Poetry. Performance Studies. African & African American Studies. California Interest. Hybrid Genre. Winner of the 2016 Relentless Award from the American Playwriting Foundation. Introduction by Dawn Lundy Martin. Aleshea Harris' IS GOD IS is a classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk. In this necessary new play, emotions are laid bare through gaps in language and characters are a window into the canon as well as our own broken times. A rigorous new work that unearths our deepest fears about humanity and who we think we are in relation to ourselves and the divine.--Dawn Lundy Martin Family, as the old tragedians knew, is our first country. Therefore, it's the earth from which we forge our first weapons, the fields of our first wars, the very turf over which we fight. With IS GOD IS, Aleshea Harris audaciously scours tragedy down with the rough edge of a rock. To read this merciless play is to get blood in your eye--and in Harris' sure grip, you'll recall that blood washes and stains, can run hot or cold, means both violence and family.--Douglas Kearney 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.

    But when the young members of the Christian Puppet Ministry put those teachings into practice, one devout young man's puppet takes on a shocking personality that no one could have expected. In this hilarious black comedy, a foul-mouthed sock puppet named Tyrone soon teaches those around him that the urges that can drive a person to give in to their darkest desires fit like a glove. In Hand to God, a "true tour de force" (New York Times), Robert Askins has written a play of "unerring perfection" (Huffington Post). The must-see hit of the 2015 Broadway season, starring Steven Boyer and Geneva Carr, garnered an Obie Award and five Tony Award nominations, including Best Play, following its sold out, critically acclaimed off-Broadway runs at MCC Theater and Ensemble Studio Theatre.

    Cast of two men.

    Sweeping all major theater awards, including the 1996 Pulitzer Prize for drama, as well as four 1996 Tony Awards including Best Musical, Best Book, and Best Score for a Musical, Rent captures the heart and spirit of a generation, refleting it onstage through the emotion of its stirring words and music, and the energy of its young cast. Now, for the first time, Rent comes to life on the page -- through vivid color photographs, the full libretto, and an utterly compelling behind-the-scenes oral history of the show's creation. Here is the exclusive and absolutely complete companion to Rent, told in the voices of the extraordinary talent behind its success: the actors, the director, the producers, and the librettist and composer himself, Jonathan Larson, whose sudden death, on the eve of the first performance, has made Rent's life-affirming message all the more poignant.

    Surely one of the most acclaimed and beloved plays of all time, this modern classic is honored for the first time in a lavishly illustrated book. Here is the complete musical book by Joe Masteroff and all the words of the songs written by John Kander and Fred Ebb. It is illustrated with more than 100 photographs and drawings (including 74 in full color) of the original cast of the Roundabout 's smash Broadway production by Joan Marcus, never-before- published backstage photographs by Rivka Katvan, and archival photos of past productions. The accompanying text explores the evolution of the play in all its incarnations, from the 1930 stories of Christopher Isherwood to two films and three stage adaptations. Here are all the fantastic artists who have brought this play to life: Julie Harris (the original Sally Bowles), Joel Grey, Liza Minnelli, Natasha Richardson, Alan Cumming, Ron Rifkin, and directors Hal Prince, Bob Fosse, Sam Mendes, and Rob Marshall. Also featured are original drawings by costume designer William Ivey Long and set designer Robert Brill. For theatre lovers and film fans, for those who've seen the play and those who haven't, this book is an exclusive insider's glimpse into a stage and film phenomenon, one of the most astonishing artistic achievements of our time.

    Moving from street corner to living room, from bedroom to kitchen, we meet the inhabitants of young, middle-aged, and old, glimpsing their socially and emotionally wretched lives, in this sharp, sad, funny, and angry play.

    However, celebrations come to an abrupt end when the host suffers an horrific accident.As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes?pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme

    No, stop: I dont want to know. It's only a dodge to start an argument. BENTLEY. Dont be afraid: it wont overtax your brain. My father was 44 when I was born. My mother was 41. There was twelve years between me and the next eldest. I was unexpected. I was probably unintentional. My brothers and sisters are not the least like me. Theyre the regular thing that you always get in the first batch from young parents: quite pleasant, ordinary, do-the-regular-thing sort: all body and no brains, like you. JOHNNY. Thank you.

    But what circumstances allowed Brandt to become the first left-wing chancellor in forty years? And why, given his progressive policies, did the East German secret police feel it necessary to plant a spy in his office and risk bringing down his government? Michael Frayn writes in his postscript to the play, "Complexity is what the play is about: the complexity of human arrangements and of human beings themselves, and the difficulties that this creates in both shaping and understanding our actions."

    Louis.

    It is set on Long Island in the 1950s, and deals with the involvement of a very rich family named Larrabee with Sabrina Fairchild, the daughter of their family chauffeur. She is bright, well-educated, and has just returned from five years in Paris, where she has done a brilliant job as an executive in a U.S. government overseas office. She has come home to find out if she is still in love with the younger Larrabee son, David. The elder son, Linus, a cynical, good-humored tycoon who has taken control of the family fortune, detects Sabrina's feeling for his brother, and for his own amusement lays a trap to bring them together. It works: David falls in love with Sabrina and wants to marry her. At the same time, a rich young Frenchman who has known Sabrina in Paris turns up and asks her to marry him. Faced with this dilemma, Sabrina discovers it is really Linus she wants. After an amusing scene in which Sabrina's father, the chauffeur, makes a rather amazing revelation, Sabrina breaks down Linus' resistance and gets her man. An unusual number of fine character parts for actors: the beautiful mother of wit and perception; the father, whose one passion is attending funerals; the chauffeur who has been dabbling in the stock market and likes his job because it gives him time to read; the smart magazine editor who, as a house guest, is the interested observer. "SABRINA FAIR is a delightful, sparkling hit." Robert Coleman, NY Mirror.

    The action of A Flea in Her Ear, one of the best-known French farces, takes us to the sleazy Lanterne Rouge Hotel with a fine crop of mocking, mistaking, insulting, groping, kicking and mimicing, all in a spanking new translation.

    6 easy piano arrangements of songs from this Broadway classic, including: Many a New Day * Oh, What a Beautiful Mornin' * Oklahoma * Out of My Dreams * People Will Say We're in Love * The Surrey with the Fringe on Top.

    As attraction turns to sex, and they inch closer to getting what they want, both must confront the dark side of ambition and the near impossibility of reinventing oneself when the past is only a click away. Sex with Strangers had its world premiere at Steppenwolf Theatre Company; it will have its New York premiere at Second Stage Theatre in June 2014, directed by David Schwimmer.

    In his novel The Best of Me, Nicholas Sparks relates the stories of Dawson Cole and Amanda Collier as they return to the town of their youth and rekindle, if only for a short time, the romance they had shared as teenagers. Along the way, they confront and meet the challenges of their past, coming to a neat resolution common to the romance novel and reminding readers why Sparks is a dominant voice in the genre. Most of The Best of Me is set in and around Oriental, North Carolina, a small town still mired in much of the Old South pseudo-feudal mentality. Summer 2009 sees one off its older and more stable members, Tuck Hostetler, die and one of its prodigal sons return, as well as the fallout from it. Its antebellum past is noted early on in the text, and its retention of many of the older patterns of behavior and social fixity is remarked upon throughout the text. You also get the following in this Summary & Analysis of The Best of Me: • Book Review • Story Setting of The Best of Me • Details of Characters & Key Character Analysis • Summary of the text, with some analytical comments interspersed • Discussion & Analysis of Themes, Symbols… • And Much More! This Analysis of The Best of Me fills the gap, making you understand more while enhancing your reading experience.