Unearthing the secret city and its forgotten inhabitants, this rediscovery encompasses a historical panorama from the Elizabethan age to the present day, introducing the magic of Dr. Dee and Simon Forman, the rise of the Kabbalah, and the occult designs of Wren and Hawksmoor. Elsewhere figures such as Spring-Heeled Jack and the Highgate Vampyre, and occult organizations from the Invisible College to the Golden Dawn are explained and explored. Also included are instructions for a series of four walks covering features of occult significance for the Elizabethan, 18th-century, Fin de Siécle, and contemporary periods; as well as an A-to-Z geographic dictionary of London's most resonant occult locations.

    These mystical beasts are real and their power, their influence, and especially their magick can be captured. Building upon rituals and drawing on their energy, learn to befriend these inspirational creatures and become partners with them on a spiritual journey. Move with them, learn from them, dance in perfect human/dragon syncopation.Praise: A unique, one-of-a-kind tome and a welcome addition to the growing body of metaphysical lore.--Midwest Book ReviewA personal devotion and an academic work of the highest order.--The Dragon Chronicle (UK)Dragon-lovers everywhere will like this book.--Prediction

    Even as the country divides itself at every turn, the meritocratic ideal - that social and economic rewards should follow achievement rather than breeding - reigns supreme. Both Democrats and Republicans insistently repeat meritocratic notions. Meritocracy cuts to the heart of who we are. It sustains the American dream.But what if, both up and down the social ladder, meritocracy is a sham? Today, meritocracy has become exactly what it was conceived to resist: a mechanism for the concentration and dynastic transmission of wealth and privilege across generations. Upward mobility has become a fantasy, and the embattled middle classes are now more likely to sink into the working poor than to rise into the professional elite. At the same time, meritocracy now ensnares even those who manage to claw their way to the top, requiring rich adults to work with crushing intensity, exploiting their expensive educations in order to extract a return. All this is not the result of deviations or retreats from meritocracy but rather stems directly from meritocracy's successes.This is the radical argument that Daniel Markovits prosecutes with rare force. Markovits is well placed to expose the sham of meritocracy. Having spent his life at elite universities, he knows from the inside the corrosive system we are trapped within. Markovits also knows that, if we understand that meritocratic inequality produces near-universal harm, we can cure it. When The Meritocracy Trap reveals the inner workings of the meritocratic machine, it also illuminates the first steps outward, towards a new world that might once again afford dignity and prosperity to the American people.

     The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them withliterature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    The supernatural abounded, turning flowers into fruit and caterpillars into butterflies. In a time before scientists studied weather patterns and figured out what caused the Earth’s most mysterious phenomena, it was magic that packed a cloud full of energy until it exploded with thunderbolts. It was everyday magic, but it was still magical.In Ancient Magic, author Philip Matyszak ushers readers into that world, showing how ancient Greeks and Romans concocted love potions and cast curses, how they talked to the dead and protected themselves from evil spirits. He takes readers to a world where gods interacted with humans and where people could not only talk to spirits and deities, but could themselves become divine.Ancient Magic presents us with a new understanding of the role of magic, combining a classical historiography with a practical how-to guide. Using a wide array of sources and lavish illustrations, this book offers an engaging and accessible way into the supernatural for all.

    Gordon Melton has the credentials: he's a religious historian, author of 25 books about religion and vampires, president of the American chapter of the Transylvania Society of Dracula (founded in Bucharest, Romania), and chairman of the committee that put on Dracula '97: A Centennial Celebration in Los Angeles. The Vampire Book is meticulously researched and well organized. Included are an article on the cultural history of the vampire; a historical timeline; addresses of vampire societies all over the world; a 55-page filmography; vampires in plays, opera, and ballet; a 13-page list of vampire novels; and an extensive index. The A to Z entries, each with a short bibliography, include vampire lore in more than 30 different geographic regions and a comprehensive "who's who," and cover topics ranging from fingernails to sexuality, the Camarilla to Szekelys.

    That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests.Communism had failed to deliver the promised utopia. One’s “biography”—class status and other associations long in the past—put strict boundaries around one’s individual future. When Lea’s parents spoke of relatives going to “university” or “graduating,” they were speaking of grave secrets Lea struggled to unveil. And when the early ’90s saw Albania and other Balkan countries exuberantly begin a transition to the “free market,” Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking.With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort—here recounted with outstanding literary talent. Now one of the world’s most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.

    Elaine Clayton takes a look at how we distinguish fairies from angels, how fairies came about, visions and dreaming of fairies, looking for fairy faces in rocks and nature, the co-existence of animals and fairies, and more.

    Selected from the archives of Catapult magazine, the essays in A Map Is Only One Story highlight the human side of immigration policies and polarized rhetoric, as twenty writers share provocative personal stories of existing between languages and cultures.Victoria Blanco relates how those with family in both El Paso and Ciudad Juárez experience life on the border. Nina Li Coomes recalls the heroines of Japanese animator Hayao Miyazaki and what they taught her about her bicultural identity. Nur Nasreen Ibrahim details her grandfather’s crossing of the India-Pakistan border sixty years after Partition. Krystal A. Sital writes of how undocumented status in the United States can impact love and relationships. Porochista Khakpour describes the challenges in writing (and rewriting) Iranian America. Through the power of personal narratives, as told by both emerging and established writers, A Map Is Only One Story offers a new definition of home in the twenty-first century.

    Bernard Parish, Louisiana, make a fateful decision to ride out Hurricane Katrina on their hand-built fishing boats in a sheltered Civil War–era harbor called Violet Canal.  But when Violet is overrun by killer surges, the Robins must summon all their courage, seamanship, and cunning to save themselves and the scores of others suddenly cast into their care. In this gripping saga, Louisiana native Ken Wells provides a close-up look at the harrowing experiences in the backwaters of New Orleans during and after Katrina. Focusing on the plight of the intrepid Robin family, whose members trace their local roots to before the American Revolution, Wells recounts the landfall of the storm and the tumultuous seventy-two hours afterward, when the Robins’ beloved bayou country lay catastrophically flooded and all but forgotten by outside authorities as the world focused its attention on New Orleans. Wells follows his characters for more than two years as they strive, amid mind-boggling wreckage and governmental fecklessness, to rebuild their shattered lives. This is a story about the deep longing for home and a proud bayou people’s love of the fertile but imperiled low country that has nourished them.

    Eerie red marks on the apartment's ceiling kept Zack and his wife on edge. The landlord warned them not to open a door in the apartment that led to nowhere. "Our Japanese visitors had no problem putting a name to it . . . they would sense the vibes of the place, look around a bit and inevitably say 'Ahhh . . . yurei ga deteru.' There is a yurei here."Combining his lifelong interest in Japanese tradition and his personal experiences with these vengeful spirits, Davisson launches an investigation into the origin, popularization, and continued existence of yurei in Japan. Juxtaposing historical documents and legends against contemporary yurei-based horror films such as The Ring, Davisson explores the persistence of this paranormal phenomenon in modern day Japan and its continued spread throughout the West.Zack Davisson is a translator, writer, and scholar of Japanese folklore and ghosts. He is the translator of Mizuki Shigeru's Showa 1926–1939: A History of Japan and a translator and contributor to Kitaro. He also worked as a researcher and on-screen talent for National Geographic's TV special Japan: Lost Souls of Okinawa. He writes extensively about Japanese ghost stories at his website, hyakumonogatari.com.

    Paul's epistles and sexism in today's church.

    In 1981, Jon and Carlie Summers moved into an inherited home in rural Iowa, leaving behind their workaday lives as a lawyer and a professor in Chicago. Soon after moving in, Jon and Carlie’s lives begin a downward spiral as Carlie experiences violent dreams, possessions, hallucinations, and physical illness. Through old journals, nightmares, and personal encounters with evil, Carlie relives the history of the house, embodying its past of abuse, denial, obsession, broken lives, and death.Anatomy of a Haunting is a terrifying true story that leaves Jon dead and pushes Carlie to the brink of insanity. Through interviews and exhaustive research into the 150-year-old McPherson house, author Lee Strong delves into the history of the haunting and paints a nightmarish picture of one couple’s descent into supernatural madness.

    A simple beverage, served either hot or iced, tea has fascinated and driven us, calmed and awoken us, for well over two thousand years.The most extensive and well presented tea history available, Tea: The Drink that Changed the World tells of the rich legends and history surrounding the spread of tea throughout Asia and the West, as well as its rise to the status of necessity in kitchens around the world. From the tea houses of China's Tang Dynasty (618-907), to fourteenth century tea ceremonies in Korea's Buddhist temples' to the tea plantations in Sri Lanka today, this book explores and illuminates tea and its intricate, compelling history.Topics in Tea: The Drink that Changed the World include:From Shrub to Cup: and Overview.History and Legend of tea.Tea in Ancient China and Korea.Tea in Ancient Japan.The Japanese Tea Ceremony.Tea in the Ming Dynasty.Tea Spreads Throughout the World.The British in India, China and Ceylon.Tea in England and the United States.Tea Today and Tomorrow.Whether you prefer green tea, back tea, white tea, oolong tea, chai, Japanese tea, Chinese tea, Sri Lankan tea, American tea or British tea, you will certainly enjoy reading this history of tea and expanding your knowledge of the world's most celebrated beverage.

    True Stories. The woods can be tranquil and enchanting, yet there are moments when everything goes quiet and time seems to stop, and the hairs on the back of your neck start to stand up, and you could swear there’s something out there in the trees, just watching you. Suddenly everything goes quiet and that’s when the fear sets in as a strange buzzing seems to fill your ears, and your eyes are searching everywhere for a hidden predator. A powerful, menacing and sinister force is nearby and you can sense the imminent danger. Then it shows itself. And that’s when the panic sets in.... Contents include; The Predator Effect; The Stick Men; Shifters; Something on two legs; Things with Wings; A new Sentient Intelligence. Excerpts; 'Somehow 'something' had got past me without being seen. Then suddenly the quiet was filled with a blood-curdling shriek; it was the most primal of cries I'd ever heard. It seemed human, animal, and spirit; and completely evil. It was hard to pin down; it was ethereal. I tried to shrink to invisibility...' 'She sent a text saying, "Something is wrong here. The woods just went dead silent...its odd." She thought it was possible a panther or coyote was approaching. As her eyes roamed the area, she suddenly noticed a strange visual effect that seemed to be moving...' 'The film showed a mysterious black mass of no definite shape. It was moving. It was crawling fast. It moved with speed, faster than any animal.' 'The entity was blurry and any features could not be clearly seen, as though it were masking its true form.' "At first it was jet black. He said that it was walking in a peculiar way; that it made long exaggerated strides..." 'They said that it seemed to be moving and that it was in one spot one moment and then instantaneously it would appear in a different spot.' "Terrible sounds were coming out of the forest. I couldn't compare them to anything I've heard before." "It took off running, but not like any human or any animal. It ran with its whole body bending and contorting, extremely fast." 'The moon lit up the figure and she could see that it had the shape of a man, at least seven feet tall, but..." PREDATORS IN THE WOODS...True Stories. Stephenyoungauthor@hotmail.com facebook: Steph Young (Author)