The boy is mauled by Apron, the neighbor's ailing cow whom he helps, alone, to give birth. The grateful farmer brings him a gift—a newborn pig. His father at first demurs ("We thank you, Brother Tanner," said Papa, "but it's not the Shaker Way to take frills for being neighborly. All that Robert done was what any farmer would do for another") but is persuaded. Rob keeps the pig, names her, and gives her his devotion... He wrestles with grammar in the schoolhouse. He hears rumors of sin. He is taken—at last—to the Rutland Fair. He broadens his heart to make room even for Baptists. And when his father, who can neither read nor cipher, whose hands are bloodied by his trade, whose wisdom and mastery of country things are bred in the bone, entrusts Rob with his final secret, the boy makes the sacrifice that completes his passage into manhood.All is told with quiet humor and simplicity. Here are lives lived by earthy reason—in a novel that, like a hoedown country fiddler's tune, rings at the same time with both poignancy and cheer.

    Their goal is to stay together, and in the process they find a grandfather.

    He spins for the animals—as well as for Ben and Abby, the kids whose grandfather does the rescuing—a yarn about his ancestor, the nameless cat who brought Dick Whittington to the heights of wealth and power in 16th-century England. This is an unforgettable tale about the healing, transcendent power of storytelling, and how learning to read saves one little boy.

    Living at the Exit 8 Big Top Mall and Video Arcade, he has grown accustomed to humans watching him through the glass walls of his domain. He rarely misses his life in the jungle. In fact, he hardly ever thinks about it at all.Instead, Ivan thinks about TV shows he’s seen and about his friends Stella, an elderly elephant, and Bob, a stray dog. But mostly Ivan thinks about art and how to capture the taste of a mango or the sound of leaves with color and a well-placed line.Then he meets Ruby, a baby elephant taken from her family, and she makes Ivan see their home—and his own art—through new eyes. When Ruby arrives, change comes with her, and it’s up to Ivan to make it a change for the better.Katherine Applegate blends humor and poignancy to create Ivan’s unforgettable first-person narration in a story of friendship, art, and hope.

    Down near the docks, many have taken ill, and the fatalities are mounting. Now they include Polly, the serving girl at the Cook Coffeehouse. But fourteen-year-old Mattie Cook doesn't get a moment to mourn the passing of her childhood playmate. New customers have overrun her family's coffee shop, located far from the mosquito-infested river, and Mattie's concerns of fever are all but overshadowed by dreams of growing her family's small business into a thriving enterprise. But when the fever begins to strike closer to home, Mattie's struggle to build a new life must give way to a new fight—the fight to stay alive.

    Life at home isn't great either, since her father bosses her and her mother around. Then along comes Ms. Finney, an English teacher who'll try anything in the classroom and actually treats kids like human beings. Now that she's found a teacher who sees Marcy as more than a name on an attendance sheet, Marcy realizes her life could mean something. When Ms. Finney is suspended, Marcy knows she's got to take a stand. But is this new independence worth the price she'll pay at school and at home?--back cover

    He loves them so much that his home and office overflow with animals of every description. When Polynesia the parrot teaches him the language of the animals, Doctor Dolittle becomes a world-famous doctor, traveling even as far away as Africa to help his friends. This edition of the beloved children's classic contains black-and-white illustrations by Michael Hague and has been edited by award-winning authors Patricia and Fredrick McKissack for modern audiences.

    For one thing, he can talk. For another, he's got the power to travel through time. And the instant he tells this to Jason, the two of them are in ancient Egypt, on the first of nine amazing adventures that Jason will never forget.

    Unhappy about his baby sister's illness and the chaos of moving into a dilapidated old house, Michael retreats to the garage and finds a mysterious stranger who is something like a bird and something like an angel...

    On their trail is a bungling detective, obsessed with disguises and the health of his pet tortoises. But a greater threat to the boys' new-found freedom is something from a forgotten past – a beautiful magical treasure with the power to spin time itself.

    Yet this year, it's different -- Hattie's uncle Adam is coming home. Returning from a Chicago school that's just closed and whose existence is kept quiet by adult family members, Adam is a 21-year-old man with a child's mind, having a knack for talking quickly, a savant-like ability for remembering weekdays, and a passion for I Love Lucy. Hattie and Adam wind up spending precious time together -- including a visit to the recently arrived carnival with Hattie's new friend, Leila -- which makes her feel soulfully connected to her uncle, especially when he declares that she's one of the people who can lift the corners of our universe. But when Hattie takes Adam on the Ferris wheel one night, it sets off dramatic events that lead Hattie's family to strengthen its bonds and changes her life's outlook forever.

    Renamed True Son, he came to think of himself as fully Indian. But eleven years later his tribe, the Lenni Lenape, has signed a treaty with the white men and agreed to return their captives, including fifteen-year-old True Son. Now he must go back to the family he has forgotten, whose language is no longer his, and whose ways of dress and behavior are as strange to him as the ways of the forest are to them. A beautifully written, sensitively told story of a white boy brought up by Indians, The Light in the Forest is a beloved American classic.

    In their tiny home, matchboxes double as roomy dressers and postage stamps hang on the walls like paintings. Whatever the Clocks need they simply "borrow" from the "human beans" who live above them. It's a comfortable life, but boring if you're a kid. Only Pod is allowed to venture into the house above, because the danger of being seen by a human is too great. Borrowers who are seen by humans are never seen again. Yet Arrietty won't listen. There is a human boy up there, and Arrietty is desperate for a friend.

    Willa Jo went up to watch the sunrise, and Little Sister followed, like she always does. But by mid-morning, they are still up on that roof, and soon it’s clear it wasn’t just the sunrise that brought them there. The trouble is, coming down would mean they’d have to explain, and they just can’t find the words. This is a funny, sometimes heartbreaking, story about sisters, about grief, and about healing.  Two girls must come to terms with the death of their baby sister, their mother’s unshakable depression, and the ridiculously controlling aunt who takes them in and means well but just doesn’t understand children. Willa Jo has to try and make things right in their new home, but she and Aunt Patty keep butting heads. Until the morning the two girls climb up to the roof of her house. Aunt Patty tries everything she can think of to get them down, but in the end, the solution is miraculously simple.A Newbery Honor BookAn ALA Notable BookA School Library Journal Best Book of the Year

    The fact that he beats her in classwork, sports, and almost everything else doesn't bother Beth at first. Then she realizes that Philip might be best because she's letting him beat her. Beth knows that she deserves to be Number One--and she's going to prove it! This funny, universal story of a girl learning that she matters in the world has delighted readers for over twenty years.A New York Times Outstanding BookAn ALA Notable Book Kirkus Choice Award