The first major collection of plays by leading lesbian playwright Paula Vogel.

    

    With only six characters, she constructs a vivid weekend of crossed pasts and uncertain but optimistic futures. On Martha's Vineyard, an affluent African-American family gathers in their vacation home, joined by the housekeeper's daughter, who is filling in for her mother. The family patriarch is a philandering physician; one of his sons has followed in his footsteps, while the other, after numerous false starts in a variety of careers, is a struggling novelist. Both bring along their current girlfriends, to meet the family for the first time. With such highly--perhaps over--educated vacationers, the conversation and the barbs fly, on subjects ranging from race to economics to politics. But there is also more than enough human drama, which reaches its climax when an old family secret comes out. Through lively exchanges and simmering wit, the family tackles a history filled with complications both within the family and in the outer world.

    

    

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    MARTINRead the first seven chapters of Joe Abercrombie’s fantastic new book!Prince Yarvi has vowed to regain a throne he never wanted. But first he must survive cruelty, chains and the bitter waters of the Shattered Sea itself. And he must do it all with only one good hand.Born a weakling in the eyes of his father, Yarvi is alone in a world where a strong arm and a cold heart rule. He cannot grip a shield or swing an axe, so he must sharpen his mind to a deadly edge.Gathering a strange fellowship of the outcast and the lost, he finds they can do more to help him become the man he needs to be than any court of nobles could.But even with loyal friends at his side, Yarvi’s path may end as it began – in twists, and traps and tragedy…

    Now at last, thanks to the tireless efforts of the Klingon Language Institute, this powerful drama by the legendary Klingon playwright, Wil'yam Shex'pir, can be appreciated in the elegance and glory of its original tongue. This invaluable volume contains the complete text of the play, along with an English translation for easy consultation and comparison. In addition, an incisive introduction explains the play's crucial importance in Klingon culture, while copious notes illustrate how the debased English version diverges from the original, often distorting and even reversing the actual meaning of the verses.Khamlet, the Restored Klingon Version, is a work that belongs in the library of every human who hopes truly to understand what it means to be Klingon.

    not necessarily in that order.Keith Hamilton Cobb embarks on a poetic exploration that examines the experience and perspective of black men in America through the metaphor of Shakespeare's character Othello, offering up a host of insights that are by turns introspective and indicting, difficult and deeply moving. American Moor is a play about race in America, but it is also a play about who gets to make art, who gets to play Shakespeare, about whose lives and perspectives matter, about actors and acting, and about the nature of unadulterated love.American Moor has been seen across America, including a successful run off-Broadway in 2019. This edition features an introduction by Professor Kim F. Hall, Barnard College.

    On that afternoon, her husband of ten years crash-landed his malfunctioning single-engine plane in Murfreesboro, Tennessee. Dr. Darrell Swank suffered multiple fractures, and third degree burns over sixty percent of his body when the gas tank exploded as he crawled away from the wreckage. Over the next five weeks, she struggled to be a mother to their children while she kept a near round-the-clock vigil at the hospital. Darrell’s survival was questionable from one day to the next, and even if he survived, would he be the same man he was before the crash? Did his fate depend on this test of her faith?The Death of Me is the true story of a wife and mother living day to day through a fog of shock and unimaginable agony. And, alone in the aftermath, fumbling for some way to not only survive, but to thrive. It is a story of pain, of release, of forgiveness. And of healing, resilience, and rebirth. It is a story of a writer finding her voice.

    D. Robb Treachery in Death Eve Dallas and her partner, Peabody, are following up on a brutal, senseless crime—an elderly grocery owner killed by three stoned punks for nothing more than kicks and snacks. And for the first time, Peabody is primary detective on the case, which means she has to get used to a new level of authority and responsibility. Good thing she learned the ropes from a master like Eve.But after rounding up the perps, Peabody stumbles upon a much trickier situation. Determined to start working out as hard as she grills suspects, she chooses to do it at the old, rarely-used gym at Central. After a grueling workout, she squeezes into one of the narrow shower stalls, happy to have the place to herself. Just after she shuts the water off, the gym door clatters open—and while she cringes inside the stall, trying not to make a sound, Peabody overhears two fellow officers, Garnet and Oberman, arguing. References are made to delivering product, and a house in the islands, and someone named Keener who’s supposed to look like an OD. It doesn’t take long for a naked and vulnerable Peabody to realize that both officers are crooked—guilty not just of corruption but of murder as well. Fortunately, the two clear out of the locker room without realizing there was a witness.Eve Dallas may have trained Peabody well—but this is too dangerous for one person to take on alone. Now Peabody, Eve, and her husband, Roarke, must try to get the hard evidence they need to bring the dirty cops down—knowing all the while that the two have already killed to keep their secret, and are no doubt willing to do it again. New York to Dallas It was one of Eve Dallas’s earliest takedowns, back in her uniform days. A monster named Isaac McQueen had been abducting young victims and leaving them scarred in both mind and body. Thanks to Eve, he wound up where he belonged, removed from civilized society in Rikers. But he’s not behind bars anymore.After his escape, McQueen has two things in mind. One is to take up where he left off, preying on the young and innocent—when necessary, with the help of a female partner all too willing to be manipulated and to aid and abet his crimes. His other goal: to get revenge on the woman who stopped him all those years ago, now a high-profile lieutenant in the NYPSD and married to one of the city’s richest men.Commanding Eve’s attention with a chilling and brazen crime, McQueen sets off the chase—forcing Eve down a road marked with blood and tears, a road that eventually leads southwest to Dallas, Texas, the home Eve fled long ago. And each new twist brings her closer to the harrowing memory of when she wasn’t a hardened detective but a vulnerable girl just like McQueen’s innocent prey. As her husband, Roarke, tries to rescue her from the nightmares that claw at her mind, and her partner, Peabody, doggedly works to support her, Eve must confront—and call upon—the darkest parts of her own soul in order to survive.

    The lawyer is married to a beautiful, well-to-do girl in the midwest whose family sets the pace in local society and intends to run his marriage and his career as well. He has rebelled, come to New York, and taken up residence with this intriguing young woman. He is lonely and in need of consolation; she is one of those rare women whose only purpose seems to be making others happy. Their briefly fulfilling relationship is unhappily destined to failure: he is a cultured gentile with a wife and painful memories while she is a plain Jewish girl with little education and a horrible Bronx accent. They share happy and humorous moments together, but they both see with sadness the utter hopelessness of the affair."It's a whale of a hit, a bittersweet joy ride." - The New York Mirror ."An absorbing, affectionate, and funny delight." - The New York Daily News

    Fabulation is a darkly comic rags-to-riches-to-rags tale of falling down and reaching up to find the goodness within. A L.A. Theatre Works full-cast performance featuring: Daniel Breaker, Saidah Arrika Ekulona, Jon Matthews, Gary Perez, Melle Powers, Myra Lucretia Taylor, John Wesley and Charlayne Woodard.

    Hook, Smee, the lost boys, pirates and the indians, and, of course, Tinker Bell, in their adventures in Never Land. However, for the first time, the play is here restored to Barrie's original intentions. In the words of John Caird: "A brief explanation of some of the decisions we took in revising the text may be useful to anyone considering their own production of this version We were fascinated to discover that there was no one single document called PETER PAN. What we found was a tantalizing number of different versions, all of them containing some very agreeable surprises We have made some significant alterations, the greatest of which is the introduction of a new character, the Storyteller, who is in fact the author himself. To a reader of the play, one of its most enjoyable ingredients is Barrie's unmistakable authorial tone. He tells the story of Peter Pan partly through dialogue and partly by means of his inimitable stage directions. In a whimsical, ambiguous and ironical manner he speaks here as clearly to adults as he does to children. Moreover, many of the play's complicated conceits are only comprehensible if Barrie's commentary can be heard in parallel with the voices of the characters. This device also allows us to prepare our audience with some essential background history of the Darling family in a brief prologue, and to extend the narrative at the end of the play to include Barrie's heartbreaking and heartwarming conclusion to Peter and Wendy's story."

    Forcibly sent there by a mother intent on keeping up appearances, Mary has to cope with both the shame and with the dawning realization that she will have to give the baby up for adoption.