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    Austin Smith is pushing fifty, loveless and drifting, until one day he meets Julien, a much younger, married Frenchman. In the beginning, the lovers' only impediments are the comic clashes of culture, age, and temperament. Before long, however, the past begins to catch up with them. In a desperate quest to save health and happiness, they move from Venice to Key West, from Montreal in the snow to Providence in the rain. But it is amid the bleak, baking sands of the Sahara that their love is pushed to its ultimate crisis.

    But her life has turned inside out like a sock. She can't rely on family, her body is letting her down, and friends and colleagues are turning away—they treat her like a victim. She needs to break that narrative: build her own community, learn new strengths, and fight. But what do you do when you find out that the story you’ve been told, the story you’ve told yourself, is not true? How can you fight if you can’t trust your body? Who can you rely on if those around you don’t have your best interests at heart, and the systems designed to help do more harm than good? Mara makes a decision, and acts, but her actions unleash monsters aimed squarely at the heart of her new community.This is fiction from the front lines, incandescent and urgent, a narrative juggernaut that rips through sentiment to expose the savagery of America’s treatment of the disabled and chronically ill. But So Lucky also blazes with hope and a ferocious love of self, of the life that becomes possible when we stop believing lies.

    I am a tabula rasa, a blank sheet of paper, an unhatched egg. I have not yet become a woman, although I possess a woman's shape. Not a woman, no: both more and less than a real woman. Now I am a being as mythic and monstrous as Mother herself . . . 'New York has become the City of Dreadful Night where dissolute Leilah performs a dance of chaos for Evelyn. But this young Englishman's fate lies in the arid desert, where a many-breasted fertility goddess will wield her scalpel to transform him into the new Eve.

    In The Harder She Comes, we meet girls salivating at the sight of well-filled and packed jeans and bois dreaming of having a beautiful girl’s red lipstick smeared across their mouths. D. L. King has curated a singular set of stories filled with sexy sirens luring unsuspecting butches to their demise on the rocky shores of love and hot, confident women in silk and lace during the day who will do anything to serve their daddies' needs at night. The Harder She Comes is great writing with characters that will stay with the reader for a long, long time — sometimes sweet, always sexy, often romantic, and more than a little dangerous.

    It was an anthology of erotic comics, with contributions from some of the best and the brightest creators. There were three issues, and they were AWESOME. But that was it. The third Smut Peddler mini was followed by a years-long publishing hiatus...UNTIL NOW.

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    Set into motion by a single act of abandonment-Catherine's lover of ten years has left her-she falls deeper and deeper into an irretrievable madness. With passionate abandon and detachment Catherine pursues her own destruction. Forcing the boundaries of identity and the limits of her eroticism, she enters a series of blinding sexual encounters with a poet, a fascist, a young Arlesian woman, a fireman, and three thieves. Eerily she splits herself in two so that she is both the one who watches and the one who is watched, creator and creation, author and character, as she observes herself from afar "And I would like to help her, " the one who watches says, "but I can't." Finally she meets Lucien, the solitary, cynical, beautiful man with long hair who looks as though he has "stepped out of an unmade film by the dead Truffaut, " and through this mysterious, doomed, bittersweet liaison Catherine makes one last attempt to halt her decline through the redemptive act of story-telling. She begins to invent the story of their lives, telling it to him half in English, half in French, joining their solitudes for a moment before losing forever her belief that the shapely, hopeful prospects of narrative make sense of expenence. "She notices how everything is given up or taken away" as she loses the power of the imagination or memory or the body to console, and finally of language to convey meaning. This mesmerizing drama of sex, betrayal, and dissolution with its shattering inevitable conclusion is played out against the dazzling backdrop of the beautiful, indifferent Cote d'Azur in summer. Written in a dwindling lexicon with a simple, warped musicality, The American Woman in the Chinese Hat is a dark, uncompromising, seductive work of art.

    Lois Lenz was like any other wholesome former cheerleader with a knack for office skills--until she took a job at Sather & Sterling in bustling Bay City. Spending her days in the cut-throat typing pool and her nights at the all-women's residence of Magdalena Arms, Lois had no idea she was entering a world of working girls whose passionate desires--and fabulous fashion sense--could lead any innocent lamb astray. . .Netta--serious and smart, she's unlike any woman Lois has known. . .Maxie--The height of society fashion, and girls are so very in style. . .Pamela--Lois's old high school Pep Squad pal certainly has changed. . .Miss Gill--the office manager has secrets and plenty of file cabinets to keep them in. . .Dolly--an actress whose martini shaker is as busy as her love life. . .Mrs. Pierson--"The hyena," Lois's boss, her office is a place of hard work and private dictation. . .And many more!Lois Lenz--she was a good girl a long way from home about to discover that not everything is what it seems, navy is a bad suit choice, and love can bloom in the strangest of places. . .

    Set in the 1980s against the backdrop of a swiftly gentrifying Manhattan, The Lost Language of Cranes tells the story of twenty-five-year-old Philip, who realizes he must come out to his parents after falling in love for the first time with a man. Philip's parents are facing their own crisis: pressure from developers and the loss of their longtime home. But the real threat to this family is Philip's father's own struggle with his latent homosexuality, realized only in his Sunday afternoon visits to gay porn theaters. Philip's admission to his parents and his father's hidden life provoke changes that forever alter the landscape of their worlds.

     What with all the hunger, chaos, sunstroke, landmines, and radiation it's hard to get by, and harder still to get laid.  In the remote desert town of Lafontaine, Casey Prentice has been trying to survive the endtimes by keeping her head down and refusing to give a damn about anyone except her younger sister Emily and wingman Malice Hiroyama. But that ceases to be an option when a powerful and mysterious entity known as the Anastasian League descends on the town.Casey offers shelter to genius Pax, who is trying to escape the League. In doing so, she invites a whole new kind of danger into her life on top of a budding romance. The town of Lafontaine has a secret . . . and if the League discovers it, then the apocalypse will be the least of Casey’s worries.

    Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.

    When it is leaked that Rosie is one of only two women to become pregnant from the treatment, her relationship with Jules is put under a microscope. Who close to them leaked the news?

    This groundbreaking anthology looks at the history of the leather and S/M movement.

    In the 22nd century, a forbidden love between a man and a machine spins the Earth toward one final war.