Velikovsky had put forward his ideas briefly in Theses for the Reconstruction of Ancient History in 1945, but Ages in Chaos was his first full-length work on the subject.A second volume was due for publication shortly after this but was postponed. Instead it was followed eight years later by Oedipus and Akhnaton. In the last two years of his life Velikovsky published a further two works on ancient history: Peoples of the Sea and Rameses II and His Time. At the time of his death he considered that completing his reconstruction of ancient history would require a further two volumes: The Assyrian Conquest and The Dark Age of Greece; these were never published in English, but the manuscripts have long been available online at the Velikovsky archive. [1]Velikovsky claimed in Ages in Chaos that the histories of Ancient Egypt and Ancient Israel are five centuries out of step. His starting point was that the Exodus took place not, as orthodoxy has it, at some point during the Egyptian New Kingdom, but at the fall of the Middle Kingdom. Velikovsky made heavy use in this and later works on ancient history of the concept of "ghost doubles": historical figures who were known by different names in two different sources (e.g. Egyptian and Greek) and were conventionally considered to be entirely different people living in different centuries, but who he proposed to be actually erroneously dated accounts of the same individuals and events.Velikovsky's work has been harshly criticised, including by fellow chronological revisionists such as Peter James. In 1984 fringe science expert Henry H. Bauer wrote Beyond Velikovsky: The History of a Public Controversy, which Time described as "the definitive treatise debunking Immanuel Velikovsky".

    And Byzantine Empress of the civilized world. Stephen: handsome Syrian boy, wizard's apprentice, palace eunuch. And Secretary to the Empress. How does this unlikely pair become such allies that one day Empress Theodora asks Stephen to write her biography?From a very young age, Theodora, daughter of a circus bearkeeper in Constantinople, sets her sights well above her station in life. Her exquisite beauty sets her apart on stages and in the eyes of men.Stephen, a Syrian lad of striking good looks, is sold by his parents to a Persian wizard, who teaches him a skill in languages that will serve him well.By the time Destiny brings them together in Antioch, Theodora has undergone heart-rending trials and a transformation, while Stephen has been sold again . . . and castrated.Discover the enduring bond that, however imperfect, prompts Theodora—as Empress—to request palace eunuch Stephen to write her biography. “A historical novel set in sixth-century Constantinople charts the extraordinary ascent of a woman from poverty to royal power. In this ambitious novel, the author vividly brings to life the cinematic story of Theodora’s life, chronicling her rise, more halting than meteoric, to spectacular power. Martin’s command of the historical period—not just the chief political events, but also the nuances of its cultural mores—is masterful. Furthermore, he conjoins that scholarly rigor with novelistic excitement—the entire tale is intelligently conveyed with great emotional poignancy. [This is] a meticulously researched historical account presented in the form of a thrilling political drama.” KIRKUS REVIEWS "Martin not only unfurls the vast canvas of history, but he paints the deeply personal side of the men and women who lived it. His settings and characters come to life in meticulously researched detail. I felt like I was there." —Lisa Wingate, New York Times Bestselling Author of Before We Were Yours "A treasure for historical fiction fans—richly detailed, immersive, and heart-pounding. Martin paints a vivid and satisfying portrait of one of history's most remarkable women."-Olivia Hawker, bestselling author of The Ragged Edge of Night

    Pottery shards, stone inscriptions, ancient scrolls, and other fascinating artifacts have shed new light on the people and events of the Bible—bringing them from the realm of mystery to the world of fact.Discover what new archaeological finds have to tell us about Israel’s journey to the promised land, the fall of Jericho’s walks, the ark of the covenant, the kings and prophets of Israel, the Assyrian and Babylonian invasions, the Dead Sea Scrolls, the time and people of Jesus, and more. Includes testimonies and interviews from leading archaeologists and exciting pictures featuring the latest finds made in the lands of the Bible.The Stones Cry Out will give you a new appreciation for both the world and the Word of the Bible!

    Galvanized by the events of war into acquiring and preserving the written word, as well as providing critical information for intelligence purposes, these American civilians set off on missions to gather foreign publications and information across Europe. They journeyed to neutral cities in search of enemy texts, followed a step behind advancing armies to capture records, and seized Nazi works from bookstores and schools. When the war ended, they found looted collections hidden in cellars and caves. Their mission was to document, exploit, preserve, and restitute these works, and even, in the case of Nazi literature, to destroy them.In this fascinating account, cultural historian Kathy Peiss reveals how book and document collecting became part of the new apparatus of intelligence and national security, military planning, and postwar reconstruction. Focusing on the ordinary Americans who carried out these missions, she shows how they made decisions on the ground to acquire sources that would be useful in the war zone as well as on the home front.These collecting missions also boosted the postwar ambitions of American research libraries, offering a chance for them to become great international repositories of scientific reports, literature, and historical sources. Not only did their wartime work have lasting implications for academic institutions, foreign-policy making, and national security, it also led to the development of today's essential information science tools.Illuminating the growing global power of the United States in the realms of intelligence and cultural heritage, Peiss tells the story of the men and women who went to Europe to collect and protect books and information and in doing so enriches the debates over the use of data in times of both war and peace.

    The Order is an organization whose name has been changed, but it operates across the globe, preaching the word of Jesus. The European Union is governed by a mix of institutions that have at their heart the European Commission, whose president is one of the most powerful political forces in the world, with her vision shaping the future of our modern civilization. The Grand Egyptian Museum is almost completed.

    Sandpiper is a collection of stories which provide insight into Egyptian and Western life and the links between them, looking at relationships within and across continents.People from many places - England, Alexandria, Istanbul - pass through defining crises in their relations with others. Most of them are women, and most find themselves in countries other than their own, where language, culture and prescribed emotions such as 'love' create confusion. New understandings are registered in intensely recalled moments and sensations.

    Joss increasingly comes to depend upon the Liddells and treats Alvesdon Farm as the one place where he feels not only appreciated but also truly happy. The idyll cannot last. With war looming, Joss is forced to confront the past. He escapes through flying, becoming a fighter pilot in the RAF. But with the onset of war, even the Liddells's world is crumbling. As Joss is fighting for his life in the Battle of Britain, so he begins to fall madly in love with Stella - Guy's twin - but with tragic consequences. Leaving England and the Liddells far behind, he continues to fly amid the sand and heat of North Africa, until his hopes and dreams are seemingly shattered for good

    An accidental tea spill damages the royal papyrus she has been struggling to interpret, the papyrus purported to be Queen Tiye’s last message to her son, Tutankhamun. But the spill also exposes hidden writing below the surface hieroglyphs. Horrified at the damage but aching to read the entire secret text, Rika agrees to let visiting remote-sensing expert David Chamberlain smuggle the priceless document out of the museum and scan it with instruments on his aircraft. The results are stunning. They show Tiye, previously a footnote in history, to have been the power behind the thrones of her husband and sons, as well as the architect of a monotheistic religion unique in ancient Egypt. Riveted by these revelations, Rika and David devise a covert plan to locate Tiye’s tomb. But Major Hassam of the Egyptian Secret Police misreads their activities as a plot to overthrow the government and vows to stop them at all costs. Reared in revolution, Rika feels a spiritual bond with Tiye, an African commoner who revolutionized Egyptian society by introducing a religion that freed Egypt from the tyranny of the Amun priests. Rika’s quest to find Tiye’s tomb parallels the queen’s last journey up the Nile, three thousand years before, to be buried alive in a tomb like no other. In a league with Michael Crichton, Dan Brown, and Wilbur Smith, John Oehler has created a cinematic page-turner of explosive yet poetic brilliance. And readers who liked Lisbeth Salander in Stieg Larsson’s The Girl with the Dragon Tattoo, will love Rika. Papyrus was a semi-finalist in the 2009 Amazon Breakthrough Novel Award competition (top 1% of 10,000 entries) and garnered more than a hundred 5-star reviews.

    It opens at an almost breakneck pace, with Pharaoh deposed and killed, his wife and child in hiding, and the goddesses stirring. A secret religious order raises the Pharaoh's daughter, and she meets and falls in love with the usurper's disguised son. The climax features traditional adventure-fiction excitement (battle and torture).

    Here, Richard Miles recreates these extraordinary cities, ranging from the Euphrates to the Roman Empire, to understand the roots of human civilization.

    The are the fallen angels and their children - the Nephilim. The author examines ancient texts from Genesis to the Book of Enoch to Revelations to once and for all establish the true identity of this mysterious lost race of giant beings.

    Believed to dwell in exotic, remote areas, these inexplicable parts of God's creation aroused fear, curiosity, and wonder in equal measure. Powerfully captured in the illustrations of manuscripts, such as bestiaries, travel books, and devotional works, they continue to delight audiences today with their vitality and humor. Medieval Monsters shows how strange creatures sparked artists’ imaginations to remarkable heights. Half-human hybrids of land and sea mingle with bewitching demons, blemmyae, cyclops, and multi-headed beasts of nightmare and comic grotesques. Over 100 wondrous and terrifying images offer a fascinating insight into the medieval mind.

    Cauntz's electrifying new novel, an intense journey into the heart of a deadly and impenetrable heroin network. The first attempt to break the Cleopatra Syndicate left three agents brutally slain. Now there's a new soldier in the drug war...

    Since the Enlightenment, it has also come to represent our political ideals, the lavish temple to the goddess Athena serving as the model for our most hallowed civic architecture. But how much do the values of those who built the Parthenon truly correspond with our own? And apart from the significance with which we have invested it, what exactly did this marvel of human hands mean to those who made it?In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis—the Sacred Rock at the heart of the city-state—from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme. In particular, she probes the Parthenon’s legendary frieze: the 525-foot-long relief sculpture that originally encircled the upper reaches before it was partially destroyed by Venetian cannon fire (in the seventeenth century) and most of what remained was shipped off to Britain (in the nineteenth century) among the Elgin marbles. The frieze’s vast enigmatic procession—a dazzling pageant of cavalrymen and elders, musicians and maidens—has for more than two hundred years been thought to represent a scene of annual civic celebration in the birthplace of democracy. But thanks to a once-lost play by Euripides (the discovery of which, in the wrappings of a Hellenistic Egyptian mummy, is only one of this book’s intriguing adventures), Connelly has uncovered a long-buried meaning, a story of human sacrifice set during the city’s mythic founding. In a society startlingly preoccupied with cult ritual, this story was at the core of what it meant to be Athenian. Connelly reveals a world that beggars our popular notions of Athens as a city of staid philosophers, rationalists, and rhetoricians, a world in which our modern secular conception of democracy would have been simply incomprehensible.The Parthenon’s full significance has been obscured until now owing in no small part, Connelly argues, to the frieze’s dismemberment. And so her investigation concludes with a call to reunite the pieces, in order that what is perhaps the greatest single work of art surviving from antiquity may be viewed more nearly as its makers intended. Marshalling a breathtaking range of textual and visual evidence, full of fresh insights woven into a thrilling narrative that brings the distant past to life, The Parthenon Enigma is sure to become a landmark in our understanding of the civilization from which we claim cultural descent.

    These portraits of the emperors form the building blocks of an invaluable and highly readable popular history of Imperial Rome, brought to life using the colorful testimony of contemporary authors.