"Wherever you are, whatever you are doing, I swear I will find you again," he promised, and Yoko never stopped believing he would return. Her ten-year-old daughter Soko, born out of this brief passionate affair that marked her mother for ever, has had her life shaped by Yoko's constant yearning, as the desperate search for the elusive man of her dreams means moving house more times than either of them can remember. The two travel through life on what Yoko calls "God's boat," moving from town to town, and for Soko from school to school, just as the narrative too shifts between the perspectives of the daughter and her mother, tracing them through the years as little by little the story of Yoko's past emerges, and Soko tries to somehow build herself a future.This haunting and sensitive novel combines the everyday patterns of the lives of mother and daughter, their rituals, their conversations, while always beyond these ordinary daily events lies what is hidden by Yoko's seemingly unshakeable certainty: the spectre of madness and the indescribable pain of loss, so inextricably linked to the dazzling joy that only love can bring.

    Focusing on the domestic impact of Japan's activities in Northeast China between 1931 and 1945, Young considers "metropolitan effects" of empire building: how people at home imagined and experienced the empire they called Manchukuo.Contrary to the conventional assumption that a few army officers and bureaucrats were responsible for Japan's overseas expansion, Young finds that a variety of organizations helped to mobilize popular support for Manchukuo—the mass media, the academy, chambers of commerce, women's organizations, youth groups, and agricultural cooperatives—leading to broad-based support among diverse groups of Japanese. As the empire was being built in China, Young shows, an imagined Manchukuo was emerging at home, constructed of visions of a defensive lifeline, a developing economy, and a settler's paradise.

    It includes character studies and summaries of the plot with discussions of the major themes, as well as a background to John Steinbeck.

    Fortunately, that doesn't stop their unique relationship from forging: Rinne and her rescuer's now-disembodied spirit must defend his prone body from being possessed by a muddled collection of local ghosts. When Rinne fails in her task, an ancient playboy takes over the punk's body--leaving him to inhabit a pink stuffed monkey! In this madcap adventure, what's a girl to do?!

    He attended the University of Washington and Columbia University. He served in the US Army in World War II, wrote one novel and died of a heart attack at the age of 47. John Okada died in obscurity believing that Asian America had rejected his work. In this work, Okada gives the perspective of a no-no boy, a Japanese-American man who would neither denounce his Japanese heritage nor fight for the U.S. Army during WWII. This novel takes place after the main character spent two years in a Japanese internment camp, and two years in prison after saying no when asked to join the U.S. Army. Okada's novel No-No Boy shows the internal and external struggles fought by Japanese-Americans in that time period, be they no-no boys or not.

    Comes complete with a color photo section of scenes from the movie and a bio of the renowned film score composer John Barry.

    As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships. From childhood Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of a feudal lord. He eventually married and had children but never obtained official preferment and was forced to supplement a meager stipend by dealing in swords, selling protection to shopkeepers, and generally using his muscle and wits. Katsu's descriptions of loyalty and kindness, greed and deception, vanity and superstition offer an intimate view of daily life in nineteenth-century Japan unavailable in standard history books. Musui's Story will delight not only students of Japan's past but also general readers who will be entranced by Katsu's candor and boundless zest for life.

    Too impetuous to be satisfied as a subsidiary wife, this beautiful (and unnamed) noblewoman of the Heian dynasty protests the marriage system of her time in one of Japanese literature's earliest attempts to portray difficult elements of the predominant social hierarchy. A classic work of early Japanese prose, The Gossamer Years is an important example of the development of Heian literature, which, at its best, represents an extraordinary flowering of realistic expression, an attempt, unique for its age, to treat the human condition with frankness and honesty. A timeless and intimate glimpse into the culture of ancient Japan, this translation by Edward Seidensticker paints a revealing picture of married life in the Heian period.

    At the core, the challenges of teaching are the same the world over. Kenjiro Haitani's charming and profoundly moving reminder to keep faith with the kids is finally out in English.It's a typical day at the elementary school when a beautiful young newlywed named Ms. Kotani, the new teacher, eagerly goes into class and leaves before the final bell sobbing. Her students include the silent boy Tetsuzo, whose hobby is collecting flies, and a girl, Minako, who could keep Ritalin in business all alone. Most of the school's teachers have never given these kids a chance, but Ms. Kotani will not give up so easily--even when her single-minded efforts start hurting her marriage.

    Part wizard, part warrior, the Marshyl Knights are an elite group of fighters spread across the entire realm in an effort to balance the ever-shifting tides of power that if left unchecked could cost the lives of thousands. Facing a Marshyl means almost certain defeat, but joining the Marshyls is even harder. Dex and Kyp are on their own, struggling to find a way to survive with no parents, no prospects, and a very bleak future. When a chance to change their lives and possibly join the Marshyl Knights comes their way, they will risk everything to enter the ranks of the most powerful wizarding warriors in the realm. But the power behind the Marshyl Knights is a carefully guarded secret, one that many people would kill to obtain. Their road forward is filled with treachery, greed, and danger, forcing the boys to make life and death decisions as they navigate the path set before them. The Vault of Mysteries is an all new Young Adult epic fantasy adventure, the first glimpse into the thrilling new Marshyl Stories series from Amazon bestselling fantasy author Toby Neighbors. With a fast pace, engaging story, and characters you can’t help but fall in love with, The Vault of Mysteries will sweep you away into a world of wondrous magic and deadly peril that you’ll want to visit again and again.

    This unusual school had old railroad cars for classrooms, and it was run by an extraordinary man--its founder and headmaster, Sosaku Kobayashi--who was a firm believer in freedom of expression and activity.

    For the first time in English, one of the most ardent and influential of the collection, “Yellow Rose,” is published with a translator’s introduction, era-specific design and list of further readings. It will appeal to all readers of fine fiction, especially those with an interest in women’s writings, genre fiction, youth culture, queer writings, and twentieth-century modernist styles.

    Cartoons. Asian American Studies. Originally published in mixed Japanese and English in San Francisco in 1931, "The Four Immigrants Manga" is Henry Kiyama's visual chronicle of his immigrant experience in the United States. Drawn in a classic gag-strip comic-book style, this heartfelt tale -- rediscovered, translated, and introduced by manga expert Frederick L. Schodt -- is a fascinating, entertaining depiction of early Asian American struggles.

    She begins with the formality and security of the arrangements of life for a Japanese middle-class family, living in a walled compound with their servants, following exactly the tradition inherited from their parents, with marriages arranged for the children, which continued up until World War II. By then her mother was married to an engineer and living in Japanese-occupied Manchuria. That period is marked by her mother's often funny, painful experiences of learning about the Chinese and Russians with whom she now lived with her growing family, and the war seen from her point of view. At the end of the war, the Japanese - women, children, everyone - had to escape, walking hundreds of miles to the coast. The family returned to a Tokyo where the society, the culture, the economy was entirely overturned. The Americans were everywhere, the Japanese were unemployed, and the ways of society that they had all known had vanished. And yet somehow Ruri's indomitable mother survived.

    The year is 1986, and the strange communal life of this foursome, extending over half a year, from the end of winter to midsummer, makes up the plot,such as it is, of Plainsong, as this ersatz family finds itself growing closer, and lifecontinues—quietly—around them. Part of the generation that grew to prominence following the success of baby boomers like Haruki Murakami, KazushiHosaka’s work chronicles the small moments, the moments without conflict,that most novels work to elide. His characters talk, work, exist; their story is onewhere the tiniest occurrence takes on the proportions of a grand drama.