Lucky’s back leg is shattered, and when she comforts him, his blood is wet on her hands. Suddenly, the monotony of V’s suburban life dissolves: Lucky is in a cast; her best friend, Eileen, is avoiding her; her mother’s drinking is getting worse; and her father is sick with a mysterious illness. Although V is surrounded by family, she is the loneliest girl in town.   As V begins to question everything—death, friendship, family, betrayal—she finds there are few easy answers. The people she thought she knew are strangers, and life’s meaning eludes her. Into this mystery walks the captivating Jane, and V soon realizes that the only way forward seems to break every rule, and go beyond all limitations.

    Soon Azure manages to convince her best friends, Luke and Radhika, to join the prom committee as well.Facing heavy opposition and admittedly clueless about prom logistics, the three friends are nonetheless determined to succeed—if Luke's and Azure's secret crushes on Radhika don't push the committee members, and their friendships, to the breaking point first.Told in two voices and filled with comical missed connections, It's Our Prom (So Deal with It) explores the ups and downs of planning an alternative prom—while dealing with an unrequited crush on your best friend—and shines with National Book Award finalist Julie Anne Peters's unmistakable wit and insight.

    The story begins with the death of the community's esteemed rabbi, which sets in motion plans for a memorial service and the search for a replacement. The rabbi's nephew and likely successor, Dovid, calls his cousin Ronit in New York to tell her that her father has died. Ronit, who left the community long ago to build a life for herself as a career woman, returns home when she hears the news, and her reappearance exposes tears in the fabric of the community.Steeped in Jewish philosophy and teachings, Disobedience is a perceptive and thoughtful exploration of the laws and practices that have governed Judaism for centuries, and continue to hold sway today. Throughout the novel, Alderman retells stories from the Torah -- Judaism's fundamental source -- and the interplay between these tales and the struggles of the novel's unique characters wields enormous power and wisdom, and will surely move readers to tears.

    Something Bright, Then Holes explores the problem of losing then recovering sight and insight -- of feeling lost, then found, then lost again. The book's three sections range widely, and include a long sequence of Niedecker-esque meditations written at the shore of a polluted urban canal, a harrowing long poem written at a friend's hospital bedside, and a series of unsparing, crystalline lyrics honoring the conjoined forces of love and sorrow. Whatever the style, the poems are linked by Nelson's singular poetic voice, as sly and exacting as it is raw. The collection is a testament to Nelson's steadfast commitment to chart the facts of feeling, whatever they are, and at whatever the cost.

    Her solitary existence ends when she meets Bibi. A self-proclaimed "guerilla performance artist," Bibi pushes her body to the utmost in her dancing, sculpting it into a finely tuned machine. But the limits of her body frustrate her. With Tess, she creates a performance art of mobile, bladelike sculptures and human dance that becomes increasingly violent and dangerous. Still this is not enough for Bibi. Her desire to grow and transform leads her to body piercing, then to ritual cuttings and scarrings. And further. Though Tess breaks their partnership, she cannot stop Bibi's dark exploration of the limits of her body. Her search is self-destructive, all-encompassing...unstoppable.

    He is already mentioned in the same breath as Tom of Finland. Art magazine 032c wrote: "Tom of Finland's work looks like something out of Disney beside his illustrations." Fans all over the world worship the masculine eroticism of his elaborate drawings. Following Endless Game and Gunji, Bruno Gmuender publishes his third volume in English in the Gay Manga series. Gay Manga series: Fisherman's Lodge, together with the short stories Confession and End Line.

    You love her.

    Meet 'Bob the Book, ' a gay book for sale in a Greenwich Village bookstore, where he falls in love with another book, Moishe. But an unlikely customer separates the young lovers. As Bob wends his way through used book bins, paper bags, knapsacks, and lecture halls, hoping to be reunited with Moishe, he meets a variety of characters, both book and human, including Angela, a widowed copy of Jane Austen's Mansfield Park, and two other separated lovers, Neil and Jerry, near victims of a book burning. Among their owners are Alfred and Duane, whose on-again, off-again relationship unites and separates our book friends. Will Bob find Moishe? Will Jerry and Neil be reunited? Will Alfred and Duane make it work? Read 'Bob the Book' to find all the answers...

    The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protesters of the 1980's give way to the hipsters of the 2000's and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020's, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself.

    Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.

    But Sands has influential enemies, and life is further complicated by his wife Ella's mysterious illness and his own affair with his young lover, Eric. Dazzling with his originality and insight, Wilson ensures that Sands's liberal ideals, both public and private, are put to the test.

    . . Today I’m really gonna be a tough guy.” Growing up in a poor village in northern France, all Eddy Bellegueule wanted was to be a man in the eyes of his family and neighbors. But from childhood, he was different—“girlish,” intellectually precocious, and attracted to other men.Already translated into twenty languages, The End of Eddy captures the violence and desperation of life in a French factory town. It is also a sensitive, universal portrait of boyhood and sexual awakening. Like Karl Ove Knausgaard or Edmund White, Édouard Louis writes from his own undisguised experience, but he writes with an openness and a compassionate intelligence that are all his own. The result—a critical and popular triumph—has made him the most celebrated French writer of his generation.

    He was a very thorough and hard worker, and had been praised for that by his supervisor on so many occasions that he'd lost count, and something had to happen very many times before Isaac lost count of it.Words: 21382 in two partsAlso on Ao3: http://archiveofourown.org/works/785559This story is also available for purchase at Smashwords.

    Amy Wagner names him—and she would know best. Amy knows all kinds of things that Dean doesn’t understand—things about sex, music, and the darker side of life. All Dean knows is his safe suburban home with his parents, books, and imaginary games. Until now, he’s been able to hide his true identity, even from himself. To the rest of the world, he is a teenage girl—an awkward, boyish teenage girl, but a girl nonetheless. Meeting Amy changes everything. Soon that protected world around him begins to fall apart, and he is left with no other option but to face himself and the truth. I Know Very Well How I Got My Name chronicles Dean’s clumsy progression through the American public school system. It is the 90’s and early 2000’s, in suburban Syracuse, New York—a world in which LGBTQ bullying is not yet a hot topic in schools, and there is little tolerance for outsiders of any kind. A prequel to the award-winning novel Refuse, Elliott DeLine’s second book is about the prevailing myths surrounding bullying and abuse, and the hardships of being young and transgender without a community, support, or a roadmap.

    An only child, he lives alone with Emilie, the mother he adores but who treats him with bitter severity. He begins an intense friendship with a Jewish boy his age, talented and mercurial Anton Zweibel, a budding concert pianist. Moving backward to the war years and the painful repercussions of an act of conscience, and forward through the lives and careers of two men, The Gustav Sonata explores the passionate love of childhood friendship as it is lost, transformed, and regained over a lifetime. Moving between the 1930s and the 1990s, this fierce and beautifully orchestrated novel explores the vast human issues of racism and tolerance, flight and refuge, cruelty and tenderness. It is a powerful and deeply moving addition to the beloved oeuvre of one of our greatest contemporary novelists.