48 pages ofillustrations, 16 in color. Maps.

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.

    

    Now, Margaret George, the highly acclaimed bestselling historical novelist, has turned her intelligent, perceptive eye to the myth that is Helen of Troy.Margaret George breathes new life into the great Homeric tale by having Helen narrate her own story. Through her eyes and in her voice, we experience the young Helen's discovery of her divine origin and her terrifying beauty. While hardly more than a girl, Helen married the remote Spartan king Menelaus and bore him a daughter. By the age of twenty, the world's most beautiful woman was resigned to a passionless marriage until she encountered the handsome Trojan prince Paris. And once the lovers flee to Troy, war, murder, and tragedy become inevitable. In Helen of Troy, Margaret George has captured a timeless legend in a mesmerizing tale of a woman whose life was destined to create strife and destroy civilizations.

    150 and c. 750, came to differ from "Classical civilization."These centuries, as the author demonstrates, were the era in which the most deeply rooted of ancient institutions disappeared for all time. By 476 the Roman empire had vanished from western Europe; by 655 the Persian empire had vanished from the Near East.Peter Brown, Professor of History at Princeton University, examines these changes and men's reactions to them, but his account shows that the period was also one of outstanding new beginnings and defines the far-reaching impact both of Christianity on Europe and of Islam on the Near East. The result is a lucid answer to a crucial question in world history; how the exceptionally homogeneous Mediterranean world of c. 200 became divided into the three mutually estranged societies of the Middle Ages: Catholic Western Europe, Byzantium and Islam. We still live with the results of these contrasts.

    Vividly portraying legendary and semi-legendary figures such as Lear, Cymbeline, Merlin the magician and the most famous of all British heroes, King Arthur, it is as much myth as it is history and its veracity was questioned by other medieval writers. But Geoffrey of Monmouth's powerful evocation of illustrious men and deeds captured the imagination of subsequent generations, and his influence can be traced through the works of Malory, Shakespeare, Dryden and Tennyson.

    Here, too, are the stories of the extraordinary emperors and generals who brought the empire into being and ultimately presided over its demise. We witness the glittering city of Constantinople from its rise to greatness through its deadly conclusion. Though Byzantium has faded away, its everlasting contributions to our world today are revealed in this fascinating history.

    Rhonda Hendricks has not only selected from the works of the ancient authors the best -- and often earliest -- versions of these tales; she has also arranged them so as to give a cumulative view of classical mythology beginning with The Creation and The Birth of Zeus. Of particular interest are: The Ages of Mankind, The Birth of Athena, Oedipus the King, Heracles, Theseus, Jason and Medea, The Judgement of Paris, The Trojan Horse, Pygmalion, and Cupid and Psyche. These texts offer a new perspective on classical mythology and, by so doing, cast a new light on this cornerstone of Western culture.

    

    They are all, he admits, illuminating, but none is adequate by itself, because these ' traditional tales ' are of such variety that no single theory that can embrace them all. His general analysis of the nature of myth is followed by a splendid account of the Greek myths - myths about gods, myths about heroes and, in greater detail, the myths about the unique god-hero Heracles.In the final chapter of this unusually rigorous study Professor Kirk speculates on the manner in which an age dominated by myth gave way to an age dominated by philosophy.

    Long celebrated as a pathbreaking achievement in the social history of the ancient world, M.I. Finley's brilliant study remains, as classicist Bernard Knox notes in his introduction to this new edition, "as indispensable to the professional as it is accessible to the general reader"--a fundamental companion for students of Homer and Homeric Greece.

    Egyptian Mythology: A Very Short Introduction explains the cultural and historical background to the fascinating and complex world of Egyptian myth, with each chapter dealing with a particular theme.To show the variety of source material for Egyptian myth, each chapter features a particular object--such as the obelisk known as Cleopatra's Needle, a golden statue of Tutankhamun, and a papyrus containing a story in which the Egyptian gods behave outrageously--which is illustrated by a photograph or line-drawing. The myth "The Contendings of Horus and Seth" is looked at in detail, and the many interpretations it has provoked are examined. In addition to a list of major deities and myths, there are explanations of related topics such as how hieroglyphs work, royal names and titles, and the Egyptian cosmos. There is also a timeline of Egyptian history, a glossary of technical terms and an up-to-date bibliography.

    The Chalice and the Blade tells a new story of our cultural origins. It shows that warfare and the war of the sexes are neither divinely nor biologically ordained. It provides verification that a better future is possible—and is in fact firmly rooted in the haunting dramas of what happened in our past.

    Claude-Henri Rocquet has elicited from Eliade brief versions of some of his most important theories and a great many interesting judgments.

    Alice Oswald has won several literary awards.