The latter three-quarters will collect his acclaimed short stories from MOME, as well as several little-seen stories from elsewhere, and a new 20-page story.The Unclothed Man in the 35th Century A.D. is Shaw’s first book since his breakthrough graphic novel of 2008, Bottomless Belly Button, which was named Publishers Weekly’s best graphic novel of 2008, one of Entertainment Weekly’s top ten books of 2008, and one of Amazon.com’s top ten graphic novels of the year, amongst numerous other accolades.The book also collects Shaw’s acclaimed, genre-bending short stories from MOME, including “Look Forward, First Son of Terra Two,” a remarkable story of two lovers traveling in opposite directions… in time. Also featured: “Galactic Funnels,” the 2008 Ignatz Award nominee for “Outstanding Story,” about the parasitic relationship between an artist and his lover/mentor; “Satellite CMYK,” a sci-fi mindwarp that ingeniously drives the narrative through Shaw’s masterful control of color, and “Making the Abyss,” a fictionalized story of a surreal film set filled with nuclear tanks, hot tubs, and blind ambition.“Like the very best illustrated fiction, Shaw’s work moves between pathos and humor, between the fantastic and the familiar.”—The Christian Science Monitor“Shaw’s style deftly combines cartoon drawings with a slavish attention to detail…Masterfully using the comics medium to juggle all the different characters, weaving their stories together seamlessly.”—Publishers Weekly

    To me, he is unquestionably one of ‘the greats.'" —Chris WareSkibber Bee ByeRon Regé, Jr., creates his own visual poetry that sets him apart from other cartoonists as one of the most original artists to enter the medium in the past decade. His storytelling is neither linear nor altogether accessible; however, his recognizable thin line and cute characters draw you into a dreamlike, sensitive fantasy world that, as odd as it seems, is entirely realistic.

    He’s also its would-be poet laureate. Would-be, that is, were it not for the “florid banalities” of his archrival, Ida Wentz, pub­lished ad nauseam in the Ice Haven Daily Progress. Among Wilder’s other fellow Ice Havians are the love­lorn Violet Vanderplazt and Vida Wentz; the adorable interracial moppets Carmichael and Paula; the Blue Bunny, newly sprung from prison and the bitterest rabbit in town; and poor little David Goldberg, miss­ing for more than a week now. . . . The lives of the men and women of Ice Haven are woven into a multilayered tale that, while it owes a debt to Our Town, is ultimately based on and inspired by . . . Leopold and Loeb. No kidding. Only Daniel Clowes could do it and, luckily for us, he has.

    Taking advantage of the absolute latest advances in wood pulp technology, Building Stories is a book with no deliberate beginning nor end, the scope, ambition, artistry and emotional prevarication beyond anything yet seen from this artist or in this medium, probably for good reason.

    Here is Richard McGuire's unique graphic novel based on the legendary 1989 comic strip of the same name.Richard McGuire's groundbreaking comic strip Here was published under Art Spiegelman's editorship at RAW in 1989.Built in six pages of interlocking panels, dated by year, it collapsed time and space to tell the story of the corner of a room - and its inhabitants - between the years 500,957,406,073 BC and 2313 AD.The strip remains one of the most influential and widely discussed contributions to the medium, and it has now been developed, expanded and reimagined by the artist into this full-length, full-colour graphic novel - a must for any fan of the genre.

    - A new quarterly anthology of the best new talent in the sequential arts- In color, part-color, and black-and-white- The regular roster of artists gives the series a concrete identity- Quarterly schedule allows readers to look forward to favorite artists on a regular basis- Created for a general audience of literature fans, with a focus on contemporary fiction and narrative

    Unpredictable, darkly funny, and deeply moving, they display an exceptional range of focus and technique. The Village Voice called Tomine "one of the most masterful cartoonists of his generation," and this is his most ambitious and empathetic work to date.

    Cartoonist Sam Zabel hasn t drawn a comic in years. Stuck in a nightmare of creative block and despair, Sam spends his days writing superhero stories for a large American comics publisher and staring at a blank piece of paper, unable to draw a single line. Then one day he finds a mysterious old comic book set on Mars and is suddenly thrown headlong into a wild, fantastic journey through centuries of comics, stories, and imaginary worlds. Accompanied by a young webcomic creator named Alice and an enigmatic schoolgirl with rocket boots and a bag full of comics, Sam goes in search of the Magic Pen, encountering sex-crazed aliens, medieval monks, pirates, pixies and of course cartoonists. Funny, erotic, and thoughtful, Sam Zabel and the Magic Pen explores the pleasures, dangers, and moral consequences of fantasy."

    An epic story long awaited, and well worth the wait. Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about? As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.

    This beautiful minimalist story, collected here for the first time, is the culmination of ten years and more than six hundred pages of work that details the metaphysical quandaries of the occupants of an endless plain, existing somewhere between a dream and a Russian steppe. A downed plane is thought to be a bird and the unexploded bomb that came from it is mistaken for a giant egg by the group of birds whose lives the story follows. The indifferent, stranded pilot is of great interest to the birds—some doggedly seek his approval, while others do quite the opposite, leading to tensions in the group. Nilsen seamlessly moves from humor to heartbreak. His distinctive, detailed line work is paired with plentiful white space and large, often frameless panels, conveying an ineffable sense of vulnerability and openness.Big Questions has roots in classic fables—the birds and snakes have more to say than their human counterparts, and there are hints of the hero’s journey, but here the easy moral that closes most fables is left open and ambiguous. Rather than lending its world meaning, Nilsen’s parable lets the questions wander where they will.

    This is the inaugural volume in an annual showcase of new talent, complimenting our annual flagship anthology. This is comics pushing all the boundaries; surreal, edgy stories of wonder that shimmer with visual style and emotional power. They are presented here in a deluxe package to introduce them to new fans of illustrated fiction.

    Saint Cole depicts four days in the life of a twenty-eight-year-old suburbanite named Joe, who works at a pizzeria to support his girlfriend Nicole and their infant child and then Nicole invites her troubled mother to move into their two-bedroom apartment until she lands on her feet again. Joe reacts by retreating into alcohol: he wants out, and he's angry. He s in a position to act rashly and he does.

    Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such curatorial venues as Mome and No-Brow, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills -- sketchy drawing, polished pen and ink line work, and meticulously designed full color painted panels-- which are always in the service of a narrative that builds to a quietly devastating climax.

    An epic love story so grand that one medium cannot contain it, Aronofsky's feature film - released by Warner Bros, Pictures and Regency Enterprises - stars Tony Award-winner Hugh Jackman (The Boy from Oz, X-Men) and Oscar-winner Rachel Weisz (The Constant Gardener, The Mummy). The Fountain graphic novel is a sister-project to the film, using the same story as its seed, but stretched instead upon the limitless canvas of the comics medium. Already earning Williams the Eisner nomination for Best Painter, The Fountain graphic novel provides an alternative interpretation wholly unique yet still intimately tied to the movie, in what can be considered the ultimate "director's cut".

    Oh, and it also has a lot of sex.