Two young women are brutally murdered. The killer has never been found. What happened in the house on Easey Street?On a warm night in January, Suzanne Armstrong and Susan Bartlett were savagely murdered in their house on Easey Street, Collingwood – stabbed multiple times while Suzanne’s sixteen-month-old baby slept in his cot. Although police established a list of more than 100 ‘persons of interest’, the case became one of the most infamous unsolved crimes in Melbourne.Journalist Helen Thomas was a cub reporter at The Age when the murders were committed and saw how deeply they affected the city. Now, forty-two years on, she has re-examined the cold case – chasing down new leads and talking to members of the Armstrong and Bartlett families, the women’s neighbours on Easey Street, detectives and journalists. What emerges is a portrait of a crime rife with ambiguities and contradictions, which took place at a fascinating time in the city’s history – when the countercultural bohemia of Helen Garner’s Monkey Grip brushed up against the grit of the underworld in one of Melbourne’s most notorious suburbs.Why has the Easey Street murderer never been found, despite the million-dollar reward for information leading to an arrest? Did the women know their killer, or were their deaths due to a random, frenzied attack? Could the murderer have killed again? This gripping account addresses these questions and more as it sheds new light on one of Australia’s most disturbing and compelling criminal mysteries.‘An overdue examination of the Easey Street murders that adds tantalising new information to known and forgotten facts.’ Andrew Rule, journalist and co-author of UnderbellyHelen Thomas has been a journalist for more than forty years. In 2005, Thomas spent months researching the Easey Street murders for Radio National’s Background Briefing, shedding new light on the investigation. She is the manager of ABC News Radio and author of five books, including Moods: The Peter Moody Saga (2016).

    He also dwells at length on the Pakistan movement, where the seeds of many current problems were sown the opportunistic use of religion being the most lethal of these. With data-driven precision, Devasher takes apart the flawed prescriptions and responses of successive governments, especially during military rule, to the many critical challenges the country has encountered over the years. These, as much as the particular trajectory of its creation and growth, he contends, have brought Pakistan to an abyss where it risks multi-organ failure unless things change dramatically in the near future.

    Both funny and insightful That'd Be Right is part memoir, part personal history of Australia over the last thirty years. It's a biographical trip told through sport, and families and William's own experiences. He writes: 'As with A Man's Got to Have a Hobby I weave in and around the events that have held such fascination for this country over the last thirty years or so, connecting them all with the progression of a life.' Some of these events would be considered momentous, some small and personal. And all are seen through William's eyes. They range from a day at the Melbourne Cup with his mother where too many champagnes and too few winners were picked; a swimming carnival early in the morning after a gloomy and long federal election the night before; watching truly surreal Grand Final moments in a pub with a group of odd and unknown bar companions. William also writes about a night at the cricket with his son, which shows how things can change and oddly come full circle.

    In The House on the Hill, Susan Duncan reaches an age where there's no point in sweating long-term ramifications. There aren't any. This new understanding delivers an unexpected bonus - the emotional freedom and moral clarity to admit to hidden and often fiendish facts of ageing and, ultimately, the find ways to embrace them. This, in turn, unleashes an overwhelming desire to confront her intractable 95-year-old mother with the dreadful secrets of the past before it is too late, no matter the consequences. It is the not-knowing, she says, that does untold damage. Interwoven with stories from the land - building a sustainable eco-house on the mid-coast of New South Wales with her engineer husband, Bob, and grappling with white-eyed roans, dogs, bawling cattle markets, droughts and flooding rains, not to mention blunt-speaking locals - this is a book about a mother and daughter coming to terms, however uneasy, with the awful forces that shaped their relationship.As the inconstancies of age slow her down, Susan Duncan writes with honesty about discovery and forgiveness, and what it takes to rework shrinking boundaries into a new and rich life.

    I made my way to the remotest islands, the hottest deserts and the coldest of climates. I was robbed, suffered injuries, got sick and depressed. I covered around 320,000 kilometres by plane, train, boat, bus and car and ran just over 2300 race kilometres. It proved to me that you can do whatever you want to – just find the starting line, believe in yourself, and Run Like Crazy!When Tristan Miller lost his job as a result of the global economic crisis, he set himself a huge personal challenge. He would spend a year seeing the world, each week running an official marathon in a different country. This is the story of an ordinary man who chased his dream, 42.2 kilometres at a time.

    In her first book, she goes beyond the news reports and delves into the American heartland where she witnessed the rise of Trump at first hand.

    An Australian classic. Depicts the enduring hardships of life in the Australian outback and the battles against sexist and racial prejudices.

    As a child, Cassandra didn't know this woman was Truganini, and that she was walking over the country of her clan, the Nuenonne, of whom she was the last.The name of Truganini is vaguely familiar to most Australians as 'the last of her race'. She has become an international icon for a monumental tragedy: the extinction of the original people of Tasmania within her lifetime. For nearly seven decades she lived through a psychological and cultural shift more extreme than most human imaginations could conjure. She is a hugely significant figure in Australian history and we should know about how she lived, not simply that she died. Her life was much more than a regrettable tragedy. Now Cassandra has examined the original eyewitness accounts to write Truganini's extraordinary story.A lively, intelligent, sensual young woman, Truganini managed to survive the devastating decade of the 1820s when the clans of south-eastern Tasmania were all but extinguished. Taken away from Bruny Island in 1830, she spent five years on a journey around Tasmania, across rugged highland and through barely penetrable forests, with the self-styled missionary George Augustus Robinson, who was collecting all the surviving people to send them into exile on Flinders Island. She managed to avoid a long incarceration on Flinders Island when Robinson took her to Victoria where she was implicated in the murder of two white men. Acquitted of murder, she was returned to Tasmania where she lived for another thirty-five years. Her story is both inspiring and heart-wrenching, and it is told in full in this book for the first time.‘For the first time a biographer who treats her with the insight and empathy she deserves. The result is a book of unquestionable national importance.’—Professor Henry Reynolds, University of Tasmania

    But he's still here with me and knowing that means that I am able to gain strength from him, and harness the same passion and drive that he and I had together. There are so many people who have been inspired and are still being inspired by Steve Irwin and that makes me feel really, really proud.' - Bob IrwinBob Irwin grew up in the Dandenong Ranges where his passion for wildlife was born. A near-death experience while working as a plumber made Bob realise he needed to follow his dreams, so he and his wife Lyn moved their young family to Queensland where they opened a wildlife park on the Sunshine Coast.The Irwin children grew up in and around the Beerwah Reptile & Wildlife Park, learned about the animals there from their dad and cared for orphaned wildlife at home with their mum. Passion for the environment and all animals became a way of life for them. This unique upbringing had a profound impact on Bob's son Steve, who followed in his father's footsteps and became famous around the world as the Crocodile Hunter, educator and wildlife warrior.Bob nearly didn't survive the sudden death of his adored wife Lyn, and it was Steve who helped him face life again. When the world tragically lost Steve to a freak diving accident, it wasn't just the animals that lost the best friend they ever had. Bob did too. Describing it as moving forward without a map, Bob spent many years burying himself in physical work, as a means to cope with the loss of his son. It was the natural world and the animals within it that helped Bob to keep going, and since then he has continued to fight for his beloved Steve's legacy of protecting the wildlife, environment and planet on which our own survival depends.Entertaining, moving, impassioned and inspiring, The Last Crocodile Hunter shows the heart and soul of a great Australian character, father and wildlife campaigner.

    Cigarettes are out of favour with everyone, from world governments and investors to, increasingly, smokers. So, what’s their plan?Prepare to be dazzled. Or, at the very least, befuddled.Philip Morris has announced they will shut down as a cigarette company, and relaunch as a health enterprise, dedicated to convincing the one billion smokers of the world to quit.The ever-curious John Safran leaves his apartment to find out what on God’s green earth is going on. As he starts digging away he discovers a company up to brand new shenanigans, wangling their way into unexpected places, desperately trying to keep their tobacco business alive by brandishing a mysterious new doohickey called an IQOS.And not only that, now they’re upending language itself, changing the meaning of words. Will they slip past bans by convincing governments they don’t sell ‘cigarettes’ but rather ‘HeatSticks’, and that these don’t emit ‘smoke’ but ‘aerosol’? Can John get the real story out of them without his life catching fire?

    They maintain their sanity through a friendship built on black humour, but as the constant exposure to trauma takes its toll, both, in different ways, must fight to preserve their mental health and relationships – even with one another. How much pressure can they handle, and what will happen when they finally crack?With each chapter revolving around an emergency – some frightening, some moving, some simply funny –Rachael Mead digs beneath the surface of gore and grit to lay bare the humanity of emergency services personnel and their patients. This breathtaking novel reveals not only the trauma of a life lived on the front line of medicine, but also the essential, binding friendships that make such a life possible.

    By the time the sea retreated, more than 18,500 people had been crushed, burned to death, or drowned.It was Japan’s greatest single loss of life since the atomic bombing of Nagasaki. It set off a national crisis, and the meltdown of a nuclear power plant. And even after the immediate emergency had abated, the trauma of the disaster continued to express itself in bizarre and mysterious ways.Richard Lloyd Parry, an award-winning foreign correspondent, lived through the earthquake in Tokyo, and spent six years reporting from the disaster zone. There he encountered stories of ghosts and hauntings. He met a priest who performed exorcisms on people possessed by the spirits of the dead. And he found himself drawn back again and again to a village which had suffered the greatest loss of all, a community tormented by unbearable mysteries of its own.What really happened to the local children as they waited in the school playground in the moments before the tsunami? Why did their teachers not evacuate them to safety? And why was the unbearable truth being so stubbornly covered up?Ghosts of the Tsunami is a classic of literary non-fiction, a heart-breaking and intimate account of an epic tragedy, told through the personal accounts of those who lived through it. It tells the story of how a nation faced a catastrophe, and the bleak struggle to find consolation in the ruins.

    An honest and troubling snapshot of Israel—both Palestinian and Israeli—that reveals the creeping realization that a two-state solution may no longer be possible."—Kirkus (starred review)Throughout their youth Nir Baram’s generation were bombarded with news about the Israeli-Palestinian conflict—the injustices, the wrongdoings, the killings. Over the decades, the horror and despair had become habit—he noticed people had begun to give up on the possibility of resolution. Yet, as Baram notes, ‘the vast majority of Israelis—as well as international onlookers— know next to nothing about life on the West Bank, the area at the heart of the conflict they have spent their adult lives dissecting’. Most have never visited the occupied territories, and thus ‘the debate revolves around a theoretical, ill-defined area sketched out in our political imagination.’This book of reportage emerged from the author’s realization that Israel is separated from the West Bank not only by checkpoints but also, more significantly, by a cognitive barrier. And so began his quest to understand the occupation from both sides. The result is an essential and nuanced journey through places and experiences that receive little coverage.Baram, widely considered one of the most important intellectual voices in Israel today, faces painful challenges to his personal political views and his hopes for a more peaceful future.Nir Baram has worked as a journalist, editor, and advocate for Palestinian rights. He is the author of five novels in Hebrew. In 2010 he received the Prime Minister’s Award for Hebrew Literature.

    One by the smallest bruise. The other by a devastating bushfire. And both by a shocking secret . . .Miami art curator Courtney Hamilton and her husband David live the perfect life until their ten-year-old son Matthew is diagnosed with leukaemia. He needs a bone-marrow transplant but, with Courtney being adopted, the chances of finding a match within his family are slim. Desperate to find a donor, Courtney tracks the scattered details of her birth 15,000 kilometres away, to the remote town of Somerset in the Victorian bush. Meanwhile Jade Taylor wakes up in hospital in Somerset having survived the deadly bushfire that destroyed the family home and their beloved olive groves. Gone too are the landmarks that remind her of her mother, Asha, a woman whose repeated absences scarred her childhood.As Jade rallies her fractured family to rebuild their lives, Courtney arrives in the burnt countryside to search for her lost parents - but discovers far more . . .

    Faulkner's novel is enlivened by a strong gift for metaphor and the wisdom to use it sparingly.'When Roberta 'Bertie' Lightfoot is struck down with polio, her world collapses. But Mama doesn't tolerate self-pity, and Bertie is nobody if not her mother's daughter - until she sets her heart on becoming an artist. Through drawing, the gifted and perceptive Bertie gives form and voice to the reality of the people and the world around her. While her father is happy enough to indulge Bertie's driving passion, her mother will not let art get in the way of the future she wishes for her only daughter.In 1955 the family moves to post-colonial Port Moresby, a sometimes violent frontier town, where Bertie, determined to be the master of her own life canvas, rebels against her mother's strict control. In this tropical landscape, Bertie thrives amid the lush pallette of colours and abundance, secretly learning the techniques of drawing and painting under the tutelage of her mother's arch rival.But Roberta is not the only one deceiving her family. As secrets come to light, the domestic varnish starts to crack, and jealousy and passion threaten to forever mar the relationship between mother and daughter.Tender and witty, The Beloved is a moving debut novel which paints a vivid portrait of both the beauty and the burden of unconditional love.WINNER OF THE NITA B KIBBLE LITERARY AWARD 2013SHORTLISTED FOR THE MILES FRANKLIN AWARD 2013WINNER OF THE QUEENSLAND PREMIER'S LITERARY AWARD FOR AN EMERGING QUEENSLAND AUTHOR 2011COMMENDED FOR THE FAW CHRISTINA STEAD AWARD 2012