Combining authoritative analysis, new ideas, and diverse perspectives, they discuss subjects which are topical yet enduring, as also emerging areas of study and debate. Giving identity to over a billion people, the Indian Constitution is one of the world's great political texts. Drafted over six decades ago, its endurance and operation have fascinated and surprised many. In this short introduction, Madhav Khosla brings to light its many features, aspirations, and controversies. How does the Constitution separate power between different political actors? What form of citizenship does it embrace? And how can it change? In answering questions such as these, Khosla unravels the document's remarkable and challenging journey, inviting readers to reflect upon the theory and practice of constitutionalism in the world's largest democracy.

    Beginning with a history of the Timur Dynasty, the three-volume history goes on to chronicle in vivid detail the events of Akbar's reign, including an overview of Hindu culture, religion, and philosophy for the edification of his Muslim readers. Henry Beveridge's English translation was completed in 1921, more than two decade after he began.

    This fast-moving, lively and independent account of the politics and international affairs is enriched by intimate, perceptive and far from uncritical sketches of great leaders such as Gandhi, Jinnah, Nehru, Desai and Patel. Perhaps no other book reminds the reader so firmly that politics, even at its most exalted and dramatic, is about people. Certainly no one who is interested in India, in the history of British imperialism or in the realities of present day Asia can neglect this goldmine of a book.

    The present Sixth edition updates the book to February 18, 2002. It deals not only with the Pokhran Nuclear Test and Kargil war and the events leading to the Vajpayee-Musharraf Summit but also with the ever-increasing dimensions of international terrorism which resulted in the destruction of the World Trade Center and attack on the Indian Parliament.

    However, as is perhaps not very politically correct to point out, Islam as a religion calls Muslims to be a part of Ummah, which is to say, that all Muslims belong to the same theological ‘country’ regardless of political borders.That coupled with the intrinsic need of the Left to forever consider the Muslims as the victims, even under imaginary circumstances led to massive riots and violence in India. The perceived wrong here was that CAA left Muslims out, however, the truth was the CAA had nothing to do with Indians at all, let alone Indian Muslims.Another excuse for the rampant violence was that the proposed NRC would snatch away the citizenship of Muslims. That too, was a shameless canard. The NRC, when implemented and drafted, would be aimed to identify and deport Illegal Immigrants, and not Indian Citizens. No country in the world wantonly accepts indiscriminate influx of illegals, but the Left and Islamist nexus burnt the country because that is exactly what it expected of India.While many people wish to look at the Delhi Riots 2020 in isolation, the events that started right from the 1st December 2019 proves otherwise. It proves that the violence was a concerted effort to push Anarchy and Chaos in India. It proves that the Delhi Riots was no anti-Muslim pogrom, it was indeed, a well-oiled plan to tame ‘kafirs’.

    Bejewelled parasites, they cared more, we are told, for elephants and palaces than for schools and public works. The British cheerfully circulated the idea that brown royalty needed ‘enlightened’ white hands to guide it, and by the twentieth century many Indians too bought into the stereotype, viewing princely India as packed with imperial stooges. Indeed, even today the princes are either remembered with frothy nostalgia or dismissed as greedy fools, with no role in the making of contemporary India. In this brilliantly researched book, Manu S. Pillai disputes this view. Tracking the travels of the iconic painter Ravi Varma through five princely states – from the 1860s to the early 1900s – he uncovers a picture far removed from the clichés in which the princes are trapped. The world we discover is not of dancing girls, but of sedition, legal battles, the defiance of imperial dictates, and resistance. We meet maharajahs obsessed with industrialization, and rulers who funded nationalists, these men anything but pushovers for the Raj to manipulate. Outward deference aside, the princes, Pillai shows, forever tested the Raj – from denying white officials the right to wear shoes in durbars to trying to surpass British administrative standards. Good governance became a spectacularly subversive act, by which maharajahs and the ‘native statesmen’ assisting them refuted claims that Indians could not rule themselves. For decades this made the princes heroes in the eyes of nationalists and anti-colonial thinkers – a facet of history we have forgotten and ignored. By refocusing attention on princely India, False Allies takes us on an unforgettable journey and reminds us that the maharajahs were serious political actors – essential to knowing modern India.

    Cricket is a funny old game - even when rain stops play! Now you can read not only the most popular stories by five of the game's all-time great characters - Richie Benaud, Dickie Bird, Henry Blofeld, Brian Johnston and Fred Trueman - but also the humour and insights of modern players including Michael Atherton, Andrew Flintoff, Darren Gough, Kevin Pietersen and Shane Warne. Crammed full of dozens of hilarious anecdotes about legendary Test cricketers such as Ian Botham, Geoffrey Boycott, Denis Compton, Michael Holding and Merv Hughes - plus broadcasting gaffes, sledging, short-sighted umpires and the first male streaker at Lord's!

    While Partition sounds smooth on paper, the reality was horrific. More than eight million people migrated and one million died in the process. The forced migration, violence between Hindus and Muslims, and mass widowhood were unprecedented and well-documented. What was less obvious but equally real was that millions of people had to realign their identities, uncertain about who they thought they were. The rending of the social and emotional fabric that took place in 1947 is still far from mended.While there are plenty of official accounts of Partition, there are few social histories and no feminist histories. Borders and Boundaries changes that, providing first-hand accounts and memoirs, juxtaposed alongside official government accounts. The authors make women not only visible but central. They explore what country, nation, and religious identity meant for women, and they address the question of the nation-state and the gendering of citizenship. In the largest ever peace-time mass migration of people, violence against women became the norm. Thousands of women committed suicide or were done to death by their own kinsmen. Nearly 100,000 women were "abducted" during the migration. A young woman might have been separated from her family when a convoy was ambushed, abducted by people of another religion, forced to convert, and forced into marriage or cohabitation. After bearing a child, she would be offered the opportunity to return only if she left her child behind and if she could face shame in her natal community. These stories do not paint their subjects as victims. Theirs are the stories of battles over gender, the body, sexuality, and nationalism-stories of women fighting for identity.

    Darkness engulfs the Indian subcontinent. The 17th century is destined to be an era of brutal wars, incessant oppression, and physical and spiritual carnage in the name of religion. Shivaji, a warrior and thinker far ahead of his times, rises and renders a rousing dream - respect and dignity for human life, economic equity, and empowerment. Destiny does not favour him; he faces terribile odds - a fallen and defeated populace, the might of the Mughal Empire, and naval supremacy of the Western powers. Thus begins a battle of conflicting ideologies, contrasting belief systems, and sharply different visions of India - a stake is the future of most ancient civilization. Witness the beginnings of the momentous events that will send thunderbolts across centuries, the echoes of which still haunt the subcontinent.

    It is also the most violent. Since the mid-1980s, it has endured endemic political conflict and criminal violence, which revolve around control of the city and its resources (votes, landand bhatta-protection money). These struggles for the city have become ethnicized. Karachi, often referred to as a Pakistan in miniature, has become increasingly fragmented, socially as well as territorially.Despite this chronic state of urban political warfare, Karachi is the cornerstone of the economy of Pakistan. Gayer's book is an attempt to elucidate this conundrum. Against journalistic accounts describing Karachi as chaotic and ungovernable, he argues that there is indeed order of a kind in thecity's permanent civil war. Far from being entropic, Karachi's polity is predicated upon organisational, interpretative and pragmatic routines that have made violence manageable for its populations. Whether such ordered disorder is viable in the long term remains to be seen, but for now Karachiworks despite-and sometimes through-violence.

    He argues that these turning points in the country’s history were not the result of foresight or careful planning but were rather the accidental consequences of major crises that had to be resolved at any cost.

    Confronting the disheveled figure of a South Asian male carrying a backpack, the banker recognizes a long-lost college friend, a mathematics prodigy who disappeared many years earlier under mysterious circumstances. The friend has resurfaced with a confession of unsettling power.Zia Haider Rahman takes us on a journey of exhilarating scope, ranging over Kabul, London, New York, Islamabad, Oxford, and Princeton and dealing with love, belonging, finance, science, and war. Its framework is an age-old story: the friendship of two men and the betrayal of one by the other, both of them desperate in their different ways to climb clear of their wrong beginnings. Set against the breaking of nations and beneath the clouds of economic recession, the novel chronicles the lives of people carrying unshakable legacies of class, culture, and faith as they struggle to tame their futures. In the Light of What We Know is by turns tender, intimate, and panoramic, telescoping the great upheavals of our young century into a first novel of rare ambition and profundity.

    The ‘invisible threads’ Nehru said held together an improbable union divided by language, religion and ethnicity have snapped under the burden of Modi’s Hindu-supremacist rule.In this blistering critique of post-Independence India from Nehru to Modi, K.S. Komireddi charts the unsound course of Indian nationalism: its cowardly concessions to the Hindu right, convenient distortions of India’s past and demeaning bribes to India’s minorities. He argues that the missteps of the nation’s founders, the mistakes of Nehru, the betrayals of his daughter and her sons, the anti-democratic fetish for technocracy inaugurated by Narasimha Rao and carried to the extremes by Manmohan Singh—all of them laid down the road on which Hindu nationalists rode to absolute power.Hindu bigotry, ennobled under Modi as a healthy form of self-assertion, has reopened old fissures that threaten to devour India’s hard-won unity. Yet bad times have also smashed the citizenly complacency that brought India to this point. There are multitudes who now realise how extraordinary and brave the idea of India was to begin with; there is a resurgent struggle against its extinction, and the assertion of new voices to wrest the republic from the forces of religious majoritarianism.A short history of the modern Indian nation, Malevolent Republic is also an impassioned plea for India’s reclamation. ‘Kapil Komireddi is one of the most thoughtful and thorough journalists writing today. His range of interests is impressive in its breadth and cosmopolitanism; his is a rare voice that can comment on global affairs from a truly comparative perspective.’ AMITAV Ghosh ‘Kapil Komireddi is a write of flair, originality and, above all, an absolute independence of mind … His ability to see through posturing and prejudice makes his work both distinctive and compelling. This book deserves to be widely read within India and beyond.’RAMACHANDRA GUHA

     If there is a paradise on earth, it is definitely here, here and only here," said the early seventeenth-century Mughal Emperor Jehangir when describing the Kashmir Valley. But for nearly twenty years this delicate mountain region has been torn by a brutal conflict that has pitched idealism against Islamist militancy and military crackdown. In the tradition of Ryszard Kapuscinski, this is an intimate story told by the author, journalist, and aid worker Justine Hardy. Having lived and worked in Kashmir for many years, she draws the reader beyond the headlines into the world of In the Valley of Mist. A family portrait, the book describes a unique and gentle culture that has been shattered by the impact of insurgency, repression, and Islamic extremism in a place once famous for the warmth between its Hindu and Muslim residents. "If you want people to know do not tell stories that will make them hold their breath like in a made-up film. Tell them the truth. It is strong enough," she was told when she asked permission of her Kashmiri friends to tell this story. Revealing and disturbing, In the Valley of Mist paints Kashmir as the template for the changing face of Islam.

    Based on 114 intriguing interviews with nineteen former chief justices of India and more than sixty-six former judges of the Supreme Court of India, Abhinav Chandrachud opens a window to the life and times of the former judges of India's highest court of law and in the process offers a history that largely remained in oblivion for a long time.