He finds the years of pestilence and neglect have changed the old place dramatically, not to mention the attitude of the surviving peasants.Yet some things never change. Oswald's mother remains the powerful matriarch of the family, and his sister Clemence simmers in the background, dangerous and unmarried.Before he can do anything, Oswald is confronted by the shocking death of a young woman, Alison Starvecrow. The ambitious village priest claims that Alison was killed by a band of demonic dog-headed men. Oswald is certain this is nonsense, but proving it by finding the real murderer is quite a different matter. Every step he takes seems to lead Oswald deeper into a dark maze of political intrigue, family secrets and violent strife.And then the body of another girl is found.Sarah Sykes brilliantly evokes the landscape and people of medieval Kent in this thrillingly suspenseful debut."

    7 Ocean Drive is a gorgeous, multi-million-dollar beachfront estate in the Hamptons, where money and privilege know no bounds. But its beautiful gothic exterior hides a horrific past: it was the scene of a series of depraved killings that have never been solved. Neglected, empty, and rumored to be cursed, it's known as the Murder House, and locals keep their distance. Detective Jenna Murphy used to consider herself a local, but she hasn't been back since she was a girl. Trying to escape her troubled past and rehabilitate a career on the rocks, the former New York City cop hardly expects her lush and wealthy surroundings to be a hotbed of grisly depravity. But when a Hollywood power broker and his mistress are found dead in the abandoned Murder House, the gruesome crime scene rivals anything Jenna experienced in Manhattan. And what at first seems like an open and shut case turns out to have as many shocking secrets as the Murder House itself, as Jenna quickly realizes that the mansion's history is much darker than even the town's most salacious gossips could have imagined. As more bodies surface, and the secret that Jenna has tried desperately to escape closes in on her, she must risk her own life to expose the truth--before the Murder House claims another victim.Full of the twists and turns that have made James Patterson the world's #1 bestselling writer, The Murder House is a chilling, page-turning story of murder, money, and revenge.

    She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton the day before, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: “Your patient must be an imposter.” Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle’s house? And what has become of her two most precious possessions, a dragonfly pin left to her by her mother and a writing case containing her journal, the only record of those missing weeks? Georgina’s perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends. Another delicious read from the author praised by Ruth Rendell as having “a gift for creating suspense, apparently effortlessly, as if it belongs in the nature of fiction.”

    When Rutledge is assigned to investigate a murder involving the military, his emotional war wounds flare. It is a case that strikes dangerously close to home--one that will test Rutledge's precarious grip on his own sanity. A "Publishers Weekly" Best Book selection. Martin's Press.

    But when the London press pack descends to report on a series of gruesome murders of young women, Betty's world changes. In particular she is transfixed by mysterious and aloof reporter, Mr Gallagher. As the death toll rises, an unlikely friendship blossoms between Betty and Gallagher. But as their bond deepens, they find themselves entangled with the murders and each is forced to make a devastating choice, one that will shape their own lives - and the life of an innocent man - forever.