On the primitive frontier of desert and mountain in the backwoods of Brazil, fifty-two hundred houses and every man, woman, and child who lived in them had been destroyed. The ten-month-long house-to-house battle, the agony of guerrilla warfare, the bitterness of "scorched earth" retreat was ended. The federal army of Brazil had defeated the religious mystic, the fanatic street preacher, the Messiah to thousands, who had led from December, 1986, to October, 1897, the strangest of all rebellions.Yet Antonio Conselheiro's personal war did not go unsung. Os Sertões—called Brazil's greatest epic—is Euclides da Cunha's searing, moving account of Conselheiro's struggle. It is a valiant cry of protest against oppression of the weak by the strong and a wise and compassionate record of a shocking totalitarian crime perpetrated against a handful of backwoodsmen in a little-known corner of the world.In this brilliant English translation by Samuel Putnam, Rebellion in the Backlands retains its force as a classic contribution to man's understanding of the human spirit and the human struggle.

    Keeping up appearances, they host salons for the political and cultural elite. In private, Jenny, António, and his lover, Pedro, share a guarded triangle, build a profound relationship, and together raise a daughter born under the auspices of rebellion.Thirty years later, their daughter, Camila, a photojournalist who has captured the revolutionary fervor and tragic loss of her family—and country—reminisces about a long-lost love in Southeast Africa. This memory shapes the future of her daughter, Natália, a successful architect, who begins an impassioned quest of her own. As she navigates Portugal’s complex past, Natália will discover herself in the two women whose mysteries and intimate intrigues have come to define her.Through revealing journals, snapshots of a turbulent era, and private letters, the lives of three generations of women unfold, embracing all that has separated them and all that binds them—their strength, their secrets, and their search for love through the currents of change.

    Of his most recent novel, "The Rest of the Earth," Annie Proulx remarked that "Henderson writes some of the most evocative and transcendently beautiful prose in contemporary American literature." Set primarily in Wyoming, Henderson's new novel is the chronicle of six generations of a family, viewed through the lens of one woman's very long life. Augusta "Gussie" Locke is born in Minnesota in 1903. As a teenager she moves west with her mother to Colorado and then runs away from home. A one-night stand with a traveling soldier leaves her pregnant, and with her daughter, Anne, she eventually finds a life in Wyoming running supplies to oil and mineral crews in the Great Basin Divide. Through the years, Gussie keeps moving, abandoning people and places, being abandoned herself; Anne runs away just as her mother had, never to be seen again. Settling in the Wind River Range, Augusta, alone again, builds a new life until, years later, her grandson and great-granddaughter seek to discover the woman behind the family myth. Spanning the twentieth century, Augusta's extraordinary trials and tribulations play out themes of love and loss, redemption and reconciliation. Redolent with myth, humor, strange landscapes, and stark reality, "Augusta Locke" is an indelible portrait of a woman who through great spirit and toughness of character blazes her own trail.

    Erotica for open minded adults only. All persons depicted in this short confessional were at least 18 years of age or older at the time of the depiction.

    In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original story.

    She has long been interested in various aspects of magic but is searching for something more. Her search leads her to people of great wisdom, who begin to teach Brida about the spiritual world. She meets a wise man who dwells in a forest, who teaches her about overcoming her fears and trusting in the goodness of the world; and a woman who teaches her how to dance to the music of the world, and how to pray to the moon. As Brida seeks her destiny, she struggles to find a balance between her relationships and her desire to become a witch. This enthralling novel incorporates themes that fans of Paulo Coelho will recognize and treasure—it is a tale of love, passion, mystery, and spirituality from the master storyteller.

    In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

    I t was enthusiastically received by the Russian society and remained his least controversial and most widely-read novel until the end of the 19th century. It was turned into a movie by Andrey Konchalovsky in 1969.The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.

    It is the story of a woman who is convinced, and, astonishingly, will ultimately convince the reader as well, that she is the only person left on earth. Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state, so too will her drama become one of the few certifiably original fictions of our time.

    The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as "magical realism."

    Near the end of World War II, 19-year-old Boris Koptek leaves the village to join the Russian army, swearing to the 16-year-old love of his life, Vera, that as soon as he returns they will marry. Young Boris, who with his engineering battalion fights his way almost to Berlin, is reported killed in action crossing the Spree River. But Vera refuses to believe he is dead, and each day, all these years later, faithfully awaits his return.Then one day the narrator arrives in the village, a 26-year-old native of Leningrad who is fascinated by both the still-beautiful woman and her exemplary story, and little by little falls madly in love with her. But how can he compete with a ghost that will not die?Beautifully, delicately, but always powerfully told, Andre� Makine delineates in masterly prose the movements and madness that constitute the dance of pure love.

    In the aching cold where night bumps into day, Hold hears noises confirming he isn't alone. At the edge of his nets, a rudderless dingy thumps against the rocks, prey to the ebbing tide. What he finds there changes everything. Meanwhile, Grzegorz works hard, with no time for rest and little thanks. All he needs is an opportunity; when it comes, with no apparent strings attached, what can he do but take it? On the other hand, the Big Man knows only one kind of life—where all that is needed are a code of honor and a reputation—but it’s leaving him behind and he’s struggling to keep up. One random technical hitch later and the three men are set on a journey that none could have foreseen, none can halt, and that ends as abruptly as it began.

    After a lifetime, her only real accomplishment is her longevity: everyone she reads about in the obituaries has died younger than she is now. Afraid that her life will be over before anyone knows that she lived, Mathea digs out her old wedding dress, bakes some sweet cakes, and heads out into the world—to make her mark. She buries a time capsule out in the yard. (It gets dug up to make room for a flagpole.) She wears her late husband’s watch and hopes people will ask her for the time. (They never do.) Is it really possible for a woman to disappear so completely that the world won’t notice her passing? The Faster I Walk, the Smaller I Am is a macabre twist on the notion that life “must be lived to the fullest.”

    Though nothing is as simple as it might appear to be, we could describe this as a story about Allen, who is married to Maud but having an affair with Elizabeth, who lives with Maud. Or say it is a story about fraud in the art world, horse racing, and sexual intrigues. Or, as one critic did, compare it to a Jane Austen creation, or to an Aldous Huxley novel - and be right and wrong on both counts.

    They don't believe in romantic happy endings.Farfalla Corrado is a globetrotting Italian witch, trained in Brazilian voodoo. Farfalla can tell real fortunes, see real ghosts and speak real curses. Farfalla doesn't just know the future – she can feel in in the dark, twisted depths of her heart.Gavin Tremaine is a high-tech Seattle venture capitalist. He can forecast the future, spot its trends, and invest in its business models. Gavin has a big future ahead of him – unfortunately, Gavin knows what that big future holds for the little people.When their worlds collide, history itself begins to crumble. They already know how this love story is bound to end – and it's not what the other expects.ABOUT THE AUTHORBruce Sterling lives in Austin, Turin and also Belgrade. He is married to the Serbian feminist and novelist Jasmina Tesanovic.He is an American science fiction author, best known for his novels and his work on the Mirrorshades anthology, which helped define the cyberpunk genre.His nonfiction works include The Hacker Crackdown: Law and Disorder on the Electronic Frontier; Tomorrow Now: Envisioning the Next Fifty Years; and Shaping Things.