She has even made a promise to one of their sons, Izio -- a betrothal they must keep secret since she is Catholic and the Diamants are Jewish.But everything changes when the German army invades Przemsyl. The Diamants are forced into the ghetto, and Stefania is alone in an occupied city, the only one left to care for Helena, her six-year-old sister. And then comes the knock at the door. Izio's brother Max has jumped from the train headed to a death camp. Stefania and Helena make the extraordinary decision to hide Max, and eventually twelve more Jews. Then they must wait, every day, for the next knock at the door, the one that will mean death. When the knock finally comes, it is two Nazi officers, requisitioning Stefania's house for the German army.With two Nazis below, thirteen hidden Jews above, and a little sister by her side, Stefania has one more excruciating choice to make.

    Spearman. Largely unread, it went out of print until it was re-discovered by a British editor in 2011 and now, for the first time, it is available to readers everywhere. In 1938, Trudi Miller, stunningly beautiful, chic, and charismatic, was a hat designer for the best-dressed women in Vienna. She frequented cafes. She had suitors. She flew to Paris to see the latest fashions. And she fell deeply in love with Walter Ehrlich, a charming and romantic businessman. But as Hitler’s tanks roll into Austria, the world this young Jewish couple knows and loves collapses leaving them desperate to find a way to survive. Some Girls, Some Hats and Hitler is an enchanting true story that moves from Vienna to Prague to blitzed London, as Trudi seeks safety for her and Walter amid the horror engulfing Europe. In prose that cuts straight to the bone, Trudi Kanter has shared her indelible story. Some Girls, Some Hats and Hitler is destined to become a World War II classic.

    Every individual story, every picture, every description is but a stone in that monument which will stand forever to remind the world of this shameful phase of history, and to ask of it vigilance, lest the events of these years be repeated.

    Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?

    Neiman is a white woman who came of age in the civil rights–era South and a Jewish woman who has spent much of her adult life in Berlin. Working from this unique perspective, she combines philosophical reflection, personal stories, and interviews with both Americans and Germans who are grappling with the evils of their own national histories.Through discussions with Germans, including Jan Philipp Reemtsma, who created the breakthrough Crimes of the Wehrmacht exhibit, and Friedrich Schorlemmer, the East German dissident preacher, Neiman tells the story of the long and difficult path Germans faced in their effort to atone for the crimes of the Holocaust. In the United States, she interviews James Meredith about his battle for equality in Mississippi and Bryan Stevenson about his monument to the victims of lynching, as well as lesser-known social justice activists in the South, to provide a compelling picture of the work contemporary Americans are doing to confront our violent history. In clear and gripping prose, Neiman urges us to consider the nuanced forms that evil can assume, so that we can recognize and avoid them in the future.

    Their only recourse was to write letters back and forth. And write they did, often every day. In a way they were just picking up where they left off in 1918, at the end of their first long separation because of the Great War that swept Bernard away to some of Europe’s bloodiest battlefields. The thousands of letters between them were part of an inheritance that ultimately came into the hands of their grandson, Ian Buruma. Now, in a labor of love that is also a powerful act of artistic creation, Ian Buruma has woven his own voice in with theirs to provide the context and counterpoint necessary to bring to life, not just a remarkable marriage, but a class, and an age.   Winifred and Bernard inherited the high European cultural ideals and attitudes that came of being born into prosperous German-Jewish émigré families. To young Ian, who would visit from Holland every Christmas, they seemed the very essence of England, their spacious Berkshire estate the model of genteel English country life at its most pleasant and refined. It wasn’t until years later that he discovered how much more there was to the story.   At its heart, Their Promised Land is the story of cultural assimilation. The Schlesingers were very British in the way their relatives in Germany were very German, until Hitler destroyed that option. The problems of being Jewish and facing anti-Semitism even in the country they loved were met with a kind of stoic discretion. But they showed solidarity when it mattered most. As the shadows of war lengthened again, the Schlesingers mounted a remarkable effort, which Ian Buruma describes movingly, to rescue twelve Jewish children from the Nazis and see to their upkeep in England.    Many are the books that do bad marriages justice; precious few books take readers inside a good marriage. In Their Promised Land, Buruma has done just that; introducing us to a couple whose love was sustaining through the darkest hours of the century.

    aviators whose four B-17 Flying Fortresses were shot down over German-occupied France on a single, fateful day: July 14, 1943, Bastille Day. They were rescued by brave French civilians and taken to Paris for eventual escape out of France. In the French capital, where German troops walked on every street and Gestapo agents hid around every corner, the flyers met a brave Parisian resistance family living and working in the Hôtel des Invalides, a complex of buildings and military memorials, where Nazi officials had set up offices. Hidden in the complex the Americans, along with dozens of other downed Allied pilots and resistance operatives, hatched daring escape plots. The danger of discovery by the Nazis grew every day--as did an unlikely romance.Based on official American, French, and German documents, histories, personal memoirs, and the author's interviews with several of the story's key participants, Escape from Paris crosses the traditional lines of World War II history with tense drama of air combat over Europe, the intrigue of occupied Paris, and courageous American and Allied pilots and French resistance fighters pitted against Nazi thugs. All of this set in one of the world's most beautiful and captivating cities.

    Only a few hundred of them survived the war. In The Girls of Room 28, ten of these children—mothers and grandmothers today in their seventies—tell us how they did it. The Jews deported to Theresienstadt from countries all over Europe were aware of the fate that awaited them, and they decided that it was the young people who had the best chance to survive. Keeping these adolescents alive, keeping them whole in body, mind, and spirit, became the priority. They were housed separately, in dormitory-like barracks, where they had a greater chance of staying healthy and better access to food, and where counselors (young men and women who had been teachers and youth workers) created a disciplined environment despite the surrounding horrors. The counselors also made available to the young people the talents of an amazing array of world-class artists, musicians, and playwrights–European Jews who were also on their way to Auschwitz. Under their instruction, the children produced art, poetry, and music, and they performed in theatrical productions, most notably Brundibar, the legendary “children’s opera” that celebrates the triumph of good over evil. In the mid-1990s, German journalist Hannelore Brenner met ten of these child survivors—women in their late-seventies today, who reunite every year at a resort in the Czech Republic. Weaving her interviews with the women together with excerpts from diaries that were kept secretly during the war and samples of the art, music, and poetry created at Theresienstadt, Brenner gives us an unprecedented picture of daily life there, and of the extraordinary strength, sacrifice, and indomitable will that combined—in the girls and in their caretakers—to make survival possible.

    Individually or in small "humanitarian cells," the ten Dutch people profiled were able to save the lives of thousands of Jewish children during the Nazi occupation of Holland. How did they do what they did—and why did they risk everything to do it? Although their tales of rescue vary greatly, the integrity of the rescuers does not. Thus these narratives provide a glimpse into their personalities and character while shedding light on their extraordinary acts of courage and kindness. Framed by Klempner's own quest for meaning, the rescuers' words resonate across generations, providing timeless insight into how people of conscience can navigate morally and resist evil in a world where the old specters of prejudice and fascism are again ascendant.

    They provided Jewish children with safe houses and gathered vital intelligence for the resistance. They did what they did "because it had to be done." Above all, they tried to remain human in inhuman circumstances.Hannie Schaft was executed by the Nazis three weeks before the end of the war and became the icon of female Dutch resistance. Truus and Freddie Oversteegen survived the war, but were forever haunted by the demons of their past.

    Over the past two decades, Antony Beevor has established himself as one of the world's premier historians of WWII. His multi-award winning books have included Stalingrad and The Fall of Berlin 1945. Now, in his newest and most ambitious book, he turns his focus to one of the bloodiest and most tragic events of the twentieth century, the Second World War. In this searing narrative that takes us from Hitler's invasion of Poland on September 1st, 1939 to V-J day on August 14, 1945 and the war's aftermath, Beevor describes the conflict and its global reach -- one that included every major power. The result is a dramatic and breathtaking single-volume history that provides a remarkably intimate account of the war that, more than any other, still commands attention and an audience. Thrillingly written and brilliantly researched, Beevor's grand and provocative account is destined to become the definitive work on this complex, tragic, and endlessly fascinating period in world history, and confirms once more that he is a military historian of the first rank.

    The ship is instantly transformed into a fiery cauldron and sinks within minutes. Some 300 men go down with the ship. Nearly 900 make it into the water alive. For the next five nights and four days, almost three hundred miles from the nearest land, the men battle injuries, sharks, dehydration, insanity, and eventually each other. Only 316 will survive. For the better part of a century, the story of USS Indianapolis has been understood as a sinking tale. The reality, however, is far more complicated—and compelling. Now, for the first time, thanks to a decade of original research and interviews with 107 survivors and eyewit­nesses, Lynn Vincent and Sara Vladic tell the complete story of the ship, her crew, and their final mission to save one of their own. It begins in 1932, when Indianapolis is christened and launched as the ship of state for President Franklin Roosevelt. After Pearl Harbor, Indianapolis leads the charge to the Pacific Islands, notching an unbroken string of victories in an uncharted theater of war. Then, under orders from President Harry Truman, the ship takes aboard a superspy and embarks on her final world-changing mission: delivering the core of the atomic bomb to the Pacific for the strike on Hiroshima. Vincent and Vladic provide a visceral, moment-by-moment account of the disaster that unfolds days later after the Japanese torpedo attack, from the chaos on board the sinking ship to the first moments of shock as the crew plunge into the remote waters of the Philippine Sea, to the long days and nights during which terror and hunger morph into delusion and desperation, and the men must band together to survive. Then, for the first time, the authors go beyond the men’s rescue to chronicle Indianapolis’s extraordinary final mission: the survivors’ fifty-year fight for justice on behalf of their skipper, Captain Charles McVay III, who is wrongly court-martialed for the sinking. What follows is a captivating courtroom drama that weaves through generations of American presidents, from Harry Truman to George W. Bush, and forever entwines the lives of three captains—McVay, whose life and career are never the same after the scandal; Mochitsura Hashimoto, the Japanese sub commander who sinks Indianapolis but later joins the battle to exonerate McVay; and William Toti, the captain of the modern-day submarine Indianapolis, who helps the survivors fight to vindicate their captain. A sweeping saga of survival, sacrifice, justice, and love, Indianapolis stands as both groundbreaking naval history and spellbinding narrative—and brings the ship and her heroic crew back to full, vivid, unforgettable life. It is the definitive account of one of the most remarkable episodes in American history.

    With the Final Solution at its terrible apex and tens of thousands of Hungarian Jews being sent to Auschwitz every month, the two men agreed to allow 1,684 Jews to leave for Switzerland by train. In other manoeuvrings, Kastzner may have saved another 40,000 Jews already in the camps. Kasztner was later judged for having "sold his soul to the devil." Prior to being exonerated, he was murdered in Israel in 1957.Part political thriller, part love story and part legal drama, Porter's account explores the nature of Kasztner -- the hero, the cool politician, the proud Zionist, the romantic lover, the man who believed that promises, even to diehard Nazis, had to be kept. The deals he made raise questions about moral choices that continue to haunt the world today.

    The French turned them over to the Gestapo, who imprisoned them. Dudach was executed by firing squad in May; Delbo remained in prison until January 1943, when she was deported to Auschwitz and then to Ravensbruck, where she remained until the end of the war. This book - Delbo's vignettes, poems and prose poems of life in the concentration camp and afterwards - is a literary memoir. It is a document by a female resistance leader, a non-Jew and a writer who transforms the experience of the Holocaust into prose.

    Later that year, the Jdische Kulturbund, or Jewish Cultural Association, was created to allow Jewish artists to perform for Jewish audiences. Here is the riveting and emotional story of Gunther Goldschmidt and Rosemarie Gumpert, two courageous Jewish musicians who struggled to perform under unimaginable circumstances and found themselves falling in love in a country bent on destroying them.