From grisly anecdotes about ghosts, to stories of witches and werewolves, the book uses case studies from the Middle Ages and the early modern period and provides fascinating insights into the world-view of a vanished age. It shows how such occurences fitted in quite naturally with the "common sense" of the time and offers explanations of these riveting and ultimately rational phenomena. What made reasonable, educated men and women behave in ways that seem utterly nonsensical to us today? This question and many more are answered in the fascinating book.

    We address general design principles as well as specific best practices and guidance in five conceptual areas that we define as the pillars of the Well-Architected Framework. This documentation is offered for free here as a Kindle book, or you can read it in PDF format at https://aws.amazon.com/whitepapers/.

    He substantiates and qualifies his arguments with examples from the Qur'an, Sunnah and the lives of the Salaf - the pious predecessors. He shows how guidance for others can come in the form of a kind word, letter and even a tape recording. He demonstrates how this is one of the best ways to help lost souls and gain blessings from Almighty Allah.

    Building on a foundation of newly discovered primary sources and recent secondary interpretations, Jeffrey Burton Russell first establishes the facts and then explains the phenomenon of witchcraft in terms of its social and religious environment, particularly in relation to medieval heresies. Russell treats European witchcraft as a product of Christianity, grounded in heresy more than in the magic and sorcery that have existed in other societies. Skillfully blending narration with analysis, he shows how social and religious changes nourished the spread of witchcraft until large portions of medieval Europe were in its grip, from the most illiterate peasant to the most skilled philosopher or scientist. A significant chapter in the history of ideas and their repression is illuminated by this book. Our enduring fascination with the occult gives the author's affirmation that witchcraft arises at times and in areas afflicted with social tensions a special quality of immediacy.

    Also included in this collection are reflections on the special qualities of art museums, an investigation into the relationship of current copyright law to the visual arts, a detailed consideration of how the museums and legal system of the United States have coped with the problem of Nazi-era art, and a series of delightfully provocative training exercises for those anticipating entry into the museum field.

    For more than forty years, this book has been recognized as the most thorough reference work on art anatomy in the world. Now, it recommends itself even more strongly to the serious artist as an important study aid. Among its features are: (1) Clear, systematic presentation, taking the student step by step from the simpler skeletal drawings at the beginning to the more complicated body-in-action sketches at the end. (2) The juxtaposition of anatomical drawings and life photographs, making it easy to compare the inner structure of the body with its outer form. (3) Cross-section drawings that give the artist a thorough understanding of the relation of the muscles to each other, to the bone structure, and to the internal organs of the body. (4) Anatomical action drawings that reveal the interplay of muscles and skeleton in different positions. (5) The comparative proportions of the male, female, child, and adolescent. (6) A supplementary text on important features of each anatomical position, including the action of the muscles and their origin. "I recommend Fritz Schider's Atlas of Anatomy for Artists to those who wish to increase their understanding of the human figure." — Robert Beverly Hale, Lecturer on Anatomy, Art Students League of New York. Adopted by Pratt Institute, Cleveland School of Art, Art Students League of New York, and others.

    The idea of a spherical world had been widely accepted in educated circles from as early as the fourth century b.c. Yet, bizarrely, it was not until the supposedly more rational nineteenth century that the notion of a flat earth really took hold. Even more bizarrely, it persists to this day, despite Apollo missions and widely publicized pictures of the decidedly spherical Earth from space.            Based on a range of original sources, Garwood’s history of flat-Earth beliefs---from the Babylonians to the present day---raises issues central to the history and philosophy of science, its relationship to religion and the making of human knowledge about the natural world. Flat Earth is the first definitive study of one of history’s most notorious and persistent ideas, and it evokes all the intellectual, philosophical, and spiritual turmoil of the modern age. Ranging from ancient Greece, through Victorian England, to modern-day America, this is a story that encompasses religion, science, and pseudoscience, as well as a spectacular array of people and places. Where else could eccentric aristocrats, fundamentalist preachers, and conspiracy theorists appear alongside Copernicus, Newton, and NASA, except in an account of such a legendary misconception?Thoroughly enjoyable and illuminating, Flat Earth is social and intellectual history at its best.

    The second edition of this Old Testament reference source focuses on the various books of the Bible, reflecting on each in terms of its own cultural and historical relevance.

    A supplemental reference provides an offbeat source of unusual, obscure, and very legitimate English language terms, clearly and whimsically defined for the benefit of those needing "just the right word."

    Claire makes me want to throw all the rules away." Be My Bride "I had a decision to make, that would change everything. Could I say ‘I’ do for business? I had one rule in life, don’t fall in love. Now I have fallen for my wife." Be My Princess "I needed an assistant like that; hot tempting and willing to please. Her innocence was intoxicating and I had to have more. I was going to be her first and her last. I lived by rules and rule number one was don’t let women get to me. Stacy got to me." Be My Daddy "I wanted to give her the full service treatment. Meri was a client that I wanted to break all the rules with. I met her at a wild time, in a wild place. One night with Meri changed everything" All books in this page-turning Billionaire and Virgin Romance Series can be read as standalone's, there are no cliffhangers, and happily ever afters are guaranteed along with a few exclusive bonuses! It's only recommended for audiences 18+.

    The poem, Ozymandias, was composed in 1817. It is one of the most famous poems of P.B. Shelley. It was composed in competition with Shelley's friend, Horace Smith who wrote another sonnet on the same topic named Ozymandias. The theme of this sonnet is the decline of all leaders of all the empires they built. However mighty they have been in their time, history has destroyed them. Ozymandias was another name for Ramesses, a great Pharaoh king of ancient Egypt.

    In photos and stories, this fascinating book explores modern travelers who live in vans, pickup trucks, buses, trailers, sailboats, and houseboats that combine the comforts of home with the convenience of being able to pick up and go at any time. With over 1,000 color photos accompanying the stories and descriptions of these moveable sanctuaries, this is a valuable and inspirational book for anyone thinking outside the box about shelter.

    of what Ladislav Klíma wrote and stood for.—Bohumil HrabalKlima's intense inner life and complex mental state are reflected in his peculiar writings. The eccentricity of style and occasional violence found in his prose were intended to convey the deep conflicts attending his thought processes, and this is perhaps best exemplified in the novella Glorious Nemesis, a balladic ghost story that explores the metaphysics of love and death, crime and reincarnation. Sider, a man of twenty-eight, is confronted in the Tyrol by a giant mountain named Stag's Head and an ancient hovel standing under a high, black cliff. Out one day on a hike, he encounters two women who will mark his fate: the elder Errata, dressed in red, and the younger Orea, dressed in blue (the two colors of the Virgin Mary). From this point on Sider is on a quest for the All, the Absolute, and to achieve eternity by atoning for the misdeeds of a past life. Willing to risk his entire fortune and sanity, he succumbs to his dreams and hallucinations as Orea, or her doppelgänger, becomes for him the apotheosis of the Feminine, a representation of the goddess Nemesis who initiates him into the mysteries of life and death through her attribute of divine retribution. Published posthumously in 1932, this is the first English translation.

    P. Lovecraft, here are nearly sixty unforgettable stories that ignore the confines of space and time to offer, among other times and places: a cabinet of curiosities in contemporary Cairo, an alchemical ceiling in 18th-century Naples, the hallucinatory inner worlds of psychotics, anthropomorphic planets, and an Old West ruled by necromancy.This expanded, revised edition collects the complete short stories of one of the most immaginative writers of our time.

     There is a Voice calling us as a species back to the Blueprint of our Design. A Voice calling us out of ignorance into an expansive future beyond our wildest dreams. A future beyond the limitations of space and time, the mind and the physical body. A future “Beyond Human”.