Comics insider Peter Sanderson recounts Marvel's main story lines and delves into the lives of major characters, showing how different writers shaped their fates. The illustrations include scenes from ground-breaking stories, showcasing the best work of important Marvel artists.

    Creators such as Patton Oswalt, Geoff Johns, Mariko Tamaki, Scott Snyder, Chip Zdarsky, Kelly Thompson, Cullen Bunn, Johnnie Christmas, Cecil Castellucci, and many more of comics' top talents take on some of the greatest heroes and villains of Spiral City! This collection launches the beginning of a special two volume hardcover series of exciting stories taking place in the world of Jeff Lemire and Dean Ormston's Eisner Award-winning Black Hammer superhero comics.This graphic novel collects Black Hammer: Visions #1-4 and also features a sketchbook section and pinups by Gilbert Hernandez, Evan Dorkin, Kelley Jones, Christina Chung, and more!

    Perhaps, what brought the two still closer were the stories the Guru narrated. These stories provided a meaningful context for the topics under discussion. They also demonstrate that in those days knowledge was not the monopoly of any select group. Thus Janashruti, the ruler of the land, approaches the cart driver Raikva, with humility, to seek the highest truth.

    A 160-page release in a large format, with whole pages often designed as single pictures, Tarzan of the Apes was not a throwaway periodical, but a hardback book, designed to have permanent status and to be read by adults. It was able to bring Burroughs’s work visually alive in a way that had never before been achieved. (M. Keith Booker, Comics Through Time)

    But around every turn the evil villain Skeletor seeks to destroy the young hero and keep him from finding his fellow Masters. Join writers James Robinson (EARTH 2, STARMAN) and Keith Giffen (LEGION OF SUPER-HEROES) and artist Philip Tan (GREEN LANTERN, BATMAN & ROBIN) as they unveil a MASTERS OF THE UNIVERSE for a new generation.

    Nature has all but disappeared in her world, but no one notices because of the antidepressants they're on. Lulu (who never takes her medicine) feels an increasing sense of dread and despair, until her fate changes one cold day when she finds a magic bottle containing a map. Drawn by pirates long ago, this map shows the way to the lost world of the Peppermint Islands, sunk to the bottom of the sea 400 years ago in the great battle between the pirates and the capitalists. Suddenly, Lulu has the chance to save the last remaining wild animals on earth, but she'll have to battle the Peppermint Man and the Great Trading Company in order to defeat the capitalist machine out to ruin the natural world. With the help of her new octopus friend, Mr. Blue, they start their journey to save the Peppermint Islands from annihilation.This is the latest Blab! storybook, a series of graphic novels showcasing artists from Monte Beauchamp's annual BLAB! anthology, presented in a faux-children's book format, though aimed squarely at adults and young adults.

    Then, Wolverine faces down Nanny and Orphan-Maker, and lets former New X-Men member Trance in on all his secrets.

    This oversized hardcover collection features sixty-eight U.S. releases, including all minicomics from the '80s Masters of the Universe line, the '80s Princess of Power line, and the '80s and '90s He-Man line, plus an introduction to the minicomics in the current Masters of the Universe Classics toy line. Relive the illustrated adventures that fueled your imagination! Over 1000 pages of minicomics collected for the first time featuring interviews with the original comics creators!

    But as his life drains away, Adam is transported to a strange, new dimension, populated by warriors and mystical beasts: the bizarre Mazeworld! Written by 2000 AD legend Alan Grant (Judge Dredd, Batman) and featuring the breath-taking artwork of Arthur Ranson (Button Man, Judge Anderson) this must-have graphic novel contains the complete Mazeworld saga.

    Take a blistering trip through time and space with three stunning ALL-NEW short stories featuring Tenth Doctor, Eleventh Doctor and the brand-new Twelfth Doctor by the ongoing DOCTOR WHO creative teams – PLUS a sneak peek of the TOP SECRET Summer 2015 event! Be the first to get a hint of the epic that will shake the Doctor to his core! It's an unmissable read for fans, and the perfect primer for anyone looking to jump on board the TARDIS!

    Dracula has haunted the Marvel Age of Comics for years - now, see his modern misdeeds from Night One! When the Prince of Darkness rises, longtime enemies are ready for a fight - and so is one of his own descendants! Undead armies, time travel, deathbed voodoo, and more! Featuring the first appearance of multi-media marvel Blade: Vampire Hunter! Collects Tomb of Dracula #1-12.

    A giggling crowd of masked watchers. A reassembling corpse. What could be behind you, just waiting for you to turn around? Behind You is an illustration series, a comic with no panels, where each piece is essentially a separate story. Each tale is one image and one piece of text; an unsuspecting victim with someone, or something, behind them. Entries range from the amusingly weird to the genuinely unsettling. Inspired by spooky films, books, myths, and internet tall tales, Behind You is full of scary set-ups but leaves lots of blanks for the reader to fill in with their own narrative. Includes an Introduction by New York Times Best-Seller Joe Hill.

    His only clue? A single white feather left at the scene. Could this feather belong to the thief? To the thief's accomplice, an oversized talking egret? Or will his investigation lead him to somewhere even stranger? (Answer: all of the above.)Presenting a peculiar and unforgettable tale of birds and banditry, paintings and pets, larceny, love and...lamprey-wielding assassins? From the legendary creator of THE MAXX and co-creator of SANDMAN, Sam Kieth, and the considerably less-legendary creator of CHEW, John Layman!

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

     House of Mystery focuses on five characters trapped in a supernatural bar, trying to solve the mystery of how and why they're imprisoned there. Each one has a terrible past they'd like to forget, and with no books, newspapers or TV allowed in the House, they face an eternity of boredom. But stories become the new currency, and fortunately, the House attracts only the finest storytellers.Collecting: House of Mystery 1-5