The inclining of the brow, the least furrowing of a look may reveal the -secrets of the heart." Rodin was fortunate to have as his -secretary Rainer Maria Rilke, one of the most sensitive poets of our time. These essays discussing Rodin’s work and development as an artist are as revealing of Rilke as they are of his subject. Written in 1903 and 1907, these meditations mark the entry of the poet into the world of letters. The book sheds light on the profound psychic connection between the two great artists, both masters of giving life to the invisible within the visible, concerned with "the unnoticed, the small, the concealed . . . with the profound and surprising unrest of living things." Over a dozen -reproductions of Rodin’s little known water-colors and drawings will accompany the essays.Rainer Maria Rilke, born in Prague in 1875, is arguably the greatest German poet since Goethe. His major works include his Duino Elegies, The Sonnets to Orpheus, The Notebooks of Malte Laurids Brigge, The Book of Hours, and Letters to a Young Poet.Daniel Slager (Translator) is an editor at Harcourt and a contributing editor to Grand Street. His translations of texts by Bertolt Brecht, Franz Kafka, and Heiner Müller have been widely acclaimed, and his renderings of Durs Grünbein, Marcel Beyer, Felicitas Hoppe, and Terézia Mora have marked these authors’ first publications in the U.S.William Gass (Introduction) is the author of four novels and five books of essays. He has been the recipient of grants from the Rockefeller, Lannan, and Guggenheim foundations. He has received two National Book Critics Circle Awards for Criticism. Gass lives in St. Louis where he is the Director of the -International Writers Center.

    Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.

    From the controversy of his early work to the political storm surrounding the arrival of the exhibition Sensation at the Brooklyn Museum of Art, his work has redefined international expectations of modern art. Even people with only a passing knowledge of art are familiar with his installations of a shark, cows, and sheep pickled in formaldehyde. "On the Way to Work" is an extremely candid autobiography of Hirst presented in a series of conversations. He expounds in unpredictable and scabrously funny ways on everything from art to celebrity to sex, and these frank and intimate conversations are punctuated with art from all phases of his career chosen by Hirst himself. This book is a window into Hirst's world: growing up in working class northern England, roughhousing in pubs, obsessing about life and death, questioning art world fame, and believing that art and beauty make a difference in the modern world. In addition to the attention he generates, this dynamic artist also garners critical acclaim-he is the winner of the Turner Prize and, ever since the groundbreaking exhibition that he organized as a fledgling artist in the early nineties, he is considered the unofficial leader of the Young British Artists movement. Hirst's appeal goes beyond the world of art; he's an influential figure to architects, designers, and the fashion crowd as well. Engaging, well-illustrated, and a real event in the art world, "On the Way to Work," like its subject, will generate controversy and acclaim.