Our incarceration rate--at 714 per 100,000 residents and rising--is almost forty percent greater than our nearest competitors (the Bahamas, Belarus, and Russia). More pointedly, it is 6.2 times the Canadian rate and 12.3 times the rate in Japan. Economist Glenn Loury argues that this extraordinary mass incarceration is not a response to rising crime rates or a proud success of social policy. Instead, it is the product of a generation-old collective decision to become a more punitive society. He connects this policy to our history of racial oppression, showing that the punitive turn in American politics and culture emerged in the post-civil rights years and has today become the main vehicle for the reproduction of racial hierarchies. Whatever the explanation, Loury argues, the uncontroversial fact is that changes in our criminal justice system since the 1970s have created a nether class of Americans--vastly disproportionately black and brown--with severely restricted rights and life chances. Moreover, conservatives and liberals agree that the growth in our prison population has long passed the point of diminishing returns. Stigmatizing and confining of a large segment of our population should be unacceptable to Americans. Loury's call to action makes all of us now responsible for ensuring that the policy changes.

    She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the eighteenth-century slave ship Brooks, Jeremy Bentham's Panopticon, and The Book of Negroes, to contemporary art, literature, biometrics, and post-9/11 airport security practices. Surveillance, Browne asserts, is both a discursive and material practice that reifies boundaries, borders, and bodies around racial lines, so much so that the surveillance of blackness has long been, and continues to be, a social and political norm.

    He describes how his team of "cyber-ninjas" unraveled it while they worked against the clock of Constitutional processes, all against the background of being a lifetime entrepreneur trying to interact with Washington, DC. This book takes you behind the headlines to backroom scenes that determined whether or not the fraud would be exposed in time, and paints a portrait of Washington that will leave the reader asking, "Is this the end of our constitutional republic?"

    Arrested at the age of eighteen in the fatal shooting of a man during a robbery outside a Houston convenience store, Green may have taken part in the robbery but always insisted that he did not pull the trigger. The jury, which had no African Americans on it, sentenced him to death. Despite obvious errors in the legal procedures and the protests of the victim’s family, he spent the last twelve years of his life on Death Row. When Cahill found himself in Texas in December 2003, he visited Dominique at the request of Judge Sheila Murphy, who was working on the appeal of the case. In Dominique, he encountered a level of goodness, peace, and enlightenment that few human beings ever attain. Cahill joined the fierce fight for Dominique’s life, even enlisting Dominique’s hero, Archbishop Desmond Tutu, to make an historic visit to Dominique and to plead publicly for mercy. Cahill was so profoundly moved by Dominique’s extraordinary life that he was compelled to tell the tragic story of his unjust death at the hands of the state. A Saint on Death Row will introduce you to a young man whose history, innate goodness, and final days you will never forget. It also shines a necessary light on America’s racist and deeply flawed legal system. A Saint on Death Row is an absorbing, sobering, and deeply spiritual story that illuminates the moral imperatives too often ignored in the headlong quest for justice.

    John Snow first traced an outbreak of cholera to a water pump in the Soho district of London in 1854, the field of epidemiology was born. Taking the same public health approaches and tools that have successfully tracked epidemics of flu, tuberculosis, and AIDS over the intervening one hundred and fifty years, Ernest Drucker makes the case that our current unprecedented level of imprisonment has become an epidemic—a plague upon our body politic.Drucker, an internationally recognized public health scholar and Soros Justice Fellow, spent twenty years treating drug addiction and another twenty studying AIDS in some of the poorest neighborhoods of the South Bronx and worldwide. Hecompares mass incarceration to other, well-recognized epidemics using basic public health concepts: “prevalence and incidence,” “outbreaks,” “contagion,” “transmission,” and “potential years of life lost.”He argues that imprisonment—originally conceived as a response to individuals’ crimes—has become mass incarceration: a destabilizing force that undermines the families and communities it targets, damaging the very social structures that prevent crime.Sure to provoke debate, this book shifts the paradigm of how we think about punishment by demonstrating that our unprecedented rates of incarceration have the contagious and self-perpetuating features of the plagues of previous centuries.

    His murder was part of a wave of white terrorism in the wake of the 1954 Supreme Court decision that declared public school segregation unconstitutional. Only weeks later, Rosa Parks thought about young Emmett as she refused to move to the back of a city bus in Montgomery, Alabama. Five years later, Black students who called themselves “the Emmett Till generation” launched sit-in campaigns that turned the struggle for civil rights into a mass movement. Till’s lynching became the most notorious hate crime in American history.But what actually happened to Emmett Till—not the icon of injustice, but the flesh-and-blood boy? Part detective story, part political history, drawing on a wealth of new evidence, including a shocking admission of Till’s innocence from the woman in whose name he was killed. this book provides fresh insight into the way race has informed and deformed our democratic institutions.

    In fact, Dawson has signed on to play Hylton in a movie that’s in development now.But in 1986, Hylton experienced prison from the inside when she was sentenced to 25 years-to-life for kidnapping and second-degree murder. Like so many women before her and so many women yet to come, her life had been a nightmare of abuse that left her feeling alone and convinced of her worthlessness. With her sentencing, it seemed that Donna had reached the end–at age 19, due to her own mistakes and bad choices, her life was over.But behind the bars of Bedford Hills Correctional Facility, alongside this generation’s most infamous female criminals, Donna learned to fight — and then, to thrive. For the first time in her life, she realized that she was not alone in the abuse and misogyny that she experienced; as she bonded with her new sisters, she discovered that her pain was not an anomaly, but a commonality among women from all walks of life.It’s a reality that she has since vowed to change. Since her release in 2012, Donna has emerged as a leading advocate for criminal justice reform and women’s rights who speaks with politicians, violent abusers, prison officials, victims, and students to tell her story. But it’s not her story alone, she is quick to say. She also represents the stories of thousands of women who are unable to speak for themselves because they’ve been silenced, imprisoned, or killed.

    is the first deep-dive investigation of a hazardous and illicit industry that has created a worldwide epidemic, ravaging communities and overwhelming and confounding government agencies that are challenged to combat it. "A whole new crop of chemicals is radically changing the recreational drug landscape," writes Ben Westhoff. "These are known as Novel Psychoactive Substances (NPS) and they include replacements for known drugs like heroin, cocaine, ecstasy, and marijuana. They are synthetic, made in a laboratory, and are much more potent than traditional drugs"--and all-too-often tragically lethal. Drugs like fentanyl, K2, and Spice--and those with arcane acronyms like 25i-NBOMe-- were all originally conceived in legitimate laboratories for proper scientific and medicinal purposes. Their formulas were then hijacked and manufactured by rogue chemists, largely in China, who change their molecular structures to stay ahead of the law, making the drugs' effects impossible to predict. Westhoff has infiltrated this shadowy world, becoming the first journalist to report from inside an illicit Chinese fentanyls lab and providing startling and original reporting on how China's vast chemical industry operates, and how the Chinese government subsidizes it. He tracks down the little-known scientists who invented these drugs and inadvertently killed thousands, as well as a mysterious drug baron who turned the law upside down in his home country of New Zealand. Poignantly, Westhoff chronicles the lives of addicted users and dealers, families of victims, law enforcement officers, and underground drug awareness organizers in the U.S. and Europe. Together they represent the shocking and riveting full anatomy of a calamity we are just beginning to understand. From its depths, as Westhoff relates, are emerging new strategies that may provide essential long-term solutions to the drug crisis that has affected so many.

    Chemical Cowboys tracks Gagne as he infiltrates New York’s club scene, uncovering a multimillion-dollar criminal empire that spans continents. At its helm is Oded “Fat Man” Tuito, an Israeli fugitive and elusive drug kingpin who combines Wall Street business savvy with old-fashioned street smarts and a taste for violence. A taut behind-the-scenes glimpse into an international criminal enterprise, Chemical Cowboys is a riveting tale of one man’s obsessive pursuit of justice—and the personal cost of that obsession.

    David Chandler, a world-renowned historian of Cambodia, examines the Khmer Rouge phenomenon by focusing on one of its key institutions, the secret prison outside Phnom Penh known by the code name "S-21." The facility was an interrogation center where more than 14,000 "enemies" were questioned, tortured, and made to confess to counterrevolutionary crimes. Fewer than a dozen prisoners left S-21 alive.During the Democratic Kampuchea (DK) era, the existence of S-21 was known only to those inside it and a few high-ranking Khmer Rouge officials. When invading Vietnamese troops discovered the prison in 1979, murdered bodies lay strewn about and instruments of torture were still in place. An extensive archive containing photographs of victims, cadre notebooks, and DK publications was also found. Chandler utilizes evidence from the S-21 archive as well as materials that have surfaced elsewhere in Phnom Penh. He also interviews survivors of S-21 and former workers from the prison.Documenting the violence and terror that took place within S-21 is only part of Chandler's story. Equally important is his attempt to understand what happened there in terms that might be useful to survivors, historians, and the rest of us. Chandler discusses the "culture of obedience" and its attendant dehumanization, citing parallels between the Khmer Rouge executions and the Moscow Show Trails of the 1930s, Nazi genocide, Indonesian massacres in 1965-66, the Argentine military's use of torture in the 1970s, and the recent mass killings in Bosnia and Rwanda. In each of these instances, Chandler shows how turning victims into "others" in a manner that was systematically devaluing and racialist made it easier to mistreat and kill them. More than a chronicle of Khmer Rouge barbarism, Voices from S-21 is also a judicious examination of the psychological dimensions of state-sponsored terrorism that conditions human beings to commit acts of unspeakable brutality.

    And so it is. After two intense court battles with prison officials, Rathbone gained unprecedented access to the otherwise invisible women of the oldest running women’s prison in America. The picture that emerges is both astounding and enraging. Women reveal the agonies of separation from family, and the prevalence of depression, and of sexual predation, and institutional malaise behind bars. But they also share their more personal hopes and concerns. There is horror in prison for sure, but Rathbone insists there is also humor and romance and downright bloody-mindedness. Getting beyond the political to the personal, A World Apart is both a triumph of empathy and a searing indictment of a system that has overlooked the plight of women in prison for far too long.At the center of the book is Denise, a mother serving five years for a first-time, nonviolent drug offense. Denise’s son is nine and obsessed with Beanie Babies when she first arrives in prison. He is fourteen and in prison himself by the time she is finally released. As Denise struggles to reconcile life in prison with the realities of her son’s excessive freedom on the outside, we meet women like Julie, who gets through her time by distracting herself with flirtatious, often salacious relationships with male correctional officers; Louise, who keeps herself going by selling makeup and personalized food packages on the prison black market; Chris, whose mental illness leads her to kill herself in prison; and Susan, who, after thirteen years of intermittent incarceration, has come to think of MCI-Framingham as home. Fearlessly truthful and revelatory, A World Apart is a major work of investigative journalism and social justice.From the Hardcover edition.

    After being convicted and disbarred, Fraser became the confidant of one of Australia’s most notorious serial killers, Peter Dupas. What he learned made him the Homicide Squad’s secret weapon. Angry at his treatment in jail and his excessive sentence, the long–time defence lawyer enjoyed the irony of his situation: the authorities who destroyed his career now needed his cooperation. There was never any doubt that Andrew would give evidence, even though he knew that the defence would try to destroy his credibility by bringing up the past he desperately wanted to forget. Fraser paints a vivid picture of the grim, terrifying, and futile reality of maximum security prison life and of his time spent with the murderers, psychopaths, and paedophiles. Lunatic Soup relates his harrowing experiences of the justice system as a prisoner and on the stand as a witness in a murder trial.

    Stunned, confused, and only twenty-nine years old, Hinton knew that it was a case of mistaken identity and believed that the truth would prove his innocence and ultimately set him free.But with no money and a different system of justice for a poor black man in the South, Hinton was sentenced to death by electrocution. He spent his first three years on Death Row at Holman State Prison in agonizing silence—full of despair and anger toward all those who had sent an innocent man to his death. But as Hinton realized and accepted his fate, he resolved not only to survive, but find a way to live on Death Row. For the next twenty-seven years he was a beacon—transforming not only his own spirit, but those of his fellow inmates, fifty-four of whom were executed mere feet from his cell. With the help of civil rights attorney and bestselling author of Just Mercy, Bryan Stevenson, Hinton won his release in 2015.With a foreword by Stevenson, The Sun Does Shine is an extraordinary testament to the power of hope sustained through the darkest times. Destined to be a classic memoir of wrongful imprisonment and freedom won, Hinton’s memoir tells his dramatic thirty-year journey and shows how you can take away a man’s freedom, but you can’t take away his imagination, humor, or joy.

    It’s about the greatest pirate in history, the most powerful executive in the music business, a revolutionary invention and an illegal website four times the size of the iTunes Music Store. Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet.Through these interwoven narratives, Witt has written a thrilling book that depicts the moment in history when ordinary life became forever entwined with the world online — when, suddenly, all the music ever recorded was available for free. In the page-turning tradition of writers like Michael Lewis and Lawrence Wright, Witt’s deeply-reported first book introduces the unforgettable characters—inventors, executives, factory workers, and smugglers—who revolutionized an entire artform, and reveals for the first time the secret underworld of media pirates that transformed our digital lives.An irresistible never-before-told story of greed, cunning, genius, and deceit, How Music Got Free isn’t just a story of the music industry—it’s a must-read history of the Internet itself.

    But is the state’s taking of a life true—or even practical—punishment for convicted prisoners? In this thought-provoking work, Shane Claiborne explores the issue of the death penalty and the contrast between punitive justice and restorative justice, questioning our notions of fairness, revenge, and absolution.Using an historical lens to frame his argument, Claiborne draws on testimonials and examples from Scripture to show how the death penalty is not the ideal of justice that many believe. Not only is a life lost, so too, is the possibility of mercy and grace. In Executing Grace, he reminds us of the divine power of forgiveness, and evokes the fundamental truth of the Gospel—that no one, even a criminal, is beyond redemption.