James's Park begins young Lorna and Matt's intense relationship. Wholly in love, they leave London for a cottage in a rural Somerset village. Their intimate life together—--Matt’'s woodcarving, Lorna's self-discovery, their new baby, Molly—--is shattered with the arrival of World War II. In 1960s London, Molly happens upon a forgotten newspaper--—a seemingly small moment that leads to her first job and, eventually, a pregnancy by a wealthy man who wants to marry her but whom she does not love. Thirty years later, Ruth, who has always considered her existence a peculiar accident, questions her own marriage and begins a journey that takes her back to 1941 —and a redefinition of herself and of love. Told in Lively's incomparable prose, Consequences is a powerful story of growth, death, and rebirth and a study of the previous century--—its major and minor events, its shaping of public consciousness, and its changing of lives.

    It follows the passage of strange, gentle Abel Tiffauges from submissive schoolboy to "ogre" of the Nazi school at the castle of Kaltenborn, taking us deeper into the dark heart of fascism than any novel since The Tin Drum. Until the very last page, when Abel meets his mystic fate in the collapsing ruins of the Third Reich, it shocks us, dazzles us, and above all holds us spellbound.

    Every day Karl Niemann commutes to work, a business manager in charge of various factories. In the evenings he returns home to life as a normal family man.For many years this was all Derek Niemann had known about his grandfather – until he made the chilling discovery that Karl had actually been an officer in the SS; and that his “business” used thousands of slave labourers in concentration camps. Suddenly, a lifetime of unsettling hints and clues fell into place.With the help of surviving relatives and hundreds of previously unknown photographs, Derek reconstructs the lives of his German forebears and uncovers the true story of what Karl did. A Nazi in the Family is an illuminating portrayal of how ordinary people can fall into the service of a monstrous regime."All families have secrets, but few are as shocking as Derek Niemann's." Culture Trip"Extraordinary." Glasgow Evening Times"Vividly captures the complex life of an ordinary man." Andrew Bomford, BBC Radio 4

    Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald - he recalls the time when, poor, happy, and writing in cafes, he discovered his vocation. Written during the last years of Hemingway's life, his memoir is a lively and powerful reflection of his genius that scintillates with the romance of the city.

    The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various surreal people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as not so much a thing as a way things happen, Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.

    Britain now stood alone to face Hitler's inevitable invasion attempt.For the German Army to be landed across the Channel, Hitler needed mastery of the skies - the RAF would have to be broken - so every day, throughout the summer, German bombers pounded the RAF air bases in the southern counties. Greatly outnumbered by the Luftwaffe, the pilots of RAF Fighter Command scrambled as many as five times a day, and civilians watched skies criss-crossed with the contrails from the constant dogfights between Spitfires and Me-109s. Britain's very freedom depended on the outcome of that summer's battle.Britain's air defences were badly battered and nearly broken, but against all odds, 'The Few', as they came to be known, bought Britain's freedom - many with their lives.These are the personal accounts of the pilots who fought and survived that battle. We will not see their like again.

    It was August 3, 1943, just one day after Sam escaped the Camp during a prisoner uprising. With 870,000 murdered at Treblinka, Sam was one of approximately 65 to survive and live until the end of the war. Esther had been hiding in that patch of forest for a year and was out that morning, looking for mushrooms to eat. They met and after hearing of the prisoner revolt, she took him to the Righteous Gentiles who, at great danger to themselves, hid them in their barn for three days while the Nazis, Ukrainians and Poles scoured the area looking for escapees. Deciding to stay and hide with Esther, they dug a forest pit where they “lived” when it was not freezing. They subsisted in the pit and the barns – hungry, cold, and scared – for another year until they were liberated by the Red Army in July of 1944. This is only one piece of their harrowing story of survival. This book tells the story of Sam and Esther, Holocaust survivors, who lost their entire families because of Hitler’s Final Solution. After four years in Displaced Person’s Camps, they arrived in New York Harbor to build a new life. The author, Karen Treiger, is Sam and Esther’s daughter-in-law, and with in-depth research and a bit of luck was able to find the three surviving children of the Styś families – those Righteous Gentiles who helped Sam and Esther during that dark time. She and her family traveled to Poland to walk in Sam and Esther’s footsteps and to meet the Styś children. It was intensely emotional, and the family heard some of what Sam and Esther lived through from those who helped them survive. Also, with the help of a Polish Priest, she was able to locate and meet a Goldberg cousin they never knew they had. My Soul is Filled with Joy: A Holocaust Story brings to life the horror of the Nazis’ actions and the toll that it exacted on so many Jewish families. This is also a story of hope, love and determination; of a family rediscovering the path taken by their parents to find life and freedom in a new world. Sam and Esther’s story is one of love and the will to live no matter what they had to endure. It reminds us that we are still learning the lessons of the Holocaust. TRIBUTES “Karen has written a powerful and personal account of Sam and Esther Goldberg. This book is a must read for those interested in the greatest crime in the history of mankind.” Chris Webb, Author/Historian, Founder of the Holocaust Historical Society,br> “It is vital that this book—as well as other accounts of the Holocaust— be preserved and disseminated widely to future generations to help prevent anything similar from ever happening again.”Marion Blumenthal Lazan, Holocaust Survivor and Co-Author, Four Perfect Pebbles“One can only bow one’s head, out of an unutterable gratitude, to the author for her contribution to the sacred narrative of our people. I call this book sacred, for (as with all forms of scripture) it tells not only what happened - but how to live in light of the story.”Rabbi Yitz Greenberg, President Emeritus, CLAL: The National Jewish Center for Learning and Leadership; chairman, the United States Holocaust Memorial Council, 2000-2002. “We are haunted by the question of inexplicable evil. If you want to be inspired in spite of the horrors one human being can do to another human being, read this book.

    First published on the eve of war in 1939, the essay has often been read as a pacifist manifesto. Rachel Bespaloff was a French contemporary of Weil’s whose work similarly explored the complex relations between literature, religion, and philosophy. She composed her own distinctive discussion of the Iliad in the midst of World War II—calling it “her method of facing the war”—and, as Christopher Benfey argues in his introduction, the essay was very probably written in response to Weil. Bespaloff’s account of the Iliad brings out Homer’s novelistic approach to character and the existential drama of his characters’ choices; it is marked, too, by a tragic awareness of how the Iliad speaks to times and places where there is no hope apart from war.This edition brings together these two influential essays for the first time, accompanied by Benfey’s scholarly introduction and an afterword by the great Austrian novelist Hermann Broch.

    It is told through the letters of Peter Abélard, a French philosopher and one of the greatest logicians of the twelfth century, and of his gifted pupil Héloïse. Through their impassioned writings unfolds the story of a romance, from its reckless, ecstatic beginnings through to public scandal, an enforced secret marriage and its devastating consequences. These eloquent and intimate letters express a vast range of emotions from adoration and devotion to reproach, indignation and grief, and offer a fascinating insight into religious life in the Middle Ages.This is the revised edition of Betty Radice's highly regarded translation, in which Michael Clanchy, the biographer of Abélard, updates the scholarship on the letters and the lovers. This volume includes Abélard's remarkable autobiography and his spiritual advice to Héloïse and her nuns, as well as a selection of the 'lost love letters' of Abélard and Héloïse, letters between Héloïse and Peter the Venerable, two of Abélard's hymns, a chronology, notes and maps.

    Presenting itself as an investigation into the suicide of a close friend—perhaps real, perhaps fictional—more than twenty years earlier, Levé gives us, little by little, a striking portrait of a man, with all his talents and flaws, who chose to reject his life, and all the people who loved him, in favor of oblivion. Gradually, through Levé’s casually obsessive, pointillist, beautiful ruminations, we come to know a stoic, sensible, thoughtful man who bears more than a slight psychological resemblance to Levé himself. But Suicide is more than just a compendium of memories of an old friend; it is a near-exhaustive catalog of the ramifications and effects of the act of suicide, and a unique and melancholy farewell to life.

    It's something of an underground classic, rediscovered by each new generation. Most recently, the Icelandic pop singer Björk Guðdmundsdóttir cites Story of the Eye as a major inspiration: she made a music video that alludes to Bataille's erotic uses of eggs, and she plans to read an excerpt for an album.Warning: Story of the Eye is graphically sexual, and is only suited for adults who are not easily offended.

    When the persecution of Jews begins, both are plucked from their reality and thrust into concentration camps. They are stripped of everything they know and forced to navigate a truly incomprehensible, volatile, dangerous and unpredictable world. Even when separated from support systems and family members, their drive to survive helps them cope. Despite their exposure to the horrors of the Holocaust, they endure and carry on with a determination that shapes their character forever. Follow the lives of Rose and Max as they learn to adapt to a reality beyond belief and emerge stronger than ever. When they are finally liberated from their concentration camps, they navigate a new world individually before eventually coming together to form what each so tragically lost: A FAMILY

    Using dogsleds to patrol a stark 500-mile stretch of the Greenland coast, their wartime mission was to guard against Nazi interlopers - an unlikely scenario given the cruel climate. But one day, a footprint was spotted on desolate Sabine Island, along with other obvious signs of the enemy. escaped to the nearest hunting hut only to have the Germans pursue on foot. In the dead of the Arctic night, the men escaped capture at the last instant and, without their coats or sled dogs, walked fifty-six miles to get back to base. While the Sledge Patrol had only hunting rifles, resilience and their knowledge of outdoor survival, the Germans were armed with machine guns and grenades and greatly outnumbered them.

    The atrocities unleashed by the Nazi regime were unprecedented; families were torn apart, millions were murdered, and a cloud of fear cast over the world. But somewhere, love and hope remained ignited. World War II Love Stories tells the unforgettable stories of those couples brought together by war. They are enduring tales of great love, intense passion, and often tragedy, but most of all they are tales that celebrate the human spirit at its time of greatest trial.

    Indeed, she was ostracized by Hitler for a number of months after she made the mistake of publicly contradicting him once too often.In addition to her portrayal of Hitler, there are illuminating anecdotes about Hitler's closest colleagues. She recalls, for instance, that the relationship between Martin Bormann and his brother Albert (who was on Hitler's personal staff) was so bad that the two would only communicate with one another via their respective adjutants - even if they were in the same room. There is also light shed on the peculiar personal life and insanity of Reichsminister Walther Darr�.Schroeder claims to have known nothing of the horrors of the Nazi regime. There is nothing of the sense of perspective or the mea culpa that one finds in the memoirs of Hitler's other secretary, Traudl Junge - who concluded 'we should have known'. Rather the tone that pervades Schroeder's memoir is one of bitterness. This is, without any doubt, one of the most important primary sources from the pre-war and wartime period.Christa Schroeder was Hitler's personal secretary for twelve years in total. She worked as his secretary until his suicide in April 1945, living at the Wolfsschanze near Rastenburg. Her memoir Er War Mein Chef was first published in 1985, a year after her death in Munich, aged 76.