About to graduate from Miami's Biscayne High School for the Performing Arts, she plans on spending her last summer at home teaching in a dance studio, saving money, and eventually auditioning for dance companies. That is, until fate intervenes in the form of fellow student Jonathan Crandall who has what sounds like an outrageous proposition: Forget teaching. Why not spend the summer performing in the intense environment of the competitive drum and bugle corps? The corps is going to be performing Carmen, and the opportunity to portray the character of the sultry gypsy proves too tempting for Soledad to pass up, as well as the opportunity to spend more time with Jonathan, who intrigues her in a way no boy ever has before.But in an uncanny echo of the story they perform every evening, an unexpected competitor for Soledad's affections appears: Taz, a member of an all-star Spanish soccer team. One explosive encounter later Soledad finds not only her relationship with Jonathan threatened, but her entire future as a professional dancer.

    But Stella Díaz is not a betta fish. Betta fish like to be alone, while Stella loves spending time with her mom and brother and her best friend Jenny. Trouble is, Jenny is in another class this year, and Stella feels very lonely.When a new boy arrives in Stella's class, she really wants to be his friend, but sometimes Stella accidentally speaks Spanish instead of English and pronounces words wrong, which makes her turn roja. Plus, she has to speak in front of her whole class for a big presentation at school! But she better get over her fears soon, because Stella Díaz has something to say!Stella Díaz Has Something to Say introduces an infectiously charming new character with relatable writing and adorable black-and-white art throughout. Simple Spanish vocabulary is also integrated within the text, providing a bilingual element.

    It is a book that should be performed as well as read.

    But when he steps off the plane from the Philippines, she cannot believe her eyes. She hasn't seen him for ten years, but even so, how did he get to be EIGHT FOOT TALL? An eight-foot tall boy who is about to crash into her life with his size 22 feet.But Bernardo is not what he seems. Bernardo is a hero, Bernardo works miracles, and Bernardo has an amazing story to tell.A bittersweet story, funny, sad, and magical.

    The rebels had come at night—wielding weapons, torches, machetes. She watched as her mother and six-year-old sister were gunned down in a refugee camp, far from their home in the Democratic Republic of the Congo. The rebels were killing people who weren’t from the same community, the same tribe. In other words, they were killing people simply for looking different.“Goodbye, life,” she said to the man ready to shoot her. Remarkably, the rebel didn’t pull the trigger, and Sandra escaped into the night. Thus began a new life for her and her surviving family members. With no home and no money, they struggled to stay alive. Eventually, through a United Nations refugee program, they moved to America, only to face yet another ethnic disconnect. Sandra may have crossed an ocean, but there was now a much wider divide she had to overcome. And it started with middle school in New York. In this profoundly moving memoir, Sandra tells the story of her survival, of finding her place in a new country, and of her hope for the future.

    They're just another walk in the park for this leading lady, who is on a mission to find her leading lad. From the brilliant comics Yes, I'm Hot in This, Huda Fahmy tells the hilarious story of how she met and married her husband. Navigating mismatched suitors, gossiping aunties, and societal expectations for Muslim women, That Can Be Arranged deftly and hilariously reveals to readers what it can be like to find a husband as an observant Muslim woman in the twenty-first century.So relevant in today's evolving cultural climate, Fahmy's story offers a perceptive and personal glimpse into the sometimes sticky but ultimately rewarding balance of independent choice and tradition.

    Fifteen is the age when a girl enters womanhood, traditionally celebrating the occasion with a quinceañero. But while Violet is half Cuban, she’s also half Polish, and more importantly, she feels 100% American. Except for her zany family’s passion for playing dominoes, smoking cigars, and dancing to Latin music, Violet knows little about Cuban culture, nada about quinces, and only tidbits about the history of Cuba. So when Violet begrudgingly accepts Abuela’s plans for a quinceañero–and as she begins to ask questions about her Cuban roots–cultures and feelings collide. The mere mention of Cuba and Fidel Castro elicits her grandparents’ sadness and her father’s anger. Only Violet’s aunt Luz remains open-minded. With so many divergent views, it’s not easy to know what to believe. All Violet knows is that she’s got to form her own opinions, even if this jolts her family into unwanted confrontations. After all, a quince girl is supposed to embrace responsibility–and to Violet that includes understanding the Cuban heritage that binds her to a homeland she’s never seen. This is Nancy Osa’s first novel.From the Hardcover edition.

    With works by Francisco X. Stork, Guadalupe Garcia McCall, David Bowles, Rubén Degollado, e.E. Charlton-Trujillo, Diana López, Xavier Garza, Trinidad Gonzales, Alex Temblador, Aida Salazar, Lupe Ruiz-Flores, Sylvia Sanchez Garza, Dominic Carrillo, Angela Cervantes, Carolyn Dee Flores, René Saldaña Jr., Laura Perez, Justine Narro, Daniel García Ordáz, and Anna Meriano.In this mixed-media collection of short stories, personal essays, poetry, and comics, this celebrated group of authors share the borders they have crossed, the struggles they have pushed through, and the two cultures they continue to navigate as Mexican American. Living Beyond Borders is at once an eye-opening, heart-wrenching, and hopeful love letter from the Mexican American community to today’s young readers.

    This gritty, triumphant debut captures the heart and the hardship of life for an urban teen.A lot of the stuff that gives my neighborhood a bad name, I don’t really mess with. The guns and drugs and all that, not really my thing.Nah, not his thing. Ali’s got enough going on, between school and boxing and helping out at home. His best friend Noodles, though. Now there’s a dude looking for trouble—and, somehow, it’s always Ali around to pick up the pieces. But, hey, a guy’s gotta look out for his boys, right? Besides, it’s all small potatoes; it’s not like anyone’s getting hurt.And then there’s Needles. Needles is Noodles’s brother. He’s got a syndrome, and gets these ticks and blurts out the wildest, craziest things. It’s cool, though: everyone on their street knows he doesn’t mean anything by it.Yeah, it’s cool…until Ali and Noodles and Needles find themselves somewhere they never expected to be…somewhere they never should've been—where the people aren't so friendly, and even less forgiving.

    She is a curandera, one who heals with herbs and magic. 'We cannot let her live her last days in loneliness,' says Antonio's mother. 'It is not the way of our people,' agrees his father. And so Ultima comes to live with Antonio's family in New Mexico. Soon Tony will journey to the threshold of manhood. Always, Ultima watches over him. She graces him with the courage to face childhood bigotry, diabolical possession, the moral collapse of his brother, and too many violent deaths. Under her wise guidance, Tony will probe the family ties that bind him, and he will find in himself the magical secrets of the pagan past—a mythic legacy equally as palpable as the Catholicism of Latin America in which he has been schooled. At each turn in his life there is Ultima who will nurture the birth of his soul.

    The story that emerges, though, has nothing to do with the words printed on the pages. She tells of a former literature professor and fugitive of the Mexican government who reinvents himself as a trucker in the United States. There he falls in love with a wild woman with whom he shares his truck and his life—that is until Joaquín González unexpectedly finds himself alone on the road with a baby girl and González & Daughter Trucking Co. is born. Joaquín and his daughter make the cab of an 18-wheeler their home, sharing everything—adventures, books, truck-stop chow, and memories of the girl’s mother—until one day the girl grows into a woman, and a chance encounter with one man causes her to rebel against another.With her stories, Libertad enthralls a group of female prisoners every bit as eccentric as the tales she tells. In González and Daughter Trucking Co., bestselling author María Amparo Escandón seamlessly blends together these elements into one compelling and unexpected conclusion that will have you cheering for Libertad and filled with joy.

    Cliffy, black, and Noah, Jewish, are teens of their time, segregated by neighborhood, skin color and opportunity, yet neither boy has ever had a friend like the other.

    When her home life becomes unbearable, Marissa seeks comfort elsewhere--and suddenly neither her best friend or boyfriend can get through to her. What Can't Wait tells the story of one girl's survival in a world in which family trumps individual success and independence, and self-reliance the only key that can unlock the door to the future.

    This book, with a strong lyrical voice, fulfills the promise the author showed in her widely acclaimed earlier novel, Like Sisters on the Homefront. With simplicity and a masterful control of pacing, Williams-Garcia builds a story that aches with the longing of two young lovers in a dance of tentative approach and defensive retreat, and eventual trust and healing. Both Thulani and his girlfriend Ysa have an isolating spiritual wound. Ever since his mother suddenly returned to their Jamaican home to die four years ago, Thulani, 16, has withdrawn from the brother and sister-in-law who have raised him and who want to "man him up." Thulani spends long hours on the roof of their brownstone alone with his beloved doves, and school is to him "simply the sitting place." One day he hears a scream and looks over the parapet to see a young woman being raped in the alley below. He rescues her, covers her nakedness, and takes her home, although she fights him every step of the way. Later, fascinated by her proud rejection and grace, he begins to seek her out and follow her in her colorful clothes. "Every time you step out," he tells her, "a rainbow must die." At first she rejects him angrily because he has seen her shamed, but then she shares her name, Ysa, and her fierce ambition to become a textile designer. Little by little they begin to reach out (and then pull back again), to comfort and strengthen each other.

    Here are her tales of growing up in the barrio, full of the magic and mystery of family traditions: making Easter cascarones, celebrating el Dia de los Muertos, preparing for quincea–era, rejoicing in the Christmas nacimiento, and curing homesickness by eating the tequila worm. When Sofia is singled out to receive a scholarship to an elite boarding school, she longs to explore life beyond the barrio, even though it means leaving her family to navigate a strange world of rich, privileged kids. It's a different mundo, but one where Sofia's traditions take on new meaning and illuminate her path.