Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century.Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.

    Subsequent edition ensured that this study was kept up to date to include later authors, and a third and final revised edition was issued in 1993 in celebration of distinguished author/critic Julian Symons' 80th year. The views expressed are as candid as ever. One bestselling writer is called unreadable, another compared to writers of "strip cartoon stories". But the general tone is warmly appreciative of every sort of book within the genre.

    But to be fashionable in 1700s London meant more than simply being well dressed. Fashion denoted membership of a new type of society - the beau monde, a world where status was no longer determined by coronets and countryseats alone but by the more nebulous qualification of metropolitan 'fashion'. Conspicuous consumption and display were crucial: the right address, the right dinner guests, the right possessions, the right jewels, the right seat at the opera.The Beau Monde leads us on a tour of this exciting new world, from court and parliament to London's parks, pleasure grounds, and private homes. From brash displays of diamond jewelry to the subtle complexities of political intrigue, we see how membership of the new elite was won, maintained - and sometimes lost. On the way, we meet a rich and colorful cast of characters, from the newly ennobled peer learning the ropes and the imposter trying to gain entry by means of clever fakery, to the exile banned for sexual indiscretion.Above all, as the story unfolds, we learn that being a Fashionable was about far more than simply being 'modish'. By the end of the century, it had become nothing less than the key to power and exclusivity in a changed world.

    Thompson’s influential, landmark volume of social history, The Making of the English Working Class. The product of years of research and debate, Customs in Common describes the complex culture from which working class institutions emerged in England—a panoply of traditions and customs that the new working class fought to preserve well into Victorian times.In a text marked by both empathy and erudition, Thompson investigates the gradual disappearance of a range of cultural customs against the backdrop of the great upheavals of the eighteenth century. As villagers were subjected to a legal system increasingly hostile to custom, they tried both to resist and to preserve tradition, becoming, as Thompson explains, “rebellious, but rebellious in defence of custom.” Although some historians have written of riotous peasants of England and Wales as if they were mainly a problem for magistrates and governments, for Thompson it is the rulers, landowners, and governments who were a problem for the people, whose exuberant culture preceded the formation of working-class institutions and consciousness.Using a wide range of sources, Thompson shows how careful attention to fragmentary evidence helps to decode the fascinating symbolism of shaming rituals including “rough music,” and practices such as the ritual divorce known as “wife sale.” And in examining the vigorous presence of women in food riots from the sixteenth century onwards, he sheds further light on gender relations of the time.Essential reading for all those intrigued by English history, Customs in Common has a special relevance today, as traditional economies are being replaced by market economies throughout the world. The rich scholarship and depth of insight in Thompson’s work offer many clues to understanding contemporary changes around the globe.

    Located deep beneath the heart of Greater London, the Underground is awash with more strangeness than you can shake your prepaid train card at. So, pack up your day bag and travel stop-by-stop with us on this strange and fantastic journey along the Northern, Picadilly, Metropolitan, Jubilee, Hammersmith & City, and District Line, and explore the Underground as you've never seen it before with this treasure trove of the humorous, the odd, and the baffling—an alternative travel guide to the Underground's best-kept secrets.

    From Henry VIII and his six wives and Edward VIII's abdication to some of the lesser-known and mythical monarchs such as King Arthur, this delightfully witty and informative guide takes you on a gallop through the history of Britain's monarchs. Stories begin with the legendary King Brutus, through the houses of Tudor and Stuart, and up to the Windsors, including the major monarchs of Scotland and Wales. Discover the sticky end that befell Edward II, the story of the teenage queen of England who reigned for less than a fortnight, and find out whether Macbeth really was a king of Scotland. Presented in an accessible, chronological format, this book is filled with fascinating and amusing facts that are guaranteed to entertain any history enthusiast.

    In 1057 William the Bastard, Duke of Normandy, is surrounded by enemies on the continent who he must overcome before he can pursue his claim to the English crown. In 1066 Harold Godwinson narrowly defeats a Norse army near York only to find that William has landed in the south. Even after the Normans have killed Harold and broken the military strength of the Saxons at Senlac Hill near Hastings, William faces another five years of hard campaigning before he can call himself the ruler of all England.Against this setting Hugo de Cuille, heir to a manor in Maine as a boy, is disinherited before being kidnapped and kept as a slave. Later he is knighted for bravery but faces many more trials including the enmity of powerful nobles and rejection by the Saxon girl he loves. The book ends with the horrifying “harrying of the north” and the winter march over the Pennines to capture Chester, the last important town to hold out against the new regime.About the Author:H A Culley served in the Army for twenty four years during which time he had a variety of unusual jobs. These included commanding an Arab unit in the desert for three years and a tour as the military attaché in Beirut in the late seventies.After leaving the Army he became the business manager of a large independent school for twenty years before moving into marketing and fundraising. He has also been involved in two major historical projects and now works for an educational charity.He has given talks on a wide variety of historical topics for several years and the research involved provided his inspiration for writing.He has three grown up children and lives near Holy Island in Northumberland, England with his wife and two Bernese Mountain Dogs.

    He insists that such a move could bring new luster to a tired field, one that in some respects is among “the most backwards disciplines in the academy.” Literary study, he argues, has been random and unsystematic. For any given period scholars focus on a select group of a mere few hundred texts: the canon. As a result, they have allowed a narrow distorting slice of history to pass for the total picture.Moretti offers bar charts, maps, and time lines instead, developing the idea of “distant reading,” set forth in his path-breaking essay “Conjectures on World Literature,” into a full-blown experiment in literary historiography, where the canon disappears into the larger literary system. Charting entire genres—the epistolary, the gothic, and the historical novel—as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.

    This book studies the evolution of the family from the sixteenth to the eighteenth century and how the process radically influenced child-rearing, education, contraception, sexual behaviour and marriage.

    As she delved deeper into their engrossing lives, questions emerged. What was the deep secret May had confided to Edward? And what was the tragic truth behind Amy’s wayward, wandering life, her strange marriage, and her unexplained early death?Weaving together the threads of this tale, Dimbleby takes us through a turbulent period in English history and visits the most far-flung corners of the Empire. William Morris, Rudyard Kipling, William Gladstone, and prominent members of the Souls also play a part in this sweeping, often funny, and sometimes tragic story. Richly detailed and exquisitely told, May and Amy is a stunning account of hidden love and family secrets.

    Songs, stories, images, and films about frightening monsters have always been invented to allay the very terrors that our sleep of reason conjures up. Warner shows how these images and stories, while they may unfold along different lines - scaring, lulling, or making mock - have the strategic simultaneous purpose of both arousing and controlling the underlying fear. In analysis of material long overlooked by cultural critics, historians, and even psychologists, Warner revises our understanding of storytelling in our contemporary culture. She asks us to reconsider the unintended consequences of our age-old, outmoded notions about masculine identity and about racial stereotyping, and warns us of the dangerous, unthinking ways we perpetuate the bogeyman.

    Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction.Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males andasserted their presence in the public domain.An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press.A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.

    But the question of how we understand the British Empire - its origins, nature, purpose, and effect on the world it ruled - is far from settled. In this incisive work, David Cannadine looks at the British Empire from a new perspective - through the eyes of those who created and ruled it - and offers fresh insight into the driving forces behind the Empire.Arguing against the views of Edward Said and others, Cannadine suggests that the British were motivated not only by race, but also by class. The British wanted to domesticate the exotic world of their colonies and to reorder the societies they ruled according to an idealized image of their own class hierarchies.

    In this brilliant new interpretation Steve Pincus refutes this traditional view.By expanding the interpretive lens to include a broader geographical and chronological frame, Pincus demonstrates that England’s revolution was a European event, that it took place over a number of years, not months, and that it had repercussions in India, North America, the West Indies, and throughout continental Europe. His rich historical narrative, based on masses of new archival research, traces the transformation of English foreign policy, religious culture, and political economy that, he argues, was the intended consequence of the revolutionaries of 1688–1689.James II developed a modernization program that emphasized centralized control, repression of dissidents, and territorial empire. The revolutionaries, by contrast, took advantage of the new economic possibilities to create a bureaucratic but participatory state. The postrevolutionary English state emphasized its ideological break with the past and envisioned itself as continuing to evolve. All of this, argues Pincus, makes the Glorious Revolution—not the French Revolution—the first truly modern revolution. This wide-ranging book reenvisions the nature of the Glorious Revolution and of revolutions in general, the causes and consequences of commercialization, the nature of liberalism, and ultimately the origins and contours of modernity itself.

    The sixth wife of Henry VIII was also the most married queen of England, outliving three husbands before finally marrying for love. Catherine Parr was enjoying her freedom after her first two arranged marriages when she caught the attention of the elderly Henry VIII. She was the most reluctant of all Henry's wives, offering to become his mistress rather than submit herself to the dangers of becoming Henry's queen. This only served to increase Henry's enthusiasm for the young widow and Catherine was forced to abandon her lover for the decrepit king. Whilst Catherine was reluctant to be a queen she quickly made the role a success, providing Henry VIII with a domestic tranquillity that he had not known since the early days of his first marriage. For Henry, Catherine was a satisfactory choice but he never stopped considering a new marriage, to Catherine's terror. Catherine is remembered as the wife who survived but, without her strength of character it could have been very different. When informed that the king had ordered her arrest for heresy, she took decisive action, defusing the king's anger and once again becoming his 'own sweetheart'. It was a relief for Catherine when Henry finally died and she secretly married the man she had been forced to abandon for Henry, Thomas Seymour. During her retirement, Catherine's heart was broken by her discovery of a love affair between her stepdaughter, Princess Elizabeth, and her husband. She never recovered from the birth of her only child and, in her fever accused her husband of plotting her death. Catherine Parr is often portrayed as a matronly and dutiful figure. Her life was indeed one of duty but, throughout, she attempted to escape her destiny and find happiness for herself. Ultimately, Catherine was betrayed and her great love affair with Thomas Seymour turned sour.