From the author of Fugitive Pieces, this work provides a collection of poems, meditations on how love changes in order to survive and how we move from obsolete science to new perceptions.

    Throughout the pages you will experience heartbreak, happiness, sadness, and be reminded of what it was like to be a teenager.

    

    But after a month of bliss, they suddenly find themselves in rough waters. When Kyle inherits four oil wells from his uncle, he sees his affluence as an opportunity to impress Gretchen. But just before he makes his move, Gretchen hears news of an oil tanker spilling its load near the coast of Alaska. Leaving Kyle behind in Texas, she joins a group of campus activists in Alaska for the summer to clean oil from suffering birds.Kyle is torn between managing his business--and being left lonely in the Lone Star state--and risking everything to fly to Alaska to pursue Gretchen. The young oil man soon discovers that oil slicks are nothing compared to relational slicks. The early bird may get the worm, but the oily bird can ruin romance!

    His sophisticated insights into psychological complexities, his ability to capture the essence of nature's sounds and spoken dialects in written words, and above all his inimitable-and often surprising-imagery have entertained his legions of fans over successive generations. It represents Gulzar's most memorable compositions of all time, and feature anecdotes about the composition of the lyrics as well as sketches by Gulzar.

    He also has the tender memories of his grandfather's exaggerated stories of Irish wonder and magic stories of leprechauns and legends and the mysterious power of fate. But he doesnot have the story of why his grandfather left Ireland as a young man.Mesmerized by his romantic vision of Ireland, Cooper begins his search with a charming, down-on- his-luck Irish actor. He is also unprepared for the presence of Kathleen O'Reilly. As Cooper hunts for his grandfather's ghost, the landmarks and the fate of the Irish that Finn Coghlan talked of magically brings Cooper and Kathleen together. Yet, there is a truth between the two of them that not even the enchanting tale of Finn McCool and Sally Cavanaugh can resolve. For that, Cooper must use the one gift bestowed on him as a child by his grandfatherBogmeadow's wish.

     Heading north for the holidays, things certainly hadn’t gone as she had planned. A snowstorm, an apple pie, and an old friend, all conspire to bring her to a crossroads. Will a Christmas Eve detour send her back to her snug village home, or will she forge ahead and let a turn in the road lead her to a newfound happiness? In this, the first entry in her new Rose and Briar Inn series, From Women’s Pens author Andrea Twombly weaves a warm story of the Christmas season, rich in challenges overcome and courage discovered along a twisting road to love. You won’t want to miss this one!

    His voice and sensibility are distinctive, and the places he goes are ones where not many writers are able or willing to venture. The dark world of his poems, which face many of the hardest truths we must learn to live with, is lit by humor, tenderness, compassion, and honesty. For this edition, the poet has selected from the best of his previous collections, in some cases making substantial revisions, and has added his newest poems. The resulting collection is exciting in its breadth, consistency, depth, and distinction.

    

    Here refugees listen to relaxation tapes that create an Arcadia out of tires and bleach. Here the alphabet spells out disaster and devours children. Here plate tectonics birth a misery rift, spinning loved ones away from each other across an uncaring sea. And here the cosmos--and Cosmos, as Carl Sagan's hopeful words are fissured by erasure--yawns wide.Wilder is grimly visceral but also darkly sly; it paints its world in shades of neon and rust, and its apocalypse in language that runs both sublime and matter-of-fact. "Some of us didn't have lungs left," writes Wahmanholm. "So when we lay beneath the loudspeaker sky--when we were told to pay attention to our breath--we had to improvise." The result is a debut collection that both beguiles and wounds, whose sky is "black at noon, black in the afternoon."

    Ten years ago, monsters murdered Anastasia and her children. Now, she’s back to hunt down the creatures responsible. She knows their names, their faces, and even where they’re hiding. There’s just one problem. No one in town believes her. After a botched bank robbery, Anastasia finds herself on the wrong side of the law, riding into the mountains in search of vengeance, notorious outlaw, Jesse Gallagher, at her side. With the sheriff of Babylon hot on their trail, ghouls on their heels, and werewolves and skin stealing monsters in the mountains, Jesse and Anastasia quickly find out they’re outgunned and in for a long night. It’s going to take more than silver bullets to put these monsters down.

    Treating it as worship, turning it into an opportunity to plant new seeds of growth. Language so often fails us, but Fransico has found his way around this as he creates his own words for the things our language cannot give name to. "Felenter (Noun) Definition: Someone who finds joy in things that people believe to be mundane." I'll Fly Away Uses fascinating metaphors to convey common emotional states. These poems are an act of remembrance, and an act of believing that you dear reader, are a celebration waiting for the lights to come up.

    In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    Virtually unknown and only published in pulp magazines before he died in poverty, he is now regarded as one of the most significant 20th-century authors in his genre. Lovecraft was born in Providence, Rhode Island, where he spent most of his life. Among his most celebrated tales is "The Call of Cthulhu", canonical to the Cthulhu Mythos. Never able to support himself from earnings as author and editor, Lovecraft saw commercial success increasingly elude him in this latter period, partly because he lacked the confidence and drive to promote himself. He subsisted in progressively straitened circumstances in his last years; an inheritance was completely spent by the time he died at the age of 46.

    After a lifetime of self-loathing, crippling fear, and attempts to numb his own feelings, he was left on the verge of suicide. It was only when he opened himself completely to his emotions—both the unbearable and the wonderful—that he stopped seeking death and started truly living.In You Were Never Broken, Foster explores this transformation through poetry so raw and vulnerable that you too will feel the full triumph of his journey. Whether exploring life’s uncertainties or the joy of personal realization, Foster’s poems embrace the full spectrum of human experience.Amid these verses, Foster provides his signature direct teachings on meditation, the great value of stillness and silence, and what it means to surrender completely to the beauty of the present moment. For Foster, the winding path to self-acceptance started with nonjudgmental observation of the thoughts that plagued him—and here he shares his world-renowned expertise on how to begin your own journey.With You Were Never Broken, Jeff Foster shares the true heart of his inspiring, revelatory path to awakening. In his own words, these are poems to make you stand up and cry, “Yes, I am broken . . . but I am unbreakable!”