B. White's classic novels. One of his best-loved books, The Trumpet of the Swan, about a cygnet who finds his voice, is now a full-length animated film from Sony. Now younger readers can experience the joy of reading about Louie the trumpeter swan and his friends in these adorable readers with original full-color illustrations. Louie is very popular. Who wouldn't love a swan who can read, write, and play the trumpet? When Louie goes to camp, he meets a boy named A.G. who doesn't like birds, and since Louie is a bird, that means he doesn't like Louie. When A.G. pulls a dangerous stunt out on the lake, he realizes that Louie is a hero, after all.

    Unlike her six beautiful sisters, she has brown hair and freckles, and would rather have adventures than play the harp, embroider tapestries . . . or become a Queen. When her royal parents try to marry her off, Amy runs away and, because she's so ordinary, easily becomes the fourteenth assistant kitchen maid at a neighboring palace. And there . . . much to everyone's surprise . . . she meets a prince just as ordinary (and special) as she is!"This delightful fairy tale is sure to please young romantics . . . Neither Kaye's princess nor her book should be considered ordinary." (School Library Journal)

    This reissue of a favorite classic, with the original story and illustrations as they first appeared in 1922, will work its magic for all who read it.

    "Fetch the whipping boy!" A young orphan named Jemmy rouses from his sleep. "Ain't I already been whipped twice today? Gaw! What's the prince done now?" It was forbidden to spank, thrash, or whack the heir to the throne. Jemmy had been plucked from the streets to serve as whipping boy to the arrogant and spiteful Prince Brat. Dreaming of running away, Jemmy finds himself trapped in Prince Brat's own dream at once brash and perilous. In this briskly told tale of high adventure, taut with suspense and rich with colorful characters, the whipping boy and Prince Brat must at last confront each other. Award-winning author Sid Fleischman again blends the broadly comic with the deeply compassionate in this memorable novel.

    She's the heroine, and her story is exciting -- but that's the trouble. Her story is always exciting in the same way. Sylvie longs to get away and explore the world outside the confines of her book. When she breaks the cardinal rule of all storybook characters and looks up at the Reader, Sylvie begins a journey that not even she could have anticipated. And what she accomplishes goes beyond any great good thing she could have imagined...

    and Mrs. Rogers tell her. ...But somehow things never turn out quite right.

    But when he puts it in his old cupboard and turns the key, something extraordinary happens that will change Omri's life for ever. For Little Bear, the Iroquois Indian brave, comes to life...

    Born in Grandview, Indiana, Bill Peet nurtured his childhood drawing talent and was awarded a scholarship to the John Herron Art Institute in Indianapolis, where he studied painting and design. After a brief apprenticeship period, he went to work for Walt Disney as a sketch artist, eventually becoming a screenwriter and helping to produce such beloved films as Fantasia, 101 Dalmations, and Peter Pan. In 1959 Bill Peet published his first book, Hubert's Hair-Raising Adventure, going on to write and illustrate over thirty successful books for children.

    He likes it bitter, sweet, dark, light, and daily; for breakfast, lunch, dinner, and snacks; in cakes, candy bars, milk, and every other form you can possibly imagine. Henry probably loves chocolate more than any boy in the history of the world. One day-it starts off like any other day-Henry finds that strange things are happening to him. First he makes medical history with the only case of Chocolate Fever ever. Then he finds himself caught up in a wild and hilarious chase, climaxed by a very unusual hijacking!

    It’s the mysterious castle his housekeeper has told him about, and even though William is sad she’s leaving, now the castle is his! William can’t wait to play with the castle—he’s certain there’s something magical about it. And sure enough, when he picks up the tiny silver knight, it comes alive in his hand! Sir Simon tells William a mighty story of wild sorcery, wizards, and magic. And suddenly William is off on a fantastic quest to another land and another time—where a fiery dragon and an evil wizard are waiting to do battle.

    But only the girl who proves she can see him will be his bride. The two beautiful but spoiled daughters of a poor village man try their best to be chosen, but it is their Rough-Face-Girl sister, scarred on her face and arms from tending fires, who sees the Invisible Being in the wonder of the natural world.The dramatic illustrations reflect the vibrant earth colors of the native landscape and the wisdom and sensitivity of the protagonist.

    . . thanks to some help from their cranky teacher, a little bit of logic, and a lot of amusing misadventure.Yes, Rufus wrote CAIUS IS A DUMBBELL on his tablet at school, but no, he did not break into the schoolroom, did not tie up his teacher, and certainly did not paint his slur about Caius on the Temple of Minerva (even if it is in Rufus's own handwriting). Rufus is doomed unless his six classmates can find out who is really responsible. Every hour seems to bring a new, confusing clue . . . until the boys finally stumble upon someone who is not what he appears to be.

    How could everyone in a castle - even the flies on the walls - sleep for a century and then wake up? This magical, beautifully illustrated tale begins when the king excludes the most difficult fairy of the kingdom from a feast celebrating the birth of his beautiful daughter Briar Rose. Furious, the fairy storms in and curses the baby, pronouncing that on her fifteenth birthday she will be pricked by a distaff (from a spinning wheel) and fall down dead. The youngest fairy softens the curse to a century-long sleep. Despite the fact that the king burns all the spinning wheels in the kingdom, 15-year-old Briar Rose finds herself in the tower where the evil fairy and her fate await her. The drama of the spell unfurls as she and the other inhabitants of the castle fall instantly asleep, from courtiers to kitchen maids. Thorny briars - moodily captured by Trina Schart Hyman's masterful paintbrush - grow up around the castle. Hyman depicts those who died attempting to break through the maze of thorns to reach the legendary sleeping beauty in a nightmarish illustration. But goodness and true love prevail when the perfect prince does finally find his way through the thick vines.Hyman won a Caldecott Medal for her work in Saint George and the Dragon by Margaret Hodges, and her version of The Sleeping Beauty makes us believe in the magic of the spell. The scenes inside the castle are alive with color and movement and rich with details that children will devour eagerly. Moods and expressions are rendered exquisitely, especially those of the wild, red-haired beauty Briar Rose. This wonderful read-aloud classic is one of Hyman's best.

    Pepper has to sew all day long just to earn enough to pay the rent and to feed the five growing Peppers. But she faces poverty and trouble with a stout heart, a smiling face, and the help of her jolly brood: blue-eyed Ben, the eldest and the man of the house at the age of 11; pretty Polly, so eager to cook for the family and make everyone happy and comfortable; and the three littlest Peppers, Joel, Davie, and baby Phronsie.A favorite of children, parents, and teachers for generations, this heartwarming classic first appeared in 1880. Since then, it has inspired countless young imaginations with its tender tales of the ways in which courage and good cheer can overcome adversity.

    Tom, a.k.a., the Great Brain, is a silver-tongued genius with a knack for turning a profit. When the Jenkins boys get lost in Skeleton Cave, the Great Brain saves the day. Whether it's saving the kids at school, or helping out Peg-leg Andy, or Basil, the new kid at school, the Great Brain always manages to come out on top—and line his pockets in the process.