In a village of four hundred souls, the infinite light of an Icelandic summer makes its inhabitants want to explore, and the eternal night of winter lights up the magic of the stars.The village becomes a microcosm of the age-old conflict between human desire and destiny, between the limits of reality and the wings of the imagination. With humor, poetry, and a tenderness for human weaknesses, Jon Kalman Stefánsson explores the question of why we live at all.

    He believes he is dying and in his feverish delirium various characters, both real and imaginary, appear to him as icy monsters.

    The novel, written in a stream-of-consciousness style reminiscent of the English-language Modernists, centers around the childhood and early adulthood of a character named Joana, who bears strong resemblance to her author: "Madame Bovary, c'est moi", Lispector said, quoting Flaubert, when asked about the similarities. The book, particularly its revolutionary language, brought its young, unknown creator to great prominence in Brazilian letters and earned her the prestigious Graça Aranha Prize.Joana, a young woman very much in the mode of existential contemporaries like Camus and Sartre, ponders the meaning of life, the freedom to be one's self, and the purpose of existence. Near to the Wild Heart does not have a conventional narrative plot. It instead recounts flashes from the life of Joana, between her present, as a young woman, and her early childhood. These focus, like most of Lispector's works, on interior, emotional states of mind.

    Now local enterprise of a different sort flourishes: drug dealers and prostitutes of every flavour. But their discreet trade is upset when two employees of the Splendour Refuse Collection Company discover the body of engineer Silvio Luparello, one of the local movers and shakers, apparently deceased in flagrante at the Pasture. The coroner's verdict is death from natural causes - refreshingly unusual for Sicily. But Inspector Salvo Montalbano, as honest as he is streetwise and as scathing to fools and villains as he is compassionate to their victims, is not ready to close the case - even though he's being pressured by Vigàta's police chief, judge, and bishop. Picking his way through a labyrinth of high-comedy corruption, delicious meals, vendetta firepower, and carefully planted false clues, Montalbano can be relied on, whatever the cost, to get to the heart of the matter.The Shape of Water is followed by the second in this phenomenal series, The Terracotta Dog.

    But when he takes the advice of an Egyptian mystic and hires servants to chant his name over and over again, he seems to not only get better, but younger.Except then a terrorist group lays siege to his island villa, his team of bank managers has to be bussed in to help with the ransom negotiations, and a media spectacle breaks out . . .A hilarious and strangely moving tale that seems ripped from the headlines—although actually written during the time the Red Brigades were terrorizing Italy—Gianni Rodari’s Lamberto, Lamberto, Lamberto has become one of Italy’s most beloved fables. Never before translated into English, the novel is a reminder, as Rodari writes, that “there are things that only happen in fairytales.”

    This is a new edition of his penetrating study of marriage and passion, bringing together four people in an inexorable manner. The novel asks whether we have free will or not and confronts its characters with the monstrous consequences of repressing what little "real life" they have in themselves, a life so far removed from their natural states that it appears to them as something terrible and destructive.

    Told from the viewpoints of three different women, this is a story of the psychological impact of illicit love. First viewed through the eyes of Shoko, who learns of the affair through reading her mother's diary, then through the eyes of Midori, who had long known about the affair of her husband with Saiko, and finally through the eyes of Saiko herself.

    Just like a "real boy." Until he learns that to become truly real, he must open his heart and think of others.

    Yet, what are they? Miniature psychodramas, prose poems, tall tales, sudden illuminations, malevolent sophistries, fabliaux, paranoiac excursions, existential oxymorons, or wondrous, baleful absurdities? Always provocative, insolent, sinister, and quite often funny, these 100 comic novels are populated by decidedly ordinary lovers, martyrs, killers, thieves, maniacs, emperors, bandits, sleepers, architects, hunters, prisoners, writers, hallucinations, ghosts, spheres, dragons, Doppelgngers, knights, fairies, angels, animal incarnations, and Dreamstuff. Each "novel" construes itself into a kind of Mbius strip, in which, as one critic has noted, "time turns in a circle and bites its tail" like the Ouroborous. In any event, Centuria provides 100 uncategorizable reasons to experience and celebrate an immeasurably wonderful writer. Brilliantly translated from the Italian by Henry Martin.

    A great stone bridge built three centuries ago in the heart of the Balkans by a Grand Vezir of the Ottoman Empire dominates the setting of Andric's stunning novel. Spanning generations, nationalities, and creeds, the bridge stands witness to the countless lives played out upon it: Radisav, the workman, who tries to hinder its construction and is impaled on its highest point; to the lovely Fata, who throws herself from its parapet to escape a loveless marriage; to Milan, the gambler, who risks everything in one last game on the bridge with the devil his opponent; to Fedun, the young soldier, who pays for a moment of spring forgetfulness with his life. War finally destroys the span, and with it the last descendant of that family to which the Grand Vezir confided the care of his pious bequest - the bridge.

    In these three tales, superbly translated by Edward Seidensticker, erotic fantasy is underlaid with longing and memories of past loves.In the title story, the protagonist visits a brothel where elderly men spend a chaste but lecherous night with a drugged, unconscious virgin. As he admires the girl's beauty, he recalls his past womanizing, and reflects on the relentless course of old age. In One Arm, a young girl removes her right arm and gives it to the narrator to take home for the night; a surreal seduction follows as he tries to allay its fears, caresses it, and even replaces his own right arm with it.The protagonist of Of Birds and Beasts prefers the company of his pet birds and dogs to people, yet for him all living beings are beautiful objects which, though they give him pleasure, he treats with casual cruelty.Beautiful yet chilling, richly poetic yet subtly disturbing, these stories make compelling reading and reaffirm Kawabata s status as a world-class writer.

    Together they embark upon a riotously Bohemian life, full of gaiety, color and bustle. And then there is Kate, the enigmatic German girl with the mysterious smile.Capricious, untamed and curiously innocent, Kate steals their hearts in turn, and so begins the moving and tender story of three people in love, with each other and with life. Francois Truffaut, whose film of the novel is one of cinema's greatest achievments, has called Jules et Jim "a perfect hymn to love."Henri-Pierre Roch devoted his life to the arts, numbering Duchamp, Brancusi, Braque, Satie and Picasso amongst his closest friends. Jules et Jim, an autobiographical novel, was originally published in France in 1953 and was followed by Deux Anglaises et le Continent, which Truffaut also made into a film."A delightful account of people sharing and unsharing each other."?Times Literary Supplement

    The story's protagonist, Michel, knows nothing about love when he marries the gentle Marceline out of duty to his father. On the couple's honeymoon to Tunisia, Michel becomes very ill, and during his recovery he meets a young Arab boy whose radiant health and beauty captivate him. An awakening for him both sexually and morally, Michel discovers a new freedom in seeking to live according to his own desires. But, as he also discovers, freedom can be a burden. A frank defense of homosexuality and a challenge to prevailing ethical concepts, The Immoralist is a literary landmark, marked by Gide's masterful, pure, simple style.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The speaker is David Kepesh, white-haired and over sixty, an eminent TV culture critic and star lecturer at a New York college - as well as an articulate propagandist of the sexual revolution. For years he has made a practice of sleeping with adventurous female students while maintaining an aesthete's critical distance. But now that distance has been annihilated.The agency of Kepesh's undoing is Consuela Castillo, the decorous, humblingly beautiful twenty-four-year-old daughter of Cuban exiles. When he becomes involved with her, Kepesh finds himself dragged helplessly into the quagmire of sexual jealousy and loss. In chronicling the themes of eros and mortality, licence and repression, freedom and sacrifice. The Dying Animal is a burning coal of a book, filled with intellectual heat and not a little danger.

    All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into a hugely successful film by Louis Malle. Packed full of word play and phonetic games, 'Zazie in the Metro' remains as stylish and witty today as it did back then.