He lives with his mother and sister Katie, all dutifully cared for by Aunt Dettie, their father's sister, who believes herself sympathetic to his pain. Their father abandoned the family some time ago, but when their mother begins to date again, Aunt Dettie reacts very badly. After an unexpected phone call, Aunt Dettie packs Sam and Katie into the backseat of her car and tells them that she's taking them to Perth to be reunited with their father. As Dettie drives the children across Australia in the middle of a sweltering and dangerous bushfire season, her behaviour becomes increasingly erratic, and the children begin to realise that there is something very wrong. Voiceless, Sam can only watch helplessly as the family trip becomes a smoke-filled nightmare.

    She’d been so pleased with little Dolly Russell, the good life she’d got for them all. Thought she had it made, had got her hands at last on the levers of her life.... Now it turned out that all that, being so pleased with herself, was no more real than a puff of smoke.'Always Greener is an exquisite portrait of Kate Grenville's complex, conflicted grandmother, who she feared as a child and only in adulthood came to understand. Born in rural Australia, Dolly Russell becomes a successful businessperson, mother and troubled wife. Then came the depression, bankruptcy and World War I. Yet, in a way, those disasters freed her. They allowed her to use her intelligence and ambition to make a space for herself in a man’s world.With all the pathos and subtlety that defined Grenville’s Australian classics such as Lilian’s Story and her Booker-shortlisted The Secret River, Always Greener tells the story of a generation of women often forgotten at our own cost.

    But we did it.In Upturn Tanya Plibersek brings together some of the country's most interesting thinkers who are ready to imagine a better Australia, and to fight for it. It is a compelling vision for a stronger economy, a fairer society and a more environmentally sustainable future.

    Anyone who has followed Mary's career in film and as the popular in-your-face TV and stage character Effie, may be shocked to learn of the trials she was going through at the time. But they won't be surprised by the love she gives out to all, and receives in return, from family and friends.By giving us an intimate view of her experiences—including meeting George, the love of her life, and their journey to parenthood—we also see the universal truth that in life there's loss and, amongst the pain and tragedy of that, there is the power of hope and humour. Mary's story of the deaths of her father, her grandmother and her daughter Stevie is at times heartbreaking but, ultimately, All I Know is an enriching and uplifting celebration of life.

    In this "natural history" of the author herself, we travel gently through childhood and family, grief, love and solitude - and her spellbinding twin obsessions with art and the natural world. It is the work of a questing, roving intellect and a rare humility, and Hastrich's sheer joy in language infuses the whole with a deliciously sly, intelligent humour. I'd liken her to an antipodean Annie Dillard with a fishing rod in one hand and the whole of western art history in the other - except there simply is no other writer like Hastrich. This book will tell you things you never knew about your world and yourself, and you will never forget it. Night Fishing is a masterpiece, and Vicki Hastrich is a world-class writer.' - Charlotte Wood, author of The Natural Way of ThingsVicki Hastrich takes the reader on a stunning voyage through her writer's life and across her chosen patch: the private byways of Brisbane Water, north of Sydney, where she has spent much of her life.Hastrich fuses her intimate, loving knowledge of a tiny arena of Australia's natural world with the grand influence of ideas from throughout civilisation - from the baroque to the American Western, and artists as diverse as Zane Grey, Tiepolo and Goya - to create a truly original and deeply pleasurable collection.Night Fishing unfolds as a series of expeditions or essays, undertaken in the spirit of the philosopher scientist. All the while, slowly, thoughtfully, Hastrich reveals the ordinary and remarkable detail of her life, from her childhood by the sea to her life as a camera operator for the ABC, as a historian and amateur marine biologist, and as a single woman exploring her small stretch of water. The result is entirely new, entirely fresh and profoundly captivating. Night Fishing is a tonic for those of us who have forgotten how to slow down, how to look around, how to be part of our natural world. It will take its place alongside classics of observation and nature by David Malouf, Tim Winton and Annie Dillard.

    It's the real-life story of a daring Australian woman who did something extraordinary - then met an early, mysterious end.From the end of the Great War and into the 1920s, Alice Anderson was considered nothing less than a national treasure. She was a woman of 'rare achievement' who excelled as a motoring entrepreneur and inventor. Young, petite, boyish and full of charm, Alice was the only woman in Australia to successfully pull off an almost impossible feat: without family or husband to back her financially, she built a garage to her own specifications and established the country's only motor service run entirely by women.Alice was also an adventurer, and her most famous road trip occurred in 1926 in a Baby Austin she had purchased exclusively to prove that the smallest car off a production line could successfully make the 1500-mile-plus journey on and off road from Melbourne to Alice Springs, central Australia.However, less than a week after her return, Alice was fatally shot in the head at the rear of her own garage. She was only twenty-nine years old. Every newspaper in the country mourned her sudden loss. A coronial inquest concluded that Alice's death was accidental but testimonies at the inquest were full of inconsistencies.

    An unforgettable journey. A beautiful and bloody history. This is Iceland as you've never read it before... Broadcaster Richard Fidler and author Kári Gíslason are good friends. They share a deep attachment to the sagas of Iceland - the true stories of the first Viking families who settled on that remote island in the Middle Ages. These are tales of blood feuds, of dangerous women, and people who are compelled to kill the ones they love the most. The sagas are among the greatest stories ever written, but the identity of their authors is largely unknown. Together, Richard and Kári travel across Iceland, to the places where the sagas unfolded a thousand years ago. They cross fields, streams and fjords to immerse themselves in the folklore of this fiercely beautiful island. And there is another mission: to resolve a longstanding family mystery - a gift from Kari's Icelandic father that might connect him to the greatest of the saga authors. Praise For Fidler & Gíslason.'We already know Fidler is an interviewer of great empathy, now we know he mirrors that skill on the page, too.' Andrew McMillan, The Australian'Kári's descriptions of Iceland are so beautiful that one is tempted to pack up and go there.' Bev Blaauw, Cairns Post

    The trial created an enormous amount of controversy because it was almost unknown for Europeans to be charged with the murder of Aborigines. It would become the most serious trial of mass murder in Australia’s history. The trial’s prosecutor was the Attorney General of New South Wales, John Hubert Plunkett. It proved to be Plunkett’s greatest test, as it pitted his forensic brilliance and his belief in equality before the law against the combined forces of the free settlers, the squatters, the military, the emancipists, the newspapers, and even the convict population. From the bestselling author of Kidnapped and Eugenia, Murder at Myall Creek follows the journey of the man who who arguably achieved more for modern-day civil rights in Australia than anyone else before or since.

    At once the story of a region, a town and people, it is also the story of Anna Tolley - "leggy, wilful and auburn-haired, always answering back" - who lives through momentous changes and earns the envy, love and hatred of those around her.

    Sally Morgan traveled to her grandmother’s birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine—information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author’s mother and grandmother, allowing them to tell their own stories.

    This shifting landscape provided him with compelling material in his journey towards becoming the major British writer and academic he is acknowledged to be today.     In this memoir, David looks back over his childhood and youth, including his time as an undergraduate, where he meets his wife, Mary, at fresher's week, aged eighteen. After National Service, he begins his long association with the University of Birmingham, where amongst stimulating friendships with other writers and academics, including Malcolm Bradbury, he struggles, as the father of any young family, to make his way in the world. The joys of his marriage, his travels, and the thrill of publishing his first novel, are shadowed by professional disappointments and personal challenges. All the while, he is thinking and writing, always intensely connected to the political, religious, literary, and social backdrop against which he works.     Candid and insightful, illuminating both the man and his work, Quite a Good Year to be Born gives a fascinating picture of a time of transition in British society and the evolution of a writer who has become a classic in his own lifetime. It charts the development of a bright young boy from Brockley to the author of Changing Places.

    Peopled by an ensemble cast, the local publican the single mother who manages the pub’s kitchen, the unhappily married couple that runs the corner store, a newcomer from Johannesburg with a murky past, a snivelling B&B proprietor and a determined ex-girlfriend, Wood Green artfully evokes the claustrophobia of small-town life. While Michael believes he is making a new life for himself, Lucian has other plans. Rabin writes with wit and intelligence – and deftly executes an unsuspected plot twist – in his exploration of the perils of literary ambition and the elusive prospect of artistic legacy.

    Dulcie Bodsworth was the unlikeliest serial killer. She was loved everywhere she went, and the townsfolk of Wilcannia, which she called home in the late 1950s, thought of her as kind and caring. The officers at the local police station found Dulcie witty and charming, and looked forward to the scones and cakes she generously baked and delivered for their morning tea.That was one side of her. Only her daughter Hazel saw the real Dulcie. And what she saw terrified her.Dulcie was in fact a cold, calculating killer who, by 1958, had put three men in their graves - one of them the father of her four children, Ted Baron - in one of the most infamous periods of the state's history. She would have got away with it all had it not been for Hazel.Written by award-winning journalist Janet Fife-Yeomans together with Hazel Baron, My Mother, A Serial Killer is both an evocative insight into the harshness of life on the fringes of Australian society in the 1950s, and a chilling story of a murderous mother and the courageous daughter who testified against her and put her in jail.

    But her world changed forever when her troubled ex-partner, Greg Anderson, killed Luke in an horrendous attack at the local cricket ground in February that year. Rosie had suffered years of family violence, and had intervention orders in place in an effort to protect herself and her son. She believes the killing was Greg's final act of power and control over her. But Rosie would not be silenced. Since the events of last February, she has become an outspoken crusader against family violence, winning hearts and minds all over Australia with her compassion and her courage. In January 2015, she was named Australian of the Year.

    Over four nights Paul Kelly performed, in alphabetical order, one hundred of his songs from the previous three decades. In between songs he told stories about them, and from those little tales grew How to Make Gravy, a memoir like no other. Each of its hundred chapters, also in alphabetical order by song title, consists of lyrics followed by a story, the nature of the latter taking its cue from the former. Some pieces are confessional, some tell Kelly's personal and family history, some take you on a road tour with the band, some form an idiosyncratic history of popular music, some are like small essays, some stand as a kind of how-to of the songwriter's art – from the point of inspiration to writing, honing, collaborating, performing, recording and reworking.Paul Kelly is a born storyteller. Give him two verses with a chorus or 550 pages, but he won't waste a word. How to Make Gravy is a long volume that's as tight as a three-piece band. There isn't a topic this man can't turn his pen to – contemporary music and the people who play it, football, cricket, literature, opera, social issues, love, loss, poetry, the land and the history of Australia … there are even quizzes. The writing is insightful, funny, honest, compassionate, intelligent, playful, erudite, warm, thought-provoking. Paul Kelly is a star with zero pretensions, an everyman who is also a renaissance man. He thinks and loves and travels and reads widely, and his musical memoir is destined to become a classic – it doesn't have a bum note on it.