But when Dom and his straight roommate fall in love--a passionate, secret, non-sexual love--their lives are transformed into a queer chaos of cross-dressing, gender bending and free love. Will Dom hold on to his relationship? Can religious fundamentalists be adopted as pets? And just what are The Lesbians up to? The battle between preachers and drag queens, skinheads and sex workers, boyfriend and girlfriend, is set to change the city forever.

    Clark is harassed daily at school for his effeminate behavior and appearance. He has no friends and a brother that is as likely to be on the teasing as to prevent it. When Clark is offered a job babysitting for the Pirella family, it seems like a godsend. The money is good. He bonds with the girls almost instantly. The father, Tony, works in computer security. Tony and Clark strike up a friendship based on a mutual love of computers and hacking. As Tony becomes aware of Clark's transsexuality and his growing feminine alter ego, Clarissa, things become incredibly complicated. Will Tony be Clarissa's salvation, or her undoing?

    Initially denying even the possibility that he might be experiencing a homosexual crush, De'Ath soon finds himself giving in to this "strange and bothersome distraction" by scouring teenybopper magazines for articles like "20 Facts Ya Didn't Know About [Ronnie]!!" "As someone who did not know any facts at all about him as yet," he notes, "I confess I felt a certain onset of excitement." Gilbert Adair's narrative--it might be more accurate to call it a novella instead of a novel--is a precise depiction of romantic obsession and frustration. Narrated by De'Ath, it is thus somewhat more internally driven than the excellent 1998 film adaptation starring John Hurt and Jason Priestley. Love and Death on Long Island can be easily polished off with a few hours' reading, but its nuanced characterization of a man who trades restraint for recklessness is well worth savoring. --Ron Hogan

    Now Is the Hour is the wondrous story of how Rigby John got to this point. It traces his gradual emancipation from the repressions of a strictly religious farming family and from the small-minded, bigoted community in which he has grown up during a time of explosive cultural change. Transforming this familiar journey from American Graffiti to On the Road into something rich and strange and hilarious is the persona of Rigby John himself. Intimately in touch with his fears, hesitantly awakening to his own sexuality, and palpably open to life's mysteries, Rigby John is a protagonist whom readers will fall in love with, root for, and be moved by.Now Is the Hour is a powerful, vastly entertaining story of self-awakening, of the complex bonds of family, and ultimately of America during a period of tremendous upheaval.

    But a confrontation with an abusive troll has taken a horrifying turn, and now she’s at rock bottom: canceled and doxxed online, fired from her waitress job and fortressed in her apartment while men’s rights protestors rage outside. All that once glittered now condemns. Sasha confides in her oldest childhood friend, Dyson—a failed actor with a history of body issues—who hatches a plan for Sasha to restore her reputation by becoming the face of his new business venture, The Atmosphere: a rehabilitation community for men. Based in an abandoned summer camp and billed as a workshop for job training, it is actually a rigorous program designed to rid men of their toxic masculinity and heal them physically, emotionally, and socially. Sasha has little choice but to accept. But what horrors await her as the resident female leader of a crew of washed up, desperate men? And what exactly does Dyson want?

    Disgusted by an overabundance of phallocratic narratives and Freytag’s pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonized single mother figuring things out.

    Due to obsessive-compulsive daily cleaning binges and a penchant for nightly online cruising for hookups, he finds his sales figures slipping despite a booming market. There's also his ongoing struggle to collect the rent from his passive-aggressive tenant and his worries about his best friend, Edward, whom he's certainly not in love with. Just as he decides to do something about his life, he meets Charlotte and Samuel, wealthy suburbanites looking for the perfect city apartment. "Happy couple," he writes in his notes. "Maybe I can learn something from them." What he ultimately discovers challenges his own assumptions about real estate, love, and desire—and what they learn from him might unravel a budding friendship, not to mention a very promising sale. Full of crackling dialogue delivered by a stellar ensemble of players, Alternatives to Sex is a smart, hilarious chronicle of life in post-traumatic, morally ambiguous America—where the desire to do good is constantly being tripped up by the need to feel good. Right now.

    Instead, he ended up staying in France for thirteen months, working under the veil of a legitimate relief organization to procure false documents, amass emergency funds, and set up an underground railroad that led over the Pyrenees, into Spain, and finally to Lisbon, where the refugees embarked for safer ports. Among his many clients were Hannah Arendt, Franz Werfel, André Breton, Max Ernst, Marcel Duchamp, and Marc Chagall.The Flight Portfolio opens at the Chagalls' ancient stone house in Gordes, France, as the novel's hero desperately tries to persuade them of the barbarism and tragedy descending on Europe. Masterfully crafted, exquisitely written, impossible to put down, this is historical fiction of the very first order, and resounding confirmation of Orringer's gifts as a novelist.

    So Adam decides to make a change. Organizing a boycott of the wedding industry, Steven and Adam call on gay organists, hairdressers, cater-waiters, priests, and hairdressers everywhere to get out of the business and to stop going to weddings, too. In this screwball, romantic comedy both the movement they’ve begun and their relationship are put in jeopardy when Steven’s brother proposes to Adam’s sister and they must decide whether they’re attending or sending regrets.

    Multi-dimensional swashbuckling would be hard enough, but our two unfortunate souls broke up a week ago.Can friendship blossom from the ashes of a relationship? In infinite dimensions, all things are possible.

    Not even his best friend (and accidental girlfriend) Mackenzie. Then he discovers a secret from actual history: Abraham Lincoln was in love with another guy! Since everyone loves Lincoln, Wyatt's sure that if the world knew about it, they would treat gay people differently and it would solve everything about his life. So Wyatt outs Lincoln online, triggering a media firestorm and conservative backlash that threaten to destroy everything he cares about.Now Wyatt has to pretend more than ever that he's straight (because no one will believe a gay kid saying Lincoln was gay). Only then he meets Martin, who is openly gay and who just might be the guy Wyatt's been hoping to find. Will Wyatt stay closeted to change the world, or will he let Abraham Lincoln's gay romance fade back into history and take his own chance at love? This nineteenth- and twenty-first-century coming-of-age, coming out story was inspired by real historical evidence that Abraham Lincoln was in love—romantic love—with another man. QUEER AS A FIVE-DOLLAR BILL asks LGBTQ teens (and everyone else), What if you knew a secret from history that could change the world?

    I left this book bruised yet somehow better for it.” – Tayari Jones.“Brutal, haunting, redemptive and...beautiful.” – Jojo Moyes. This extraordinary debut set in South Africa reveals legacies of abuse and redemption exploring the extraordinary strength of the human spirit - from the Boer War in 1901 to brutal camps for teenage boys now. There is always darkness but there is always light in it if we just look.South Africa, 1901 - the height of the second Boer War. Sarah van der Watt and her six-year-old son Fred are forced from their home on Mulberry Farm by British troops. As the polite invaders welcome them to Bloemfontein Concentration Camp they promise Sarah and Fred that they will be safe there.2010. Sixteen-year-old Willem is an outsider. Hoping he will become the man she wants him to be, his Ma and her boyfriend send Willem away to the New Dawn Safari Training Camp where they are proud to 'make men out of boys'. They promise Willem he will be safe there.You Will Be Safe Here is a powerful and urgent novel of two connected South African stories with universal relevance. Inspired by real events, it uncovers a hidden colonial history, reveals a dark contemporary secret, and explores the legacy of violence and our drive to survive and to love. An Observer, Guardian, Financial Times, Irish Times, Irish Independent and Big Issue Pick of the Year

    In Vanishing Rooms, the author amply demonstrates his literary promise with a compelling love story of interracial sex and urban violence set in Manhattan’s West Village in the 1970s.

    With the off-handed knowingness of a remorseless young Eve, the narrator describes life as a captive of the school and her designs to win the affections of the apparently perfect new girl, Fréderique. As she broods over her schemes as well as on the nature of control and madness, the novel gathers a suspended, unsettling energy. Now translated into six languages, I beati anni del castigo in its Italian original won the 1990 Premio Bagutta and the 1990 Premio Speciale Rapallo. In Tim Parks’ consummate translation (with its "spare, haunting quality of a prose poem"), Sweet Days of Discipline was selected as one of the London Times Literary Supplement’s Notable Books of 1992: "In a period when novels are generally overblown and scarcely portable, it is good to be able to recommend [one that is] miraculously short and beautifully written."

    O'Hara’s untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, "the biggest secret loss to American poetry since John Wheelwright was killed.” This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara’s conviction that to write poetry, indeed to live, "you just go on your nerve.”