She was born into a large family in rural Romania and grew up feisty and willing to fight back physically against anti-Semitism from other schoolchildren. She defied her father's orders to turn down a scholarship that took her to Bucharest, and got herself expelled from that school when she responded to a priest/teacher's vicious diatribe against the Jews by hurling a bottle of ink at him. After a series of incidents that ranged from dramatic escapes to a year in a forced labor detachment, Sara ended up in Ravensbruck, a women's concentration camp, and managed to survive. She tells this story with style and power." --Kirkus Reviews

    It proposes answers to such questions as “Why were the Allies unprepared?”, “Why did France collapse so quickly?”, “Why didn’t the British government accept Hitler’s peace proposals?” and “Why did the Germans allow Hitler to obtain life and death control over them?”But the book’s main purpose is to provide an account of Winston Churchill’s actions and their intended consequences – as well as some of the unintended ones – for readers who are unlikely to read a military history book of 800 pages. The author has pared down the details of this at once fascinating and frightening story to an accessible length of how the world nearly ended in the 1940s. How Churchill Saved Civilization was written in honor of all those who sacrificed their lives in the War, and to caution readers that it could very easily happen again, as key factors like complacency, ignorance, and weakness continue to play a role in international diplomacy.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron. The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered "degenerate” in a society that believed women being out in the world went against their feminine "nature"). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her-simple pencil drawings on thin manila paper. And O'Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers' grand palais; of the Austrian government putting the painting on display, stripping Adele's Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, "The Lady in Gold" and proudly exhibited it in Vienna's Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution. The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine. We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court's decision had profound ramifications in the art world. In this book listeners will find riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, The Lady in Gold-the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.

    But when they did arrive, their orders were to put the “Final Solution” into effect with deliberate speed. Soros, a Jewish lawyer in Budapest, secured fake Christian identities for himself, his wife, and his two sons following the German invasion of Hungary on March 19, 1944. In a narrative reminiscent of the great Primo Levi, Soros recounts his experiences with a beguiling humor, deep humanity, and a wisdom that is humbling. Superbly translated by Humphrey Tonkin, Masquerade is a unique account of how one man managed not only to survive but to retain his integrity, compassion, family unity, and humor by “dancing around death.” Like Klemperer’s Diary of the Nazi Years, this very personal, low-key testament of the Holocaust is a gripping depiction of “normal” daily life under the Nazis—told by a man who triumphed by leading an ordinary life under extraordinary and terrifying circumstances.

    He left carrying the original manuscript of Pasternak’s first and only novel, entrusted to him with these words: “This is Doctor Zhivago. May it make its way around the world.” Pasternak believed his novel was unlikely ever to be published in the Soviet Union, where the authorities regarded it as an irredeemable assault on the 1917 Revolution. But he thought it stood a chance in the West and, indeed, beginning in Italy, Doctor Zhivago was widely published in translation throughout the world. From there the life of this extraordinary book entered the realm of the spy novel. The CIA, which recognized that the Cold War was above all an ideological battle, published a Russian-language edition of Doctor Zhivago and smuggled it into the Soviet Union. Copies were devoured in Moscow and Leningrad, sold on the black market, and passed surreptitiously from friend to friend. Pasternak’s funeral in 1960 was attended by thousands of admirers who defied their government to bid him farewell. The example he set launched the great tradition of the writer-dissident in the Soviet Union.  In The Zhivago Affair, Peter Finn and Petra Couvée bring us intimately close to this charming, passionate, and complex artist. First to obtain CIA files providing concrete proof of the agency’s involvement, the authors give us a literary thriller that takes us back to a fascinating period of the Cold War—to a time when literature had the power to stir the world.(With 8 pages of black-and-white illustrations.)

    Standing in the shadow of the Holocaust, this episode of European history is often overlooked. Wesley Adamczyk's gripping memoir, When God Looked the Other Way, now gives voice to the hundreds of thousands of victims of Soviet barbarism.Adamczyk was a young Polish boy when he was deported with his mother and siblings from their comfortable home in Luck to Soviet Siberia in May of 1940. His father, a Polish Army officer, was taken prisoner by the Red Army and eventually became one of the victims of the Katyn massacre, in which tens of thousands of Polish officers were slain at the hands of the Soviet secret police. The family's separation and deportation in 1940 marked the beginning of a ten-year odyssey in which the family endured fierce living conditions, meager food rations, chronic displacement, and rampant disease, first in the Soviet Union and then in Iran, where Adamczyk's mother succumbed to exhaustion after mounting a harrowing escape from the Soviets. Wandering from country to country and living in refugee camps and the homes of strangers, Adamczyk struggled to survive and maintain his dignity amid the horrors of war.When God Looked the Other Way is a memoir of a boyhood lived in unspeakable circumstances, a book that not only illuminates one of the darkest periods of European history but also traces the loss of innocence and the fight against despair that took root in one young boy. It is also a book that offers a stark picture of the unforgiving nature of Communism and its champions. Unflinching and poignant, When God Looked the Other Way will stand as a testament to the trials of a family during wartime and an intimate chronicle of episodes yet to receive their historical due. “Adamczyk recounts the story of his own wartime childhood with exemplary precision and immense emotional sensitivity, presenting the ordeal of one family with the clarity and insight of a skilled novelist. . . . I have read many descriptions of the Siberian odyssey and of other forgotten wartime episodes. But none of them is more informative, more moving, or more beautifully written than When God Looked the Other Way.”—From the Foreword by Norman Davies, author of Europe: A History and Rising ’44: The Battle for Warsaw “A finely wrought memoir of loss and survival.”—Publishers Weekly “Adamczyk’s unpretentious prose is well-suited to capture that truly awful reality.” —Andrew Wachtel, Chicago Tribune Books “Mr. Adamczyk writes heartfelt, straightforward prose. . . . This book sheds light on more than one forgotten episode of history.”—Gordon Haber, New York Sun “One of the most remarkable World War II sagas I have ever read. It is history with a human face.”—Andrew Beichman, Washington Times

    During the Second World War, Grass volunteered for the submarine corps at the age of fifteen but was rejected; two years later, in 1944, he was instead drafted into the Waffen-SS. Taken prisoner by American forces as he was recovering from shrapnel wounds, he spent the final weeks of the war in an American POW camp. After the war, Grass resolved to become an artist and moved with his first wife to Paris, where he began to write the novel that would make him famous.Full of the bravado of youth, the rubble of postwar Germany, the thrill of wild love affairs, and the exhilaration of Paris in the early fifties, Peeling the Onion -- which caused great controversy when it was published in Germany -- reveals Grass at his most intimate.

    Sometimes his two worlds would collide with shattering consequences.Bestselling biographer Sean Smith has gone back to the neighbourhoods of North London to trace the astonishing journey of a sensitive but determined boy who grew up to be one of the biggest British pop stars of all time.Along the way, he talks to those close to George, revealing the real man – funny, articulate, intelligent and generous spirited – who hid behind the powerful image he created.He reveals the complex relationship with his high-achieving Greek-Cypriot father; the unconditional love of his mother; his teenage relationships with girls; and his first tragic love affair with another man.George’s career began falteringly with a schoolboy band, exploded with Wham! before he became a solo phenomenon. But at the height of his fame, the world seemed to turn against him. Smith describes his despair at losing the two people who mattered most, how he sought consolation in drugs, his notorious ‘coming out’ and how he ended up in jail.His health failed him and he died heartbreakingly alone on Christmas Day, 2016.Affectionate yet honest and moving, George is both a celebration of George Michael’s music and a lasting tribute to a decent and much-loved man.

    Paula, a polyglot architect, and Meir, a textile industrialist, fled with their only child, Israel, to Vilnius, Lithuania, and later to Bialystok, attempting to save themselves from certain death in the extermination camps. In the midst of terror, there they found grace In August 1943, the Bialystok Ghetto was emptied by the Nazis and all its occupants were sent to extermination. The Steins had managed to remain hidden in the Ghetto for five more weeks, before escaping to their new hideout—the home of a Polish family, backed by a German official, that gave them refuge. They remained hidden there for nearly a year, until the war ended, with the daily danger of being discovered and sent to death. They lived to see Bialystok liberated by the Russian Red Army, and eventually settled in the new state of Israel. The events of the Holocaust as they were seen through the eyes of a real middle-class Polish Jewish family Architecture of Survival brings forward the diaries Paula and Meir Stein wrote while in hideout during the Second World War, accompanied by the vivid visual memories of their son, Israel Stein, who witnessed the horrors as a child. It is a rare historical documentation, read in bated breath. Get your copy of Architecture of Survival now!

    Johanna Adorján's grandparents were unconventionally elegant and endlessly exotic; they survived the Holocaust, fled Budapest during the uprising of 1956, and lived a glamorous and mysterious life in Denmark—their pasts never discussed, even within the family. An Exclusive Love is Adorján's poignant and loving reconstruction of what may have happened on the day of their deaths, when Adorján was just twenty. Investigating the rich and surprising story of their lives, Adorján reveals the compromises they made and risks they took, and what it meant for her own family. This memoir tells of a couple's extravagant devotion to each other, and their granddaughter's later discovery of complex personalities, long-buried family secrets, and why they ultimately decided, together, to take their own lives. W. G. Sebald's translator Anthea Bell renders Adorján's brilliantly constructed, powerfully concise memoir with stunning clarity. Beautifully written, tender but never sentimental, An Exclusive Love is a vivid portrait of a true twentieth-century couple. .

    Late one night while her family slept, Neumark discovered her hidden Jewish heritage—and uncovered hundreds of questions: Did her grandfather really die in a concentration camp? How did she never know her grandmother was a death-camp survivor? Why had the family history and faith been rejected and hidden? Heidi’s search for the truth quickly became more than a personal journey; it also became spiritual. It caused profound ponderings on her thirty-year vocation as a Lutheran pastor. It was a shocking revelation that her Jewish roots and successive family loss and trauma now suddenly and inherently connected her to the multi-ethnic, marginalized community she had been ministering to for three decades. Hidden Inheritance takes the reader on a journey that seamlessly weaves personal narrative, social history, and biblical reflection to challenge readers to explore their own identity, vocation, and theology. Neumark boldly calls readers to explore the harsh places of the past, uncover the possible buried secrets, ask new questions, forge new understanding, and discover new hope for transformation that is only possible when what has been hidden is finally brought to light.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    On what would have been my daughter's 29th birthday, Detective Superintendent Stephen Fulcher knocked on the door and told me my beautiful Becky was dead. Found buried in a shallow grave in a remote field, Becky had been brutally murdered.'When Becky Godden-Edwards was killed, her mother Karen awoke to a world where the truth was never guaranteed; where taxi driver Christopher Halliwell got away with murder and the police officer who found her daughter was punished instead. This is Karen's story. Despite unimaginable tragedy, her love for her daughter has been unbreakable: from her despair through Becky's troubled teenage years, to the agonising eight years when Becky was missing, and then the dramatic story of how a killer's confession led to a terrible discovery. The one constant has been Karen's determination to fight for Becky, tirelessly campaigning for the truth about what happened to be heard and for Halliwell to face the consequences of his evil actions. *The murders of Becky Godden-Edwards and Sian O'Callaghan will soon be the focus of major new ITV series A Confession starring Martin Freeman as Stephen Fulcher and Imelda Staunton as Karen Edwards*

    In 1941, Marie Jalowicz Simon, a nineteen-year-old Berliner, made an extraordinary decision. All around her, Jews were being rounded up for deportation, forced labor, and extermination. Marie took off her yellow star, turned her back on the Jewish community, and vanished into the city.In the years that followed, Marie lived under an assumed identity, forced to accept shelter wherever she found it. Always on the run, never certain whom she could trust, Marie moved between almost twenty different safe-houses, living with foreign workers, staunch communists, and even committed Nazis. Only her quick-witted determination and the most hair-raising strokes of luck allowed her to survive.

    After the death of her mother, Frances, in 1989, Helen Epstein set out to research and reconstruct the life of her mother and that of her grandmother and great-grandmother. Like so many children of Holocaust survivors and other people displaced by the catastrophes of the 20th century, she had few family documents, only stories. She traveled to Czechoslovakia, Austria, and Israel, searching out people who had known her family and locating material in libraries and archives on three continents. Using three decades of journalistic training, and working like an archaeologist with shards of data, she pieced together an account of the lives of the women in her family and the social history of Central European Jews.