With his passion for surfing uniting many narratives, he intertwines his own story with those of some of the great heroes of surf.

    For the next fifteen years, Beija would be the one constant in her life. Through depression, relationships gone awry, and an unmoored young adulthood played out against the backdrop of the Portland punk scene, Beija was there, wearing her “Don’t Pet Me” bandana.   Georges’s gorgeous graphic novel Fetch chronicles their symbiotic, codependent relationship and probes what it means to care for and be responsible to another living thing—a living thing that occasionally lunges at toddlers. Nicole turns to vets, dog whisperers, and even a pet psychic for help, but it is the moments of accommodation, adaption, and compassion that sustain them. Nicole never successfully taught Beija “sit,” but in the end, Beija taught Nicole how to stay.

    The Peanuts gang seen through the eyes of today's greatest cartoonists in loving tribute to Charles Schulz.In celebration of Peanuts' 65th anniversary, BOOM! has teamed up with some of the greatest cartoonists of the last 50 years to put a personal spin on Charlie Brown, Snoopy and their beloved gang.This collectible hardcover features never-before seen art styles from Matt Groening (The Simpsons), Jeffrey Brown (Darth Vader and Son), Raina Telgemeier (Smile, Drama), Terry Moore (Strangers in Paradise) and other legendary cartoonists and authors whose love of Charles Schulz's syndicated comic strip influenced a life long love of art and storytelling that shaped their careers.Contributions include art from Paige Braddock, Patrick McDonnell (Mutts), Mo Willems (Don't Let the Pigeon Drive the Bus!), Jen Wang (In Real Life), Roger Langridge (Snarked, Jim Henson's The Musical Monsters of Turkey Hollow), Art Baltazar (Tiny Titans), Lincoln Peirce (Big Nate), Liz Prince (Tomboy), Stan Sakai (Usagi Yojimbo), Paul Pope (Battling Boy, Batman: Year 100) Evan Dorkin (Sock Monkey, Maakies), and more.

    This stunning anthology of favorite poems visually interpreted by comic artist Julian Peters breathes new life into some of the greatest English-language poets of the nineteenth and twentieth centuries.These are poems that can change the way we see the world, and encountering them in graphic form promises to change the way we read the poems. In an age of increasingly visual communication, this format helps unlock the world of poetry and literature for a new generation of reluctant readers and visual learners.Grouping unexpected pairings of poems around themes such as family, identity, creativity, time, mortality, and nature, Poems to See By will also help young readers see themselves differently. A valuable teaching aid appropriate for middle school, high school, and college use, the collection includes favorites from the Western canon already taught in countless English classes.Includes poems by Emily Dickinson, Langston Hughes, Carl Sandburg, Maya Angelou, Seamus Heaney, e. e. cummings, Dylan Thomas, Christina Rossetti, William Wordsworth, William Ernest Henley, Robert Hayden, Edgar Allen Poe, W. H. Auden, Thomas Hardy, Percy Bysshe Shelley, John Philip Johnson, W. B. Yeats, Gerard Manley Hopkins, Elizabeth Bishop, Edna St. Vincent Millay, Tess Gallagher, Stevie Smith, and Siegfried Sassoon.

    Featuring 18 stories by 26 contributors, Beyond is a 250+ page, black and white, queer comic anthology, full of swashbuckling space pirates, dragon slayers, death-defying astronauts, and monster royalty. Each story celebrates and showcases unquestionably queer characters as they explore the galaxy, mix magic, have renegade adventures, and save the day!The Beyond Anthology was born from a desire to see stories inspired by people like us (queer people with diverse genders and sexualities) slaying dragons, piloting spaceships, getting into trouble, and saving the day—without having to read for their queerness from between the lines. We wanted to see beautiful, heartwarming, and adventurous stories that reflect and celebrate the many facets of gender and sexuality, without having to worry that their queerness would cast them as a villain, a pariah, or turn them into a cautionary tale. Beyond is edited by Sfé R. Monster, assistant edited by Taneka Stotts, and features a group of 26 contributors who have created 18 exceptional all-ages stories that showcase and celebrate openly and unabashedly queer characters in science fiction and fantasy-based settings.Cover by Levi Hastings, interior of covers by Evan Dahm.

    As in his Pulitzer Prize-winning Maus, cartoonist Spiegelman presents a highly personalized, political, and confessional diary of his experience of September 11 and its aftermath. In 10 large-scale pages of original, hard-hitting material (composed from September 11, 2001 to August 31, 2003), two essays, and 10 old comic strip reproductions from the early 20th century, Spiegelman expresses his feelings of dislocation, grief, anxiety, and outrage over the horror of the attacks—and the subsequent "hijacking" of the event by the Bush administration to serve what he believes is a misguided and immoral political agenda. Readers who agree with Spiegelman's point of view will marvel at the brilliance of his images and the wit and accuracy of his commentary. Others, no doubt, will be jolted by his candor and, perhaps, be challenged to reexamine their position.The central image in the sequence of original broadsides, which returns as a leitmotif in each strip, is Spiegelman's Impressionistic "vision of disintegration," of the North Tower, its "glowing bones...just before it vaporized." (As downtown New Yorkers, Spiegelman and his family experienced the event firsthand.) But the images and styles in the book are as fragmentary and ever-shifting as Spiegelman's reflections and reactions. The author's closing comment that "The towers have come to loom far larger than life...but they seem to get smaller every day" reflects a larger and more chilling irony that permeates In the Shadow of No Towers. Despite the ephemeral nature of the comic strip form, the old comics at the back of the book have outlasted the seemingly indestructible towers. In the same way, Spiegelman's heartfelt impressions have immortalized the towers that, imponderably, have now vanished. —Silvana Tropea

    Noted as a "book-lover's cartoonist," Gauld's weekly strips in The Guardian, Britain's most well-regarded newspaper, stitch together the worlds of literary criticism and pop culture to create brilliantly executed, concise comics. Simultaneously silly and serious, Gauld adds an undeniable lightness to traditionally highbrow themes. From sarcastic panels about the health hazards of being a best-selling writer to a list of magical items for fantasy writers (such as the Amulet of Attraction, which summons mainstream acceptance, Hollywood money, and fresh coffee), Gauld's cartoons are timely and droll--his trademark British humour, impeccable timing, and distinctive visual style sets him apart from the rest.Lauded both for his frequent contributions to New Scientist, The Guardian and The New York Times, and his Eisner-nominated graphic novels, Tom Gauld is one of the most celebrated cartoonists working today. In Baking with Kafka, he proves this with one witty, sly, ridiculous comic after another.

    Crimes she knows to be the work of dark occult forces. Forces that took her husband from her. Forces she has sworn to destroy. Hugo Award-nominated novelist Saladin Ahmed (Star Wars: Canto Bight, Black Bolt) and artist Sami Kivelä (Beautiful Canvas) present one woman's search for the truth that destroyed her family amidst an exploration of the systemic societal constructs that haunt our country to this day.

    For Samantha, it is the opportunity to revisit her past. For George, it is an unsettling step into the unknown. For both of them, it will be a collision course with political and personal events that will alter their paths and the town of Oaxaca forever.   In tandem, the remarkable and arduous journey that a Monarch butterfly endures on its annual migration from Canada to Mexico is woven into Ruins. This creates a parallel picture of the challenges of survival in our ever-changing world.  Ruins explores the shadows and light of Mexico through its past and present as encountered by an array of characters. The real and surreal intermingle to paint an unforgettable portrait of life south of the Rio Grande.

          Written and compiled by the Lord of Evil himself, The Adventure Time Encyclopaedia matches the playful, subversive tone of the series, detailing everything anyone will ever need to know about the postapocalyptic land of Ooo and its inhabitants—secret lore and spells, fun places you should visit and places where you will probably die, whom to marry and whom not to marry, how to make friends and how to destroy your enemies—plus hand-written marginalia by Finn, Jake, and Marceline. An indispensable companion to the show, this side-splittingly funny love letter to Adventure Time is sure to appeal to fans of all ages. Heck yeah! From the Back Cover: Written by the Lord of Evil Himself, Hunson Abadeer (a.k.a. Marceline the Vampire Queen's dad), to instruct and confound the demonic citizenry of the Nightosphere, The Adventure Time Encyclopaedia is perhaps the most dangerous book in history. Although seemingly a guidebook to the Land of Ooo and its postapocalyptic inhabitants, it is in fact an amusing nightmare of literary pitfalls, bombastic brain-boggles, and ancient texts designed to drive the reader mad.  Complete with secret lore and wizard spells, fun places you should visit and places where you will probably die, advice on whom to marry and whom not to marry, and how to make friends and destroy your enemies, this volume includes hand-written marginalia by Finn, Jake, and Marceline. Arguably the greatest encyclopaedia ever written since the beginning of the cosmos, it is also an indispensable companion to humans and demons who know what time it is: Adventure Time!

    But surely you've heard the story about the crocodiles who held a vote on whether or not to eat a man that had saved one of their lives? NO? Wow. Have we got some stories for you.

    They were the first of roughly 780 prisoners who would be held there—and 40 inmates still remain. Eighteen years later, very few of them have been ever charged with a crime. In Guantánamo Voices, journalist Sarah Mirk and her team of diverse, talented graphic novel artists tell the stories of ten people whose lives have been shaped and affected by the prison, including former prisoners, lawyers, social workers, and service members. This collection of illustrated interviews explores the history of Guantánamo and the world post-9/11, presenting this complicated partisan issue through a new lens.

    Be amazed and beguiled by a nursery story with a reverse twist, a futuristic take on TV cooking shows, a playscript with tentacles - and more, much more. Plunge in and enjoy!A collection of sci-fi and fantasy writing, including six graphic stories, showcasing twenty stellar writers and artists from India and Australia: Isobelle Carmody, Penni Russon, Justine Larbalestier, Margo Lanagan, Lily Mae Martin, Kuzhali Manickavel, Prabha Mallya, Annie Zaidi, Kate Constable, Vandana Singh, Mandy Ord, Priya Kuriyan, Manjula Padmanabhan, Samhita Arni, Alyssa Brugman, Nicki Greenberg and Amruta Patil.

    In vivid pictures and intensely autobiographic words, graphic artists celebrate the skyscraper heroes who still sustain us. Contributors include Frank Miller, Dave McKeon, Jeph Loeb, Will Eisner, Trina Robbins, Mike Diona, and dozens of others.

    Taking Turns pulls back the curtain on life in the ward.A shining example of excellence in the treatment and care of patients, Unit 371 was a community for thousands of patients and families affected by HIV and AIDS and the people who cared for them. This graphic novel combines Czerwiec’s memories with the oral histories of patients, family members, and staff. It depicts life and death in the ward, the ways the unit affected and informed those who passed through it, and how many look back on their time there today. Czerwiec joined Unit 371 at a pivotal time in the history of AIDS: deaths from the syndrome in the Midwest peaked in 1995 and then dropped drastically in the following years, with the release of antiretroviral protease inhibitors. This positive turn of events led to a decline in patient populations and, ultimately, to the closure of Unit 371. Czerwiec’s restrained, inviting drawing style and carefully considered narrative examine individual, institutional, and community responses to the AIDS epidemic—as well as the role that art can play in the grieving process.Deeply personal yet made up of many voices, this history of daily life in a unique AIDS care unit is an open, honest look at suffering, grief, and hope among a community of medical professionals and patients at the heart of the epidemic.