On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio — a hard-luck cop, a cub reporter, and an eccentric professor — all raced to solve the crime.What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn't identify with certainty, and who the defense claimed wasn't even dead. The Murder of the Century is a rollicking tale — a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.

    Every dream, inflection, or slip of tongue in his “hysterical” patients has meaning and reveals some hidden truth. When a mysterious and beautiful medium dies under extraordinary circumstances, Max’s good friend, Detective Oskar Rheinhardt, calls for his expert assistance. The medium’s body has been found in a room that can only be locked from the inside. Her body has been shot, but there’s no gun and absolutely no trace of a bullet. All signs point to a supernatural killer, but Liebermann the scientist is not so easily convinced. Set in the Vienna of Freud, Klimt, and Mahler, a time of unprecedented activity in the worlds of philosophy, science, and art, A Death in Vienna (original title: Mortal Mischief) is an elegantly written novel, taut with suspense and rich in historical details.

    Now a journalist is following them.When Stieg Larsson died, the author of The Girl with the Dragon Tattoo had been working on a true mystery that out-twisted his Millennium novels: the assassination on February 28, 1986, of Olof Palme, the Swedish prime minister. It was the first time in history that a head of state had been murdered without a clue who’d done it—and on a Stockholm street at point-blank range.Internationally known for his fictional far-right villains, Larsson was well acquainted with their real-life counterparts and documented extremist activities throughout the world. For years he’d been amassing evidence that linked their terrorist acts to what he called “one of the most astounding murder cases” he’d ever covered. Larsson’s archive was forgotten until journalist Jan Stocklassa was given exclusive access to the author’s secret project.In The Man Who Played with Fire, Stocklassa collects the pieces of Larsson’s true-crime puzzle to follow the trail of intrigue, espionage, and conspiracy begun by one of the world’s most famous thriller writers. Together they set out to solve a mystery that no one else could.

    His arrival in Deva (more commonly known as Chester, England) does little to improve his mood, and after a straight thirty six hour shift at the army hospital, he succumbs to a moment of weakness and rescues an injured slave girl, Tilla, from the hands of her abusive owner. Now he has a new problem: a slave who won't talk and can't cook, and drags trouble in her wake. Before he knows it, Ruso is caught in the middle of an investigation into the deaths of prostitutes working out of the local bar. A few years earlier, after he rescued Emperor Trajan from an earthquake in Antioch, Ruso seemed headed for glory: now he's living among heathens in a vermin-infested bachelor pad and must summon all his forensic knowledge to find a killer who may be after him next. Who are the true barbarians, the conquered or the conquerors? It's up to Ruso—certainly the most likeable sleuth to come out of the Roman Empire—to discover the truth. With a gift for comic timing and historic detail, Ruth Downie has conjured an ancient world as raucous and real as our own. Published in the UK as Medicus (Ruso) and the Disappearing Dancing Girls.

    . .Early in life Belle Sorensen discovers the world is made only for men. They own everything: jobs, property, wives. But Belle understands what few others do: where women are concerned, men are weak.A woman unhampered by scruples can take from them what she wants. And so Belle sets out to prove to the world that a woman can be just as ruthless, black-hearted and single-minded as any man.Starting with her long suffering husband Mads, Belle embarks on a killing spree the like of which has never been seen before nor since.And through it all her kind, older sister Nellie can only watch in horror as Belle's schemes to enrich herself and cut down the male population come to a glorious, dreadful fruition . . .Based on the true story of Belle Sorensen whose murderous rampage began in Chicago in 1900, Triflers Need Not Apply is a novelistic tour de force exploring one woman's determination to pay men back for all they have taken.

    Published in the USA simultaneously in hardcover and paperback.Lovers of historical mystery will relish this chilling Victorian tale based on real events and cloaked in authenticity. Best of all, it casts British literature's most fascinating and controversial figure as the lead sleuth. A young artist's model has been murdered, and legendary wit Oscar Wilde enlists his friends Arthur Conan Doyle and Robert Sherard to help him investigate. But when they arrive at the scene of the crime they find no sign of the gruesome killing -- save one small spatter of blood, high on the wall. Set in London, Paris, Oxford, and Edinburgh at the height of Queen Victoria's reign, here is a gripping eyewitness account of Wilde's secret involvement in the curious case of Billy Wood, a young man whose brutal murder served as the inspiration for The Picture of Dorian Gray. Told by Wilde's contemporary -- poet Robert Sherard -- this novel provides a fascinating and evocative portrait of the great playwright and his own "consulting detective," Sherlock Holmes creator, Arthur Conan Doyle. (Oscar Wilde and a Death of No Importance was first published in the UK as Oscar Wilde and the Candlelight Murders.)

    On 7th November 1843, Harriet Monckton, 23 years old and a woman of respectable parentage and religious habits, was found murdered in the privy behind the dissenting chapel she had regularly attended in Bromley, Kent. The community was appalled by her death, apparently as a result of swallowing a fatal dose of prussic acid, and even more so when the autopsy revealed that Harriet was six months pregnant. Drawing on the coroner's reports and witness testimonies, the novel unfolds from the viewpoints of each of the main characters, each of whom have a reason to want her dead. Harriet Monckton had at least three lovers and several people were suspected of her murder, including her close companion and fellow teacher, Miss Frances Williams. The scandal ripped through the community, the murderer was never found and for years the inhabitants of Bromley slept less soundly. This rich, robust novel is full of suggestion and suspicion, with the innocent looking guilty and the guilty hiding behind their piety. It is also a novel that exposes the perilous position of unmarried women, the scandal of sex out of wedlock and the hypocrisy of upstanding, church-going folk.

    Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal.After hearing damning testimony, magistrate Woodward sentences the accused witch to death by burning. Desperate to exonerate the woman he has come to love, Matthew begins his own investigation among the townspeople. Piecing together the truth, he has no choice but to vanquish a force more malevolent than witchcraft in order to save his beloved Rachel and free Fount Royal from the menace claiming innocent lives.

    Born into dismal poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.The Hewitts’ eldest son, William, a former Union Army battle surgeon and the black sheep of the family, was reported to have died three years before in a notorious Confederate prison camp. But one snowy February afternoon, his parents learn that he is, in fact, still alive—and in jail for having murdered a man while intoxicated on opium. Infuriated by his son’s deception and convinced of his guilt, August Hewitt forbids his wife from coming to Will’s aid, so she begs Nell to help exonerate him. Nell finds that she must delve into the kind of dark and treacherous underworld she thought she’d left far behind if she is to unearth the truth before the hangman’s noose tightens around William Hewitt’s throat.

    Suspicion instantly falls on the only stranger to arrive in the village of Birch Hill just before the crime took place, but the American captain proves to be an unexpected asset. A former soldier and a skilled surgeon, Jason Redmond is not only willing to assist Haze with the investigation but will risk his own safety to apprehend the killer. With no suspects, no motive, and few leads to follow, Redmond and Haze must solve the crime before one of them becomes the murderer’s next victim. Murder in the Crypt is the exciting first installment of this Victorian murder mystery series set in a quaint British village.

    New and revised edition. Anna Kronberg lives in Victorian London’s worst rookery, offering medical treatment to prostitutes, vagrants, and criminals. To her, plugging holes and mopping up blood is normal. Stitching the slashed face of a young prostitute is not. Witnesses refuse to talk. The police can’t be bothered with yet another injured whore. But whispers are spreading about a man who pays well for a few harmless knife marks. No one dares reveal the man’s identity. Only Garret O’Hare - a thief Anna barely knows - reluctantly agrees to help her investigate the assault. But when the injured girl disappears, a veil of silence descends upon the slum. And Anna learns that she is no longer the hunter, but the hunted. Warning: medical procedures, poverty, and prostitution are depicted without apology. For fans of Caleb Carr, Louise Penny, and Anne Perry.

    When the opportunity presents itself, Phryne decides it might be amusing to try her hand at becoming a lady detective in Australia. Immediately upon settling into Melbourne's Hotel Windsor, Phryne finds herself embroiled in mystery. From poisoned wives and cocaine smuggling, to police corruption and rampant communism (not to mention erotic encounters with the beautiful Russian dancer, Sasha de Lisse), Cocaine Blues charts a crescendo of steamy intrigue, culminating in the Turkish baths of Little Lonsdale Street.

    . .FOREVER.A serial killer on the loose, a woman being stalked, and a homicide detective who must find the connection between the two before she becomes his next victim.He collects women. He imprisons them, plays with them, tortures them. Until they bore him. Then he removes a souvenir. They call him the Sandman.Meagan McInnis is being plagued with late night calls, yet when she answers, no one is there. Then one night she makes a grisly discovery in her own backyard.The caller is silent no more.Homicide Detective, J.J. Thomas, realizes Meagan is the key to finding the Sandman. Now not only must he protect her, but he must find the connection between Meagan and the killer before she becomes his next victim.DON'T FORGET TO PICK UP MORE SPINE TINGLING THRILLERS FROM MORGAN HANNAH MACDONALD. SPIRITS IN THE TREES- THE SPIRITS TRILOGY #1AND SPIRITS AMONG US- THE SPIRITS TRILOGY #2AVAILABLE NOW!

     In the year 1780, Harriet Westerman, the willful mistress of a country manor in Sussex, finds a dead man on her grounds with a ring bearing the crest of Thornleigh Hall in his pocket. Not one to be bound by convention or to shy away from adventure, she recruits a reclusive local anatomist named Gabriel Crowther to help her find the murderer, and historical suspense's newest investigative duo is born. For years, Mrs. Westerman has sensed the menace of neighboring Thornleigh Hall, seat of the Earl of Sussex. It is the home of a once- great family that has been reduced to an ailing invalid, his whorish wife, and his alcoholic second son, a man haunted by his years spent as a redcoat in the Revolutionary War. The same day, Alexander Adams is slain by an unknown killer in his London music shop, leaving his children orphaned. His death will lead back to Sussex, and to an explosive secret that has already destroyed one family and threatens many others. Instruments of Darkness combines the brooding atmosphere of Anne Perry with the complex, compelling detail of Tess Gerritsen, moving from drawing room to dissecting room, from coffee house to country inn. Mrs. Westerman and Mr. Crowther are both razor-sharp minds and their personalities breathe spirit into this gripping historical mystery.

    Now updated with new material that brings the killer's picture into clearer focus.In the fall of 1888, all of London was held in the grip of unspeakable terror.  An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End.  Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim.  And then the Ripper’s violent spree seemingly ended as abruptly as it had begun.  He had struck out of nowhere and then vanished from the scene.  Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel.  But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death.  Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer.In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history.  Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert.It has been said of Cornwell that no one depicts the human capability for evil better than she.   Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate.  She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press.  Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created.New information and startling revelations detailed in Portrait of a Killer include:- How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...