The only daughter of a wealthy, prominent Chicago family, she has an Ivy League education, pursues volunteerism and philanthropy, and is engaged to a handsome young tech firm CEO with political ambitions.But Olivia’s world is shattered when she learns that she’s adopted. Her real parents? Todd and Pamela Larsen, notorious serial killers serving a life sentence. When the news brings a maelstrom of unwanted publicity to her adopted family and fiancé, Olivia decides to find out the truth about the Larsens.Olivia ends up in the small town of Cainsville, Illinois, an old and cloistered community that takes a particular interest in both Olivia and her efforts to uncover her birth parents’ past.Aided by her mother’s former lawyer, Gabriel Walsh, Olivia focuses on the Larsens’ last crime, the one her birth mother swears will prove their innocence. But as she and Gabriel start investigating the case, Olivia finds herself drawing on abilities that have remained hidden since her childhood, gifts that make her both a valuable addition to Cainsville and deeply vulnerable to unknown enemies. Because there are darker secrets behind her new home and powers lurking in the shadows that have their own plans for her.

     In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie is traveling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn to wait out the blizzard. There he meets Fabrissa, a lovely young woman also mourning a lost generation. Over the course of one night, Fabrissa and Freddie share their stories. By the time dawn breaks, Freddie will have unearthed a tragic, centuries-old mystery, and discovered his own role in the life of this remote town.

    Fearing her daughter might be next, single mom, Violet Parker, is desperate to find the monster behind the abductions. With her savings dwindling and just three weeks left to sell her first house or lose her Realtor job, Violet is ecstatic when a handsome jeweler hires her to sell his century-old, Victorian masterpiece until she sees the dilapidated dwelling. Now, if she could just convince her only buyer to stop rejecting vintage homes as if they're haunted. Short on time and long on worry, she refuses to give up her dream of a fresh start in Deadwood. But with a malicious coworker trying to get her fired, a secret admirer sending her creepy messages, and a sexy stranger hiding skeletons in his closet, will Violet end up as one of Deadwood's dearly departed?

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    This October she's returned to her hometown--where her beloved Aunt Ibby still lives--to interview for a job as a reporter at WICH-TV. But the only opening is for a call-in psychic to host the late night horror movies. It seems the previous host, Ariel Constellation, never saw her own murder coming. Lee reluctantly takes the job, but when she starts seeing real events in the obsidian ball she's using as a prop, she wonders if she might really have psychic abilities. To make things even spookier, it's starting to look like Ariel may have been an actual practicing witch--especially when O'Ryan, the cat Lee and Aunt Ibby inherited from her, exhibits some strange powers of his own. With Halloween fast approaching, Lee must focus on unmasking a killer--or her career as a psychic may be very short lived. . .

    until the Dickensian law firm of Willis & Willis offers the possibility of large inheritance -- if she can discover the secret hidden in letters between Dimity and her mother. Plus 1-pg recipe Beth's Oatmeal Cookies.

    But Charlie’s not exactly normal. She's from a long line of witches and she can see the dead. Susan Tate has inherited a beautiful old southern mansion on the coast. Unfortunately, the property came with a million necessary repairs. And ghosts. When Charlie meets Susan, the woman is desperate for help. Taking on a spirit who doesn’t want to see the light can be dangerous but ignoring it? Ignoring the dead can get you killed. Haunting Charlie is the first in a spine-tingling new Supernatural Suspense that will have you clinging to the edge of your seat. If you like Darcy Coates, Shani Struthers or JL Bryan, then you will love the Witches of Palmetto Point Series by Wendy Wang! Download your copy now and get comfy because once you start reading you won’t be able to put it down. Author Interview: Why such a fascination with the dead and ghost stories? I grew up listening to ghost stories from my family. My granny’s property was next door to an old churchyard and you could see the headstones through the trees separating the two properties. She’d tell us about haints (spirits) that would wander over and mess with the knick-knacks she had. She also used to tell a story about my how my grandfather’s ghost would lay down on the bed next to her sometimes. Said the old iron bed would squeak. I still get chills when I think about it. You started out writing fantasy, why the switch to suspense? Funny you mention that. I actually started out writing scary stories. I wasn’t sure people would want to read them, so I wrote my second love, fantasy. About a year ago a friend of mine asked me whatever happened to those ghost stories you used to write. She told me I should start publishing them too, and so here we are. Why stories featuring a psychic who can see the dead? Well, like most of my characters, she just popped into my head one day and wouldn’t shut up. I thought it would be interesting to write about her life and about the South Carolina coast. I lived there for fourteen years and know the landscape really well. I also have family that’s a lot like hers – all up in your business but that loves you fiercely. Who would enjoy this novel? Anyone who loves a good scare, a little humor and a crazy southern family full of witches.Read Haunting Charlie for FREE with your Kindle Unlimited subscription.

    Icy figures danced in the wind and gazed through children's windows with soul-chilling eyes. People wandered into the whiteout and were never seen again. Families were torn apart, and the town would never be the same.Now, as a new storm approaches twelve years later, the folks of Coventry are haunted by the memories of that dreadful blizzard and those who were lost in the snow. Photographer Jake Schapiro mourns his little brother, Isaac, even as-tonight-another little boy is missing. Mechanic and part-time thief Doug Manning's life has been forever scarred by the mysterious death of his wife, Cherie, and now he’s starting over with another woman and more ambitious crimes. Police detective Joe Keenan has never been the same since that night, when he failed to save the life of a young boy . . . and the boy’s father vanished in the storm only feet away. And all the way on the other side of the country, Miri Ristani receives a phone call . . . from a man who died twelve years ago.As old ghosts trickle back, this new storm will prove to be even more terrifying than the last.

     At least that’s how it seems to former crime journalist, Wilhelmina Chance, whose near-fatal accident has given her a strange side effect ... she sees ghosts. After a messy divorce sends her fleeing back to her hometown of Mystic Notch, nestled in the White Mountains of New Hampshire, Willa finds herself haunted by the tenacious ghost of the town librarian who insists Willa solve her murder. Luckily, she has lots of help, including a quirky cast of small-town characters, the cat she’s inherited from her grandmother, and her best friend, Pepper, who claims her herbal teas can work magic. But just when Willa thinks she’s discovered who the killer is, she finds out that things are not what they seem in Mystic Notch, and the case takes a strange turn that has Willa adding even some of her long-time friends to her suspect list. Can Willa find the real killer in time to keep the magical balance in Mystic Notch on the side of good, or will evil prevail?

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.

    Harrison’s The Silent Wife—a harrowing tale of psychological suspense set in New York’s Hudson Valley.When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation—of their marriage, their savings, and Jess's writing career.They take a caretaker's job at Riven House, a crumbling estate and the home of their old college writing professor. While Clare once had dreams of being a writer, those plans fell by the wayside when Jess made a big, splashy literary debut in their twenties. It's been years, now, since his first novel. The advance has long been spent. Clare's hope is that the pastoral beauty and nostalgia of the Hudson Valley will offer some inspiration.But their new life isn't all quaint town libraries and fragrant apple orchards. There is a haunting pall that hangs over Riven House like a funeral veil. Something is just not right. Soon, Clare begins to hear babies crying at night, and sees strange figures in fog at the edge of their property. Diving into the history of the area, she realizes that Riven House has a dark and anguished past. And whatever this thing is—this menacing force that destroys the inhabitants of the estate—it seems to be after Clare next…

    Eager to begin a new life there with Luke, her husband, and Tom, her small son, she is also impatient to find out about her newly discovered family who lived there for generations.But not long after they move in, Tom wakes screaming at night. Joss hears echoing voices and senses an invisible presence, watching her from the shadows. Are they spirits from the past? Or is she imagining them? As she learns, with mounting horror, of Belheddon's tragic and dramatic history, her fear grows very real, for she realises that both her family and her own sanity are at the mercy of a violent and powerful energy which seems beyond anyone's control.

    No, not at all. It’s no surprise therefore when she inherits the ramshackle Essex Witch Museum, her first thought is to take the money and run.Still, the museum exerts a curious pull over Rosie. There’s the eccentric academic who bustles in to demand she help in a hunt for old bones, those of the notorious Ursula Cadence, a witch long since put to death. And there’s curator Sam Stone, a man about whom Rosie can’t decide if he’s tiresomely annoying or extremely captivating. It all adds up to looking like her plans to sell the museum might need to be delayed, just for a while.Finding herself and Sam embroiled in a most peculiar centuries-old mystery, Rosie is quickly expelled from her comfort zone, where to her horror, the secrets of the past come with their own real, and all too present, danger as a strange magic threatens to envelope them all.

    Not this one.Brutalized as a young girl by a vile sexual predator, Skye Cree is a survivor. Guided by the visions of her mystical spirit guide to the whereabouts of abducted girls, she uses her unique abilities to turn her horrifying past into a positive force for justice. Fighting the demons that have haunted her for years, she trusts only in herself—until she falls hard for a man for the first time in her life. Now, discovering her abductor is back with a vengeance, she becomes locked in a deadly race against time to stop the horrors of an evil human-trafficking ring that threatens to tear her world, and her newfound love apart.

    Eight years ago, she left the land that nine generations of gifted healers had tended, determined to distance herself from the whispers about her family’s strange legacy. But when her beloved grandmother Althea dies, Lizzy must return and face the tragedy still hanging over the farm’s withered lavender fields: the unsolved murders of two young girls, and the cruel accusations that followed Althea to her grave.Lizzy wants nothing more than to sell the farm and return to her life in New York, until she discovers a journal Althea left for her—a Book of Remembrances meant to help Lizzy embrace her own special gifts. When she reconnects with Andrew Greyson, one of the few in town who believed in Althea’s innocence, she resolves to clear her grandmother’s name.But to do so, she’ll have to decide if she can accept her legacy and whether to follow in the footsteps of all the Moon women who came before her.