She spends her day drinking wine (maybe too much), watching old movies, recalling happier times . . . and spying on her neighbors.Then the Russells move into the house across the way: a father, a mother and their teenage son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn’t, her world begins to crumble and its shocking secrets are laid bare.What is real? What is imagined? Who is in danger? Who is in control? In this diabolically gripping thriller, no one—and nothing—is what it seems.

    But then the chamber explodes, two people die, and it’s clear the explosion wasn’t an accident.A showdown unfolds as the story moves across characters who are all maybe keeping secrets, hiding betrayals. Was it the careless mother of a patient? Was it the owners, hoping to cash in on a big insurance payment and send their daughter to college? Could it have been a protester, trying to prove the treatment isn’t safe?

    Bree rejected that fearful outlook, and life has proved her right. Having married into a family with wealth, power, and connections, Bree now has all a woman could ever dream of.Until the day she awakens and sees someone peering into her bedroom window--an old gray-haired woman dressed all in black who vanishes as quickly as she appears. It must be a play of the early morning light or the remnant of a waking dream, Bree tells herself, shaking off the bad feeling that overcomes her.Later that day though, she spies the old woman again, in the parking lot of her daughters' private school . . . just minutes before Bree's infant son, asleep in his car seat only a few feet away, vanishes. It happened so quickly--Bree looked away only for a second. There is a note left in his place, warning her that she is being is being watched; if she wants her baby back, she must not call the police or deviate in any way from the instructions that will follow.The mysterious woman makes contact, and Bree learns she, too, is a mother. Why would another mother do this? What does she want? And why has she targeted Bree? Of course Bree will pay anything, do anything. It's her child.To get her baby back, Bree must complete one small--but critical--task. It seems harmless enough, but her action comes with a devastating price.Bree will do whatever it takes to protect her family--but what if the cost tears their world apart?

    . .Five years ago, three-year-old Dillon disappeared. For his father Harry - who left him alone for ten crucial minutes - it was an unforgivable lapse. Yet Dillon's mother Robyn has never blamed her husband: her own secret guilt is burden enough.Now they're trying to move on, returning home to Dublin to make a fresh start.But their lives are turned upside down the day Harry sees an eight-year-old boy in the crowd. A boy Harry is convinced is Dillon. But the boy vanishes before he can do anything about it.What Harry thought he saw quickly plunges their marriage into a spiral of crazed obsession and broken trust, uncovering deceits and shameful secrets. Everything Robyn and Harry ever believed in one another is cast into doubt.And at the centre of it all is the boy that never was . . .

    -- so when his assistant tells him about a ghost for sale on an online auction site, he immediately puts in a bid and purchases it. The black, heart-shaped box that Coyne receives in the mail not only contains the suit of a dead man but also his vengeance-obsessed spirit. The ghost, it turns out, is the stepfather of a young groupie who committed suicide after the 54-year-old Coyne callously used her up and threw her away. Now, determined to kill Coyne and anyone who aids him, the merciless ghost of Craddock McDermott begins his assault on the rocker's sanity.

    Suffering from a devastating mania, a result of her bipolar disorder, Dana finds that there are troubling holes in her memory, including what happened on the afternoon of Celia's death. As evidence starts to point in her direction, Dana struggles to clear her name before her own demons win out.Is murder on her mind—or is it all in her head? The closer she comes to piecing together shards of her broken memory, the more Dana falls apart. Is there a murderer lurking inside her... or is there one out there in the shadows of reality, waiting to strike again? A story of marriage, murder and madness, The Pocket Wife explores the world through the foggy lens of a woman on the edge.

    He had recently, begrudgingly, taken a position at a nearby private college (far too expensive for local kids to attend) teaching art history, and moved his family into a tight-knit, impoverished town that has lately been discovered by wealthy outsiders in search of a rural idyll.George is of course the immediate suspect—the question of his guilt echoing in a story shot through with secrets both personal and professional. While his parents rescue him from suspicion, a persistent cop is stymied at every turn in proving Clare a heartless murderer. And three teenage brothers (orphaned by tragic circumstances) find themselves entangled in this mystery, not least because the Clares had moved into their childhood home, a once-thriving dairy farm. The pall of death is ongoing, and relentless; behind one crime there are others, and more than twenty years will pass before a hard kind of justice is finally served. A rich and complex portrait of a psychopath and a marriage, this is also an astute study of the various taints that can scar very different families, and even an entire community. Elizabeth Brundage is an essential talent who has given us a true modern classic.

    But can you trust her?The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die.Laura hasn’t had it easy: she’s survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn’t love talking to people worse off than she is. She craves it.But now someone’s on to her—Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger. Who was this man, and why did they choose to die together?The sinister truth is within Ryan’s grasp, but he has no idea of the desperate lengths Laura will go to…Because the best thing about being a Good Samaritan is that you can get away with murder.

    Jennifer White's best friend, Amanda, is found dead with four of her fingers surgically removed, Dr. White is the prime suspect. But she herself doesn't know whether she did it. Told in White's own voice, fractured and eloquent, a picture emerges of the surprisingly intimate, complex alliance between these life-long friends—two proud, forceful women who were at times each other's most formidable adversary. As the investigation into the murder deepens and White's relationships with her live-in caretaker and two grown children intensify, a chilling question lingers: is White's shattered memory preventing her from revealing the truth or helping her to hide it? A startling portrait of a disintegrating mind clinging to bits of reality through anger, frustration, shame, and unspeakable loss, Turn of Mind is a remarkable debut that examines the deception and frailty of memory and how it defines our very existence.

    They are at the stockman’s grave, a landmark so old, no one can remember who is buried there. But today, the scant shadow it casts was the last hope for their middle brother, Cameron. The Bright family’s quiet existence is thrown into grief and anguish. Something had been troubling Cameron. Did he lose hope and walk to his death? Because if he didn’t, the isolation of the outback leaves few suspects…Dark, suspenseful, and deeply atmospheric, The Lost Man is the highly anticipated next book from the bestselling and award-winning Jane Harper, author of The Dry and Force of Nature.

    Her secret.When Angela met Jason Powell while catering a dinner party in East Hampton, she assumed their romance would be a short-lived fling, like so many relationships between locals and summer visitors. To her surprise, Jason, a brilliant economics professor at NYU, had other plans, and they married the following summer. For Angela, the marriage turned out to be a chance to reboot her life. She and her son were finally able to move out of her mother’s home to Manhattan, where no one knew about her tragic past.Six years later, thanks to a bestselling book and a growing media career, Jason has become a cultural lightning rod, placing Angela near the spotlight she worked so carefully to avoid. When a college intern makes an accusation against Jason, and another woman, Kerry Lynch, comes forward with an even more troubling allegation, their perfect life begins to unravel. Jason insists he is innocent, and Angela believes him. But when Kerry disappears, Angela is forced to take a closer look at the man she married. And when she is asked to defend Jason in court, she realizes that her loyalty to her husband could unearth old secrets.

    The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    He’s the only person who understands her, and all Hanna wants is to live happily ever after with him. But Mommy stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good.Meet Suzette.She loves her daughter, really, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. As Hanna’s tricks become increasingly sophisticated, and Suzette's husband remains blind to the failing family dynamics, Suzette starts to fear that there’s something seriously wrong, and that maybe home isn’t the best place for their baby girl after all.

    It was one of many rules imposed by her cold, distant father. Now, in a final act of desperation, her father has exorcised his demons. But when Laurie returns to claim the estate with her husband and ten-year-old daughter, it’s as if the past refuses to die. She feels it lurking in the broken moldings, sees it staring from an empty picture frame, hears it laughing in the moldy greenhouse deep in the woods…At first, Laurie thinks she’s imagining things. But when she meets her daughter’s new playmate, Abigail, she can’t help but notice her uncanny resemblance to another little girl who used to live next door. Who died next door. With each passing day, Laurie’s uneasiness grows stronger, her thoughts more disturbing. Like her father, is she slowly losing her mind? Or is something truly unspeakable happening to those sweet little girls?

     Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.