He learns that he is eventually succeed to the throne of Mycenae, but before this he must learn the arts of war and the ruthless politics of Greece in the Heroic Age.

    London, 1799. Dora Blake is an aspiring jewellery artist who lives with her uncle in what used to be her parents' famed shop of antiquities. When a mysterious Greek vase is delivered, Dora is intrigued by her uncle's suspicious behaviour and enlists the help of Edward Lawrence, a young antiquarian scholar. Edward sees the ancient vase as key to unlocking his academic future. Dora sees it as a chance to restore the shop to its former glory, and to escape her nefarious uncle. But what Edward discovers about the vase has Dora questioning everything she has believed about her life, her family, and the world as she knows it. As Dora uncovers the truth she starts to realise that some mysteries are buried, and some doors are locked, for a reason. Gorgeously atmospheric and deliciously page-turning, Pandora is a story of secrets and deception, love and fulfilment, fate and hope.

    Lavinia herself never speaks a word. Now, Ursula K. Le Guin gives Lavinia a voice in a novel that takes us to the half-wild world of ancient Italy, when Rome was a muddy village near seven hills. Lavinia grows up knowing nothing but peace and freedom, until suitors come. Her mother wants her to marry handsome, ambitious Turnus. But omens and prophecies spoken by the sacred springs say she must marry a foreigner--that she will be the cause of a bitter war--and that her husband will not live long. When a fleet of Trojan ships sails up the Tiber, Lavinia decides to take her destiny into her own hands. And so she tells us what Virgil did not: the story of her life, and of the love of her life. Lavinia is a book of passion and war, generous and austerely beautiful, from a writer working at the height of her powers.

    In helping the outnumbered soldiers, he unwittingly comes to the aid of Odysseus, Prince of Ithaca. And so begins the friendship - and the adventure - of a lifetime.

    Latro, a mercenary soldier from the north, has suffered a head wound in battle and has been separated from his compatriots. He has not only lost the memory of who he is and where he is from, he has also lost the ability to remember from day to day and must live out of context in an eternal present, every day rediscovering the shreds of his identity and the nature of the world around him, aided only by a written record that he attempts to continue daily and must read every morning.But in recompense for his unhappy condition Latro has received the ability to see and converse with invisible beings, all the gods and goddesses, ghosts and demons and werewolves, who inhabit the land and affect the lives of others, all unseen. Everyone knows that supernatural creatures are constantly around them and sometimes, under special circumstances, can perceive them—but Latro is now constantly able to penetrate the veil of the supernatural, which is both a triumph and a danger.

    So that those stories should not pass from the earth, I have decided to set down everything I know of the stories of the war at Troy – of the way it began, of the way it was fought, and of the way in which it was ended."With these words, Phemius the bard of Ithaca and friend to Odysseus, opens Lindsay Clarke's compelling new retelling of the myths and legends that grew up around the war that was fought for the Bronze Age city of Troy and have magnetized the imagination of the world ever since.Here are the tales of two powerful generations of men and women, living out their destinies in the timeless zone where myth and history intersect and where the conflicts of the human heart are mirrored by quarrels among immortal gods. Peleus and Thetis, Paris and Helen, Agamemnon and Clytaemnestra, Achilles, Odysseus and Hector – all are given vigorous new life in a version of their stories which remains faithful to the mythic form in which they first appeared yet engages the reader in a startlingly contemporary drama of the passions.THE WAR AT TROY speaks to a world still racked by violent conflict in ways which address important aspects of our own experience while at the same time providing imaginative access to the rich store of mythology which is our heritage from the ancient world.

    Blending archaeological fact and legend, the myths of the gods and the feats of heroes, Marion Zimmer Bradley breathes new life into the classic tale of the Trojan War-reinventing larger-than-life figures as living people engaged in a desperate struggle that dooms both the victors and the vanquished, their fate seen through the eyes of Kassandra-priestess, princess, and passionate woman with the spirit of a warrior.

    The War Nerd takes on Homer in a new translation; a classic gory, funny, tragic story in today's language.

    The audacity.I AM THE OCEAN!I got capacity!Depths! Darkness! Delphic power!So his sweet little planWent big-time sourAnd his wife had a sonBorn with horns and a muzzleWho ended upIn an underground puzzle.What is it with you mortals?You just can’t seem to learn:If you play with fire, babies,You’re gonna get burned.Much like Lin-Manuel Miranda did in Hamilton, the New York Times best-selling author David Elliott turns a classic on its head in form and approach, updating the timeless story of Theseus and the Minotaur for a new generation. A rough, rowdy, and darkly comedic young adult retelling in verse, Bull will have readers reevaluating one of mythology's most infamous monsters.

    Tolkien composed his own version, now published for the first time, of the great legend of Northern antiquity, in two closely related poems to which he gave the titles The New Lay of the Völsungs and The New Lay of Gudrún.In the "Lay of the Völsungs" is told the ancestry of the great hero Sigurd, the slayer of Fáfnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness.In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrún. In the "Lay of Gudrún" her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge.Deriving his version primarily from his close study of the ancient poetry of Norway and Iceland known as the Poetic Edda (and where no old poetry exists, from the later prose work Völsunga Saga), J.R.R. Tolkien employed a verse-form of short stanzas whose lines embody in English the exacting alliterative rhythms and the concentrated energy of the poems of the Edda.

    Euripides' classic drama about the often mortifying consequences of the unbridled--and frequently hysterical--celebration of the feast of Dionysus, the God of wine.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    He has left the sword behind him to become a healer in the greatest sanctuary in Greece, turning his back on war.But war has followed him to his refuge at Epidauros, and now a battle to end the freedom of Greece is all around him. The Mediterranean superpowers of Rome, Egypt and Macedon are waging their proxy wars on Hellenic soil, turning Greek farmers into slaves and mercenaries.When wounded soldier Philopoemen is carried into his temple, Alexanor believes the man's wounds are mortal but that he is not destined to die. Because he knows Philopoemen will become Greece's champion. Its last hero. The new Achilles.In Christian Cameron's latest historical novel the old orders of the world begin to fall apart as Rome rises to supremacy - and Greece struggles to survive.

    Enemies stalk the fringes of Britain. And Uther Pendragon is dying. Into this fractured and uncertain world the boy is cast, a refugee from fire, murder and betrayal. An outsider whose only companions are a hateful hawk and memories of the lost. Yet he is gifted, and under the watchful eyes of Merlin and the Lady Nimue he will hone his talents and begin his journey to manhood. He will meet Guinevere, a wild, proud and beautiful girl, herself outcast because of her gift. And he will be dazzled by Arthur, a warrior who carries the hopes of a people like fire in the dark. But these are times of struggle and blood, when even friendship and love seem doomed to fail. The gods are vanishing beyond the reach of dreams. Treachery and jealousy rule men’s hearts and the fate of Britain itself rests on a sword’s edge.But the young renegade who left his home in Benoic with just a hunting bird and dreams of revenge is now a lord of war. He is a man loved and hated, admired and feared. A man forsaken but not forgotten. He is Lancelot.Set in a 5th century Britain besieged by invading bands of Saxons and Franks, Irish and Picts, Giles Kristian's epic new novel tells - through the warrior's own words - the story of Lancelot, that most celebrated of all King Arthur's knights. It is a story ready to be re-imagined for our times.

    Abused by her ruthless sister, a pawn in the dynastic ambitions of her father, and dismissed by the king who claimed her for a bride, young Arsinoe finds herself falling in love with a young man forbidden to her. She dreams of a destiny as Egypt's queen, but first she must survive the nest of vipers otherwise known as her family.