He is nineteen years old, and his return will have dramatic consequences not just for his family, but for the whole community. A decade earlier, his father's homecoming has a very different effect. The war is over and Gilbert has been demobilized. He reverts easily to suburban life—cocktails at six-thirty, church on Sundays—but his wife and young son resist the stuffy routine. Lewis and his mother escape to the woods for picnics, just as they did in wartime days. Nobody is surprised that Gilbert's wife counters convention, but they are all shocked when, after one of their jaunts, Lewis comes back without her. Not far away, Kit Carmichael keeps watch. She has always understood more than most, not least from what she is dealt by her own father's hand. Lewis's grief and burgeoning rage are all too plain, and Kit makes a private vow to help. But in her attempts to set them both free, she fails to foresee the painful and horrifying secrets that must first be forced into the open. In this brilliant debut, Sadie Jones tells the story of a boy who refuses to accept the polite lies of a tightly knit community that rejects love in favor of appearances. Written with nail-biting suspense and cinematic pacing, The Outcast is an emotionally powerful evocation of postwar provincial English society and a remarkably uplifting testament to the redemptive powers of love and understanding.

    As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life.The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine,

    He lives alone in a big house in Surrey, England, looked after by a chauffeur, butler, cook and housemaid. He has but one concern—his fortune in excess of 500 million pounds, and who should inherit it on his death. Past Imperfect is the story of a quest. Damian Baxter wishes to know if he has a living heir. By the time he married in his late thirties he was sterile (the result of adult mumps), but what about before that unfortunate illness? Had he sired a child? He sets himself (and others) to the task of finding his heir.

    So begins Girl, Edna O'Brien's harrowing portrayal of the young women abducted by Boko Haram. Set in the deep countryside of northeast Nigeria, this is a brutal story of incarceration, horror, and hunger; a hair-raising escape into the manifold terrors of the forest; and a descent into the labyrinthine bureaucracy and hostility awaiting a victim who returns home with a child blighted by enemy blood.

    A quiet presence in the small French town of Chartres, she can be found cleaning the famed medieval cathedral each morning and doing odd jobs for the townspeople. No one knows where she came from or why. Not Abbé Paul, who discovered her one morning twenty years ago, sleeping on the north porch, and not Alain Fleury, the irreverent young restorer who works alongside her each day and whose attention she catches with her tawny eyes and elusive manner. She has transformed each of their lives in her own subtle way, yet no one suspects the dark secret Agnès is hiding.When an accidental encounter dredges up a series of tragic incidents from Agnès’s youth, the nasty meddling of town gossips threatens to upend the woman’s simple, peaceful life. Her story reveals a terrible loss, a case of mistaken identity, and a cruel and violent act that haunts her past. Agnès wrestles with her own sense of guilt and enduring heartbreak while the citizens piece together the truth about her life.

    Hundreds of miles away, in London, Queen Victoria is preparing for her wedding. She will wear the most exquisite wedding dress in history, bearing the famous Honiton lace. When Lily is asked to be one of the select few to work on this top-secret commission it is the answer to her prayers.Lily quickly makes an impression, both as an expert seamstress and a natural leader of the women working day and night to ensure their families' survival. But there are others who want to see Lily fail, including Squire Clinsden who issues her with a terrible ultimatum - work for him, and be subject to his unwanted advances, or lose the family home.Torn between her duty and her dreams of a better life, Lily must remember where she came from or risk losing those most important to her.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    The authorities have decided that only one masterpiece will be displayed each month. And each month, Daisy Milton writes to her cousin Elizabeth to tell her about the paintings, her life - and the man she loves.London, present dayA terrible tragedy has left Claire's marriage to Rob in tatters and there seems little hope of reconciliation. Then she finds Daisy's letters, written to Rob's grandmother, and gradually, picture by picture, month by month, Daisy's world in the 1940s becomes more real to Claire than her own. Slowly, too, she begins to notice intriguing parallels between both their lives.But Daisy is from another time, and unless Claire can find a way to make sense of the past, she risks losing everything that she cares about in the present.

    Ellis Island. Arriving off one of the many transatlantic freighters are Cetta Luminita and her illegitimate baby boy Natale, fleeing the poverty and violence of their Southern Italian hometown. Having sacrificed everything, and endured every possible shame, Cetta has but one wish: that her baby should be an American, and grow up with the freedom to decide his own destiny. As they alight, US Immigration officials give Natale a new name: Christmas. Growing up in the Lower East Side of New York with his mother, who works as a prostitute, Christmas is determined to be a success, whether a decent person or a gangster. The city is ruled by gangs from each community, Italian, Jewish and Irish, and survival is dependent on ruthlessness and strength. But Christmas has a vivid imagination, and an ability to tell stories that people want to believe...and thus is born his imaginary gang, the Diamond Dogs, which earns him respect within the ghetto. All this changes the day he saves the life of a rich Jewish girl Ruth, and despite their different backgrounds, he falls hopelessly in love with her. When circumstance tears them apart, Christmas vows that he will find her, by any means possible. A sweeping saga of love and hate set in the Roaring Twenties, The Boy Who Granted Dreams is the story of Christmas and Ruth; the story of the dawn of radio, Broadway and Hollywood; and above all, a story about believing in the power of dreams.

    The same world moves beneath each of them, and one by one, through seemingly random acts of selflessness, they discover the vital parts they have played in each other's lives, a realization that shatters the illusion of their separateness. Moving back and forth in time and across continents, The Illusion of Separateness displays the breathtaking skill of, "a truly special writer who does things with abstract language that is so evocative and original your breath literally catches in your chest" (Andre Dubus III).

    They add their own touches, too: neat little caps, short skirts and roller skates, and the All-Girl Filling Station is born. Their peace doesn’t last long though: skilled women are needed to fly planes for the war effort.Alabama, 2005Mrs Sookie Earle has just married off the last of her daughters and is looking forward to putting her feet up. But then one day a package arrives. Its contents knock Sookie sideways, propelling her back to the 1940s, and four irrepressible sisters whose wartime adventures force them to reimagine who they are, and what they are capable of.

    With Anthony Eden vying for power, the elderly Prime Minister, Winston Churchill, must maintain the confidence of his government, the press and the public. However, after a diplomatic dinner in which he is on typically sparkling form, Churchill's Italian dining companions are rushed out of the building and his doctor called. The Prime Minister has had a stroke. Churchill is bedbound throughout the summer, and while secrecy agreements have been struck with leading newspaper barons, the potential impact of his health on public life is never far from the minds of his inner circle. With the help of a devoted young nurse and his indomitable wife, Clementine, Churchill gradually recoups his health. But will he be fit enough to represent Britain on the world stage? 'The Churchill Secret KBO' is to be made into a major ITV drama to be broadcast in the UK in autumn 2015.

    But as she does so through four seasons of one extraordinary year, she discovers that nothing comes for free. Told by a narrator whose urgent, unforgettable voice will break your heart, The Colour of Milk is an astonishing novel.