We gathered around the bigger tree. No one asked Matty - he just reached up and put his right hand on the trunk with ours.Kieran cleared his throat. 'We swear, on these trees, to always be friends. To protect each other - and this place.'Finding those carved trees forged a bond between Jay and her four childhood friends and opened their eyes to a wider world. But their attempt to protect the grove ends in disaster, and that one day on the river changes their lives forever.Seventeen years later, Jay finally has her chance to make amends. But at what cost? Not every wrong can be put right, but sometimes looking the other way is no longer an option.

    This'll be the third boyfriend Ayoola's dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede's long been in love with him, and isn't prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other...My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water...

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    Jen already has two college-age daughters by two different (probably) musicians, and it's her second time around the class mom block with five-year-old Max--this time with a husband and father by her side. Though her best friend and PTA President sees her as the-wisest-candidate for the job (or oldest), not all of the other parents agree.From recording parents' response times to her emails about helping in the classroom, to requesting contributions of-special-brownies for curriculum night, not all of Jen's methods win approval from the other moms. Throw in an old flame from Jen's past, a hyper-sensitive -allergy mom,-a surprisingly sexy kindergarten teacher, and an impossible-to-please Real Housewife-wannabe, causing problems at every turn, and the job really becomes much more than she signed up for.

    To make matters worse, her heritage is under threat. A government bill to evict the mountain cattlemen is about to be passed, and the Flanaghans could be banned from the mountains their family has looked after for generations.When a terrible accident brings Emily to the brink of death, she realises she must return to the high country to seek a way forward in life; healing herself, her daughters and her land. Along the way, she finds herself falling in love with a man who works for the government - the traditional opposition of the cattlemen - new Parks ranger, Luke Bradshaw. But just as she sees that the land and Luke are the keys to regaining her life, Emily faces losing them both in the greatest challenge of all . . .Set in the beautiful snowgum country of the Victorian Alps, The Cattleman's Daughter is a haunting and unforgettable tale of love, self-discovery and forgiveness from one of Australia's best-loved authors.

    Half-starved and filthy, she won’t tell anyone her name, or her age, or where she came from. Maybe she is twelve, maybe fifteen. She doesn’t appear in any missing persons file, and her DNA can’t be matched to an identity. Six years later, still unidentified, she is living in a secure children’s home with a new name, Evie Cormac. When she initiates a court case demanding the right to be released as an adult, forensic psychologist Cyrus Haven must determine if Evie is ready to go free. But she is unlike anyone he’s ever met—fascinating and dangerous in equal measure. Evie knows when someone is lying, and no one around her is telling the truth.Meanwhile, Cyrus is called in to investigate the shocking murder of a high school figure-skating champion, Jodie Sheehan, who dies on a lonely footpath close to her home. Pretty and popular, Jodie is portrayed by everyone as the ultimate girl-next-door, but as Cyrus peels back the layers, a secret life emerges—one that Evie Cormac, the girl with no past, knows something about. A man haunted by his own tragic history, Cyrus is caught between the two cases—one girl who needs saving and another who needs justice. What price will he pay for the truth?

    By daybreak, her world has shifted. Max Carlisle, a troubled AFL star, can't stop what comes next. And Ruby, a single woman from the apartment block, is left with questions when she sees Jordi leave.In this remarkable novel, Rachel Matthews captures the characters of Jordi and her family, the players, and the often loveable inhabitants of a big city with a deceptive lightness of touch that seduces the reader. Siren reveals the often unnoticed life of a city while simultaneously drawing us deep into a dark and troubling world. What happens has an unexpected effect on all those who are both directly and indirectly involved.The result is a powerful and haunting novel about cultural stereotypes and expectations, love, loneliness, family and our struggle to connect. In so many ways, Matthews subtly sounds the siren on sexual violence and its prevalence in our culture.

    Newly divorced Sam is navigating the ‘delights’ of online dating. And Lizzie is flat out juggling four kids and an absent husband.As if that wasn’t enough, this year the trio have decided to embrace their inner parent helper and volunteer to go on the annual school camp.If they think their personal lives are chaotic, this camp’s going to teach them what chaos really means …The hilarious new novel from the popular authors of The Drop-off. Perfect for fans of Big Little Lies by Liane Moriarty.

    Sarah, Hannah’s grandmother, is returning to the country of her birth, a place she hasn’t seen since boarding the USS Mariposa in 1945. She, along with countless other war brides, sailed across the Pacific to join the American Servicemen they’d married during World War II.Hannah is the age Sarah was when she made her first journey, and in hearing Sarah tell the story of her life, realises the immensity of what her grandmother gave up.The Passengers is a luminous novel about the journeys we undertake, the sacrifices we make and the heartache we suffer for love. It is about how we most long for what we have left behind. And it is about the past - how close it can feel - even after long passages of time.Praise for The Passengers: ‘A compelling novel about the bruises inflicted by fate and by ourselves, and the blessings to be found in resilience, determination, and love.’ - Debra Adelaide, author of The Household Guide to Dying‘Two women, two generations, two countries, two journeys. Eleanor Limprecht gracefully navigates the crosscurrents of history and creates vibrant characters from the extraordinary true experiences of Australian war brides. Sarah and Hannah’s urgent search for love and wholeness moved me in both senses: they touched my hearts and I still feel I am churning across the Pacific with them. A deeply satisfying novel.’ - Susan Wyndham, former literary editor, The Sydney Morning Herald'I loved this book and I loved its characters, beautifully observed and movingly examined by Limprecht’s exquisite prose. A stunning exploration of hope and desire, fear and control, this story is full of heart and heartbreak.’ - Ashley Hay, author of The Railwayman’s Wife

    His frantic mother receives a disturbing ransom call. It's only hours before the deadline, and the police have no leads.Enter Timothy Blake, codename Hangman. Blake is a genius, known for solving impossible cases. He's also a sociopath - the FBI's last resort.But this time Blake might have met his match. The kidnapper is more cunning and ruthless than anyone he's faced before. And Blake has been assigned a new partner, a woman linked to the past he's so desperate to forget.Timothy Blake has a secret, one so dark he will do anything to keep it hidden.And he also has a price. Every time he saves a life, he takes one…Already sold into five territories, Hangman is a mesmerising dissection of the criminal mind and a bulletproof thriller. ‘Jack Heath’s Hangman is a perverse, twisted take on a crime novel—and I loved every page of it. What a rarity to find a thriller as dark as a Palahniuk and as compulsively readable as a Patterson. Two well-chewed thumbs up for Hangman.’ —Gregg Hurwitz, NYT-Bestselling author of Hellbent‘Jack Heath’s writing grabs you by the throat, gnaws on your bones, and washes it all down with a hefty dose of funny. Sick, twisted, violent, and oh so good. In Timothy Blake, Heath has created a one-of-a-kind character. I hope.’ —Emma Viskic, internationally bestselling author of And Fire Came Down‘Wild and original, HANGMAN stamps a high and bloodied mark on this dark genre. Hannibal Lecter will be adding Jack Heath to his reading list.’ —Ben Sanders, internationally bestselling author of American Blood

    She’s the single mother of Caleb who is accused of starting the fire – on purpose. Twelve people are dead, students from her school among them; only a monster would cause such carnage. But where was her son that day? No one knows but Caleb, and he’s not talking.Against mounting community rage, Phoebe sets out to clear her son. But every avenue leads back to Caleb. Why did he vanish from his Country Fire Authority shift? Who else was at the abandoned goldmine that day? Why is Caleb refusing to speak?Phoebe will be forced to confront the nature of guilt and redemption, and decide what boundaries she is willing to cross to save the son she loves.

    One involves the public shaming of her teenage daughter, the other is a discovery about her husband that shocks her to her core. With her world unraveling around her, Paula does the only thing that makes any sense to her: she runs away from it all.She pulls her children out of school and takes off on a trip across Australia with her elderly father and his caravan. The only rule is No Technology - no phones, no Facebook, no Instagram, no tablets, games or computers. It's time to get back to basics and learn how to be a family again.It all sounds so simple - and for a while, it is. But along the way Paula will meet new, exciting complications, and realise that running away is only a temporary solution. The past has to be faced before the future can begin.A thrilling, tender and hugely entertaining story of loss, love and discovery from the bestselling author of The Mothers' Group.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    Once there, and living in a run-down apartment block called Cairo, he is befriended by an eccentric musician Max Cheever, his beautiful wife Sally, and their close-knit circle of painters and poets. Tom is delighted at his new life, but his charismatic older friends aren’t quite what they appear to be. As he falls increasingly under their sway, Tom enters a bohemian world of parties and gallery openings, but also of more sinister events involving murder, deception and betrayal, not to mention one of the greatest unsolved art heists of the twentieth century: the infamous theft of Picasso’s *Weeping Woman*. Set among the demimonde — where nothing and nobody is as they seem — *Cairo* is a novel about growing up, the perils of first love, and finding one’s true place in the world.

    Condemned by their pity to living she increasingly escapes through her hospital window into visions of horror and delight.When Anna’s finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive. But the window keeps opening wider, taking Anna and the reader ever deeper into a strangely beautiful novel about hope and love and orange-bellied parrots.