In the hilly village of pathri Aali, where legends appear true, Aslam and ashwar, two young lovers, dream of marriage and of good things of life. But that is not to be. Unable to cope, Aslam leaves pathri Aali forever. Years later, as men migrate to Saudi Arabia for employment, pathri Aali is populated mostly by women and children. Soon they realize the mujahedeen, who guise themselves as their liberators, are the worst perpetrators, and misery seems inescapable. Ashwar refuses to be cowed down by this reign of terror and is determined not to let it devastate the once-peaceful village. The only one she can Bank on is aslam—and she calls out to him across the distance of time and space, to return and live up to the legends of their village. Snakes in the meadows is a saga of the onset of militancy, and the suffering and the resilience of pir panjal—the ‘and’ of Jammu and Kashmir.

    Days later, a young, highly decorated Marine corporal named Frank Kidd learns of Geronimo’s death. Kidd’s real name is Chaco, and he is Geronimo’s nephew. Orphaned at birth, Chaco was toughened by the cruelties of the white man’s Indian school, battle-hardened by guerrilla warfare, and severely wounded in the 1906 Cuban Pacification Campaign. Chaco returns to Fort Sill’s Apache POW camp to find his adoptive mother dying and his sister trapped in a brothel. Long-held secrets are soon revealed: Chaco is the old warrior’s last son, and his father’s final wish was to be buried “in the country that knows my name.” To honor that request, Chaco must rescue his sister and liberate Geronimo’s bones from the Apache Cemetery. During the escape, two white men end up dead. Once an honored hero, now a hunted outlaw, Chaco races west with his sister in a stolen motorcar. As the last Apache warrior, he must pay the price with blood in one of the largest manhunts of the 20th century.

    The essays in this collection compare Silko's many retellings of Yellow Woman stories from a variety of angles, looking at crucial themes like storytelling, cultural inheritances, memory, continuity, identity, interconnectedness, ritual, and tradition.This casebook includes an introduction by the editor, a chronology, an authoritative text of the story itself, critical essays, and a bibliography for further reading in both primary and secondary sources.  Contributors include Kim Barnes, A. LaVonne Ruoff, Paula Gunn Allen, Patricia Clark Smith, Bernard A. Hirsch, Arnold Krupat, Linda Danielson, and Patricia Jones.

    Named by his father to be "a challenge to the disinheritors of his people," Windzer finds it hard to fulfill his destiny, despite oil money, a university education, and the opportunities presented by the Great War and the roaring twenties. Critics have praised Sundown generously, both as a literary work and a vignette into the Native American past.

    Although the area had been the scene of a gold rush some fifty years earlier, they write in the foreword, "the social life of the Indian—what he believed and the way he felt about things—was very little affected by white influence. The older Indians still had the spaced tatoo marks on their forearms, by which they could measure the length of the string of wampum required to buy a wife. . . . The white men we knew on the Rivers were pioneers of the Old West. . . . All around us was gold country, the land of the saloon and of the six-shooter. Our friends and neighbors carried guns as a matter of course, and used them on occasion. But the account given in these pages is not of these occurrences but of everyday life on the frontier in an Indian village, and what Indians and badmen did and said when they were not engaged in wiping out their friends and neighbors. It is also the account of our own two years in Indian country where, in the sixty-mile stretch between Happy Camp and Orleans, we were the only white women, and most of the time quite scared enough to satisfy anybody."

    Shortly before his death in August, 1950, when he was the "keeper of the sacred pipe," he said, "It is my prayer that, through our sacred pipe, and through this book in which I shall explain what our pipe really is, peace may come to those peoples who can understand, and understanding which must be of the heart and not of the head alone. Then they will realize that we Indians know the One true God, and that we pray to Him continually."Black Elk was the only qualified priest of the older Oglala Sioux still living when The Sacred Pipe was written. This is his book: he gave it orally to Joseph Epes Brown during the latter's eight month's residence on the Pine Ridge Reservation in South Dakota, where Black Elk lived. Beginning with the story of White Buffalo Cow Woman's first visit to the Sioux to give them the sacred pip~, Black Elk describes and discusses the details and meanings of the seven rites, which were disclosed, one by one, to the Sioux through visions. He takes the reader through the sun dance, the purification rite, the "keeping of the soul," and other rites, showing how the Sioux have come to terms with God and nature and their fellow men through a rare spirit of sacrifice and determination.The wakan Mysteries of the Siouan peoples have been a subject of interest and study by explorers and scholars from the period of earliest contact between whites and Indians in North America, but Black Elk's account is without doubt the most highly developed on this religion and cosmography. The Sacred Pipe, published as volume thirty-six in the Civilization of the American Indian Series, will be greeted enthusiastically by students of comparative religion, ethnologists, historians, philosophers, and everyone interested in American Indian life.

    A full-blooded Sioux, he was many things in the white man's world -- rodeo clown, painter, prisioner. But, above all, he was a holy man of the Lakota tribe. Seeker of Vision The story he tells is one of harsh youth and reckless manhood, shotgun marriage and divorce, history and folklore as rich today as ever -- and of his fierce struggle to keep pride alive, though living as a stranger in his own ancestral land.

    Yet famine, war, and an encroaching night leave the Eastern Empire trending towards ruin.Faint hope arises as a new dynasty ascends to the throne of Caesar. Bearing witness to such events is Varus, a young Herulian slave to the aging yet powerful Justin, who unveils a bold plan held by two generations of Romans – to retake the West and reclaim their homeland.Following Justin’s dream, Varus enlists with the Roman Army and discovers the carnage of 6th Century warfare. As a mysterious horde of black-shielded invaders devastates the Empire’s northern provinces, Varus’ unit is called upon to defend under the leadership of Belisarius, one of Justin’s most promising commanders.As Varus prepares for the sacrifices to come, however, he begins to question Justin’s secrets, seeking answers regarding his true identity and place as a pivotal figure in the Empire’s survival.

     A compilation of all the books and short stories from the Zombie Killers Universe.

    He has affirmed his innocence ever since--his case was made fully and famously in Peter Matthiessen's bestselling In the Spirit of Crazy Horse--and many remain convinced he was wrongly convicted. Prison Writings is a wise and unsettling book, both memoir and manifesto, chronicling his life in Leavenworth Prison in Kansas. Invoking the Sun Dance, in which pain leads one to a transcendent reality, Peltier explores his suffering and the insights it has borne him. He also locates his experience within the history of the American Indian peoples and their struggles to overcome the federal government's injustices.

    Physical remnants or reminders from these conflicts and their aftermath can be found all over the country, whether in central Auckland, Wellington, Dunedin, or in more rural locations such as Te Pōrere or Te Awamutu.

    The minister was released, but his daughter chose to stay with her captors. Her extraordinary story is one of race, religion, and the conflict between two cultures.

    Whether a coyote or rabbit, raccoon or raven, Tricksters use cunning to get food, steal precious possessions, or simply cause mischief. In Trickster, the first graphic anthology of Native American trickster tales, more than twenty Native American tales are cleverly adapted into comic form. An inspired collaboration between Native writers and accomplished artists, these tales bring the Trickster back into popular culture in vivid form. From an ego-driven social misstep in "Coyote and the Pebbles" to the hijinks of "How Wildcat Caught a Turkey" and the hilarity of "Rabbit's Choctaw Tail Tale," Trickster bring together Native American folklore and the world of graphic novels for the first time.

    Werewolves? Check. Death prophecy to hang over your head? Double check. Seventeen year old Emma Hutchinson struggles to find her place in the world she has been born to as she tries to decide whether she should be with Michael, the boy she has been dreaming about since she was three or if she belongs with Dominic, her betrothed.

    History, culture, languages, and lifeways of Native American groups across the United States and Canada, and the early civilizations of Central America, the Caribbean, and Mexico are covered. This edition has an appealing new design and incorporates the many political and cultural developments in Indian affairs and the latest archaeological research findings on prehistoric peoples.This edition features: -- Completely redrawn and updated maps throughout; sixteen maps are new to this edition-- Extensively revised and updated sections, including "Urban Indians, " "Indian Activism, " and "Canada's Indian Policy and the Indian Condition"-- The latest statistics and new federal laws on tribal enterprises such as "Indian Gaming."