Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1903. Not illustrated. Excerpt: ... CHAPTER II. THE ARKEST. "Good gracious M. Rodolph," exclaimed Rigolette, running in, pale and trembling, " a commissary of police and the guard have come here." "Divine justice watches over me," said M. Pipelet, in a transport of pious gratitude. "They have come to arrest Cabrion; unfortunately it is too late." A commissary of police, wearing his tricoloured scarf around his waist underneath his black coat, entered the lodge. His countenance was impressive, magisterial, and serious. "M. le Commissaire is too late; the malefactor has escaped," said M. Pipelet, in a sorrowful voice; "but I will give you his description, --villainous smile, impudent look, insulting --" "Of whom do you speak?" inquired the magistrate. "Of Cabrion, M. le Commissaire; but, perhaps, if you make all haste, it is not yet too late to catch him," added M. Pipelet. "I know nothing about any Cabrion," said the magistrate, impatiently. "Does one Jerome Morel, a working lapidary, live in this house?" "Yes, mon commissaire," said Madame Pipelet, putting herself into a military attitude. "Conduct me to his apartment." "Morel, the lapidary " said the porteress, excessively surprised;" why, he is the mildest lambkin in the world. He is incapable of --" "Does Jerome Morel live here or not?" "He lives here, sir, with his family, in one of the attics." "Lead me to his attic." Then, addressing himself to a man who accompanied him, the magistrate said: "Let two of the municipal guard wait below, and not leave the entrance. Send Justing for a hackney-coach." The man left the lodge to put these orders in execution. "Now," continued the magistrate, addressing himself to M. Pipelet, " lead me to Morel." "If it is all the same to you, mon commissaire, I will do that for Alfred; he is indisposed from Cabrion...

    It was tricky, though, taking group after group of tourists back to the same historic event without meeting yourself coming or going. Trickier still was avoiding the temptation to become intimately involved with the past and interfere with events to come. The deterrents for any such actions were frighteningly effective. So Judson Daniel Elliott played by the book. Then he met a lusty Greek in Byzantium who showed him how rules were made to be broken... and set him on a family-history-go-round that would change his past and his future forever!

    This, his first collection of stories, draws on his experience in the Yukon. The stories tell of gambles won and lost, of endurance and sacrifice, and often turn on the qualities of exceptional women and on the relations between the white adventurers and the native tribes.Stories included are:- The White Silence- The Son of the Wolf- The Men of Forty Mile- In a Far Country- To the Man on Trail- The Priestly Perogative- The Wisdom of the Trail- The Wife of the King- An Odyssey of the North

    The playground, like childhood itself, is a nightmare of torment and vulnerability; Charles fears his sensitive son will be destroyed there just as he almost was so many years ago.Underhill's sister Carol, who has moved in to help raise the young boy after his mother passed away, feels differently. The playground, she believes, is preparation for life, Jim will survive the experience, she feels, and he will be the better for it and more equipped to deal with the rigor and obligation of adult existence.Underhill is caught between his own fear and his sister's invocation of reason and feels paralyzed. A mysterious boy calls out to him from the playground, and seems to know all too well why Underhill is there and what the source of his agony really is. A mysterious Manager also lurks to whom the strange boy directs Underhill. An agreement can be made perhaps this is what the boy tells Underhill. Perhaps Jim can be spared the playground, but of course, a substitute must be found.

    The title is a reference to John Keats' 1818 poem, Endymion, which begins: “A thing of beauty is a joy for ever…”

    When Rufus' growing reputation as an animal trainer and his friendship with Cupido, one of Rome's greatest gladiators, attract the cruel gaze of the Emperor, Rufus is bought from his master and taken to the imperial palace as the keeper of the imperial elephant. Rufus soon sees that life here is dictated by Caligula’s ever shifting moods—he is as generous as he is cruel and he is a megalomaniac who declares himself a living god who simultaneously lives in constant fear of the plots against his life. Caligula's paranoia is not misplaced, and Rufus and Cupido find themselves unwittingly placed at the center of a conspiracy to assassinate the Emperor.

    About the life they build together and then how his past irrevocably alters their future.

    

    But when she learns of Denis's guilty secret, she becomes painfully aware of her fiancé's flawed morality. Determined that no child of hers should inherit such character traits, she does everything in her power to instill in their son the highest moral code. Yet, when Dick is faced with a moral choice of his own, she can only watch to see if history will repeat itself. American novelist Edith Wharton (1862–1937) is celebrated for her finely crafted stories of New York mores, including The Age of Innocence.

    The only unabridged prose translation of Ariosto's Orlando Furioso - a witty parody of the chivalric legends of Charlemagne and the Saracen invasion of France - this version faithfully recaptures the entire narrative and the subtle meanings behind it.

    In these he jotted down his first ideas, whenever he used one, he crossed it out at once. But even the ones which are left undeveloped are splendid as promises.One such jotting reads: "Humour is the whole truth." This might have served as the motto for Please Sir!, one of the world's unforgettable, unfading books. Unfading, in spite of the fifty years which have elapsed, and in spite of a series of educational reforms. It reaches to the raw centre, the never-congealed experience, through which we have all passed at the time of our greatest sensitivity, in the state of highest tension, in our teens.For is there anyone who has never crept along silent, deserted school corridors, when classes had already begun, who had never been struck by the dark terror of being fatally, irrevocably late? And is there anyone who does not recall the deadly, frozen silence before opening an exam paper, when the one subject not properly covered turned out to be the compulsory question? And who did not, especially in Hungarian schools where examination is carried out by oral tests, try to shrink behind his desk, become annihilated, step out from life just this once, while the teacher was rustling his notebook to call the next to be examined? And who has never tried to explain a school report at home, and who has never been tempted to sell a textbook second-hand, at a time when pocket-money seemed far more desirable than a grammar?These were the great moments of life; and Karinthy, even in his early work, is a grand master of prose. He does not have to set the scene-there is never a superfluous word - we are in the thick of it at once, at explosion point. Every situation he creates chokes the reader in a suddenly tightened noose of memory.

    Already weakened in spirit by Guinevere’s infidelity with the now-exiled Lancelot, Arthur must rouse his knights to battle one last time against Mordred’s rebels and foreign mercenaries. Powerful, passionate, and filled with vivid imagery, this unfinished poem reveals Tolkien’s gift for storytelling at its brilliant best. Christopher Tolkien, editor, contributes three illuminating essays that explore the literary world of King Arthur, reveal the deeper meaning of the verses and the painstaking work his father applied to bring the poem to a finished form, and investigate the intriguing links between The Fall of Arthur and Tolkien’s Middle-earth.

    At least five passengers are sick. Both pilots are unconscious and in serious condition. My name is George Spenser. I am a passenger on this airplane. Correction: I was a passenger. I am now the pilot. What happened? Who was the new pilot? Would anyone reach the ground alive?

    Collected here is the ultimate Kindle edition of the beloved books starring such timeless characters as Alice, the Mad Hatter, the March Hare, the Cheshire Cat, the Queen of Hearts, and the White Rabbit.Included in the Alice in Wonderland Collection are: Both Alice books—Alice's Adventures in Wonderland and Through the Looking Glass—illustrated with over 100 classic illustrations by Sir John Tenniel. An early version of the Alice story and the spinoff nonsense poem "The Hunting of the Snark" Links to free, full-length audio recordings of all the Alice books in this collection. An individual, active Table of Contents for each book accessible from the Kindle "go to" feature. Perfect formatting in rich text compatible with Kindle's Text-to-Speech features. A low, can't-say-no price! Four Complete WorksFour classic works by Lewis Carroll, including both Alice books, complete and unabridged. Books included: Alice's Adventures in Wonderland* Includes Original Illustrations by Sir John Tenniel! Through the Looking Glass* Includes Original Illustrations by Sir John Tenniel! Alice's Adventures Underground—an early draft of the Alice story The Hunting of the Snark—a full-length nonsense poem that extends the world of the Jabberwocky poem Down the Rabbit HoleAlso included are special features for any Alice enthusiast, including: A complete list of direct adaptations of Lewis Carroll's classic in film and television. Works inspired by the world of Wonderland, including films and television works, literary sequels and retellings, theme parks attractions, games, and more. Links to free, full-length audio recordings of the Alice books in this collection, as well as other popular children's favorites.

    Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. The tales of told by Shahrazad over a thousand and one nights to delay her execution by the vengeful King Shahriyar have become among the most popular in both Eastern and Western literature, as recounted by Sir Francis Burton. From the epic adventures of "Aladdin and the Enchanted Lamp" to the farcical "Young Woman and her Five Lovers" and the social criticism of "The Tale of the Hunchback", the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are anchored to everyday life by their realism, providing a full and intimate record of medieval Islam.'